Conan O’Brien Needs A Friend XX
[0] Hey, my name is J .B. Smooth.
[1] You know, I feel as though Conan is taking advantage of me, and he's putting pressure on people to be his friend.
[2] That's a big thing to do.
[3] It's like co -signing for a friend for a car that you know he can't afford.
[4] Fall is here, hear the yell, back to school, ring the bell, brandy shoes, walking loose, climb the fence, Books and pens I can tell that we are going to be friends I can tell that we are going to be friends Hello and welcome to Conan O 'Brien needs a friend And a very happy new year This is our first episode of 2021 What does it all mean?
[5] I don't know, but it feels good to be out of it.
[6] Yeah, I think all of us are happy to get 2020 into our rear view mirror.
[7] Thoughts about the New Year?
[8] sona what do you you know do you have any resolutions for this year well um i want to put that vaccination in my body as quickly as possible and then uh go hug deade that's gonna be one of the big ones do you have to explain to people who dead da is my grandpa he's 97 i haven't touched him in like all year and i miss him and so you know it'd be nice to hug him yeah and then uh you know the usual i think it's the same resolutions i have every year which is lose some weight don't look at my phone too much.
[9] First of all, I don't think you need to, I think you need to stop looking at your phone so much.
[10] Yeah.
[11] But you look great.
[12] I don't think you need to lose any weight.
[13] You say that, but then when you call me and I don't answer my phone, the wrath that I get from you.
[14] Untrue, completely untrue.
[15] No, and it's so passive aggressive.
[16] Oh, please.
[17] When has anyone ever suggested that I was passive aggressive?
[18] I defy you to find one example.
[19] Look through all these podcast tapes.
[20] that have been over 100 episodes and find one example of me being passive aggressive.
[21] I dare you to do it.
[22] Matt, insert passive aggressive here.
[23] You bring up something.
[24] Getting this vaccine.
[25] Matt Goreley, producer extraordinaire.
[26] Correct me if I'm wrong, I heard somewhere that, of course, people are saying frontline workers need to get the vaccine quickly and the aged need to get the vaccine quickly and they should be first.
[27] And of course, that makes perfect sense to me. And then someone was saying that podcasting was considered that.
[28] Who was saying that?
[29] Well, podcasting, yeah, podcasting did get designated as essential work because...
[30] How?
[31] I'll tell you how.
[32] I'll tell you how.
[33] How did podcasts get designated as essential work?
[34] Because 0 .5 % of it is like a journalistic podcast where the rest is absolute horseshit and we got brought along with the journalists.
[35] So we basically got into a legitimate party by Jack Nicholson was walking in and we ducked under his trench coat and snuck into a party.
[36] No, I was hearing this.
[37] I was hearing someone saying that, well, of course, podcasts are essential.
[38] They need to continue.
[39] And then I started thinking, what if we started a campaign on the podcast, which is, I need to get that vaccine.
[40] Oh, no. I need to get that vaccine ahead.
[41] Let me just make my pitch.
[42] Oh, no. Ahead of frontline workers.
[43] Oh, no. People who are working in hospitals.
[44] Let me just say this.
[45] You don't know what it's.
[46] like to talk to comedians.
[47] You have no idea what it's like to do ad integrations and try and make them funny.
[48] The pressure I'm under, the danger I'm in constantly, and I do think I could make some kind of, that America will cease to function if this podcast is shut down.
[49] You're shoving doctors out of the way in line to get to the front.
[50] Can you imagine how angry people would be?
[51] It would love the idea of me saying, hey look, I just think before any front line workers.
[52] People are like, Conan.
[53] No, no, Conan, don't finish this sentence.
[54] No, no, listen, I'm serious.
[55] I have a podcast.
[56] So what I'd like to do is cut to the front of the line.
[57] Actually, there'd be footage of me shoving a 98 -year -old war veteran.
[58] Who are you?
[59] I took the beach at Normandy.
[60] I took out seven machine gun nests.
[61] Yeah, stand back, Gramps.
[62] I have a podcast A what?
[63] Where I...
[64] Podcasts, hello, sir.
[65] How do I watch it?
[66] You don't watch it, sir.
[67] Look, listen, I'm not belittling what you did to defeat the Nazis, sir.
[68] But I'm going to step ahead of you in this line and get the last vaccine for today.
[69] You can come back tomorrow because I have to, yes and, during improvisations.
[70] I have to come up with strange and funny observations off the top of my head at my leisure in a comfortable studio.
[71] So, sir, I will see you tomorrow.
[72] Well, actually, I won't see you tomorrow because I'm getting my shot now and I'm going home.
[73] And I may be dead.
[74] Well, sir, those are the risks you have to take.
[75] You've convinced me, good day.
[76] You know, when you started talking, I thought you were an idiot, but it does sound difficult.
[77] Come to think of it, Normandy wasn't that hard.
[78] Oh my God.
[79] I took a few shots in the shoulder, but the shoulder, it heals.
[80] But you, I mean, having to talk to musicians and comics, that's quite a wide variety of people to make funny.
[81] I think you should go first.
[82] And you have to watch the projects they've done?
[83] Yes, I do.
[84] I do have to watch some of the projects they've made for Netflix before I talked to them.
[85] Good God!
[86] You, sir, are my hero!
[87] All right, well...
[88] Take my Medal of Freedom.
[89] This is a Medal of Freedom that was given to me for saving 55 people in my platoon.
[90] But I want you to wear it.
[91] Thank you, sir.
[92] I'll take that.
[93] Maybe you want to think about taking it.
[94] No, no, no, no, I'll take it.
[95] I'll just jam it in my pocket.
[96] Just take it.
[97] You're supposed to wear it with pride.
[98] Nah, I'll just jam it in my pocket.
[99] It'll probably go in my sock drawer.
[100] I don't know.
[101] I got a bunch of medals, old people have given me because I do a podcast, which is much braver than anything they ever did with the Big Depression in World War II in the Korean War.
[102] Oh, my God.
[103] It's still going.
[104] I don't think you should put the Medal of Freedom in your son.
[105] Look, Gramps, you gave it to me. Once you give it to me, it's mine, and I decide where the Medal of Freedom goes.
[106] Okay?
[107] I got to go get my vaccine, and you should probably just head on I don't have a car.
[108] I have to walk.
[109] Well, that's your problem.
[110] I'd give you a lift, but there's not a lot of room in my Bentley.
[111] You have a Bentley?
[112] Yeah, but I, you know, I got a couple of boxes in there, so I don't want to put them in the trunk.
[113] That would take a minute.
[114] Oh.
[115] Wow, I love thinking about the worst thing I could do.
[116] It's amazing.
[117] It's amazing.
[118] I'm very prolific when it comes to what is the worst thing in the world.
[119] I could do.
[120] Do you have resolutions?
[121] Maybe, I don't know, be nicer.
[122] Yes, I resolve to get to the guests more quickly.
[123] Oh, wow.
[124] I think sometimes I go on at length in these crazy mental fantasies of mine, of belittling a war hero so that I can get their Medal of Freedom and the last COVID vaccine of the day.
[125] I resolve to get, I resolve to get to the gasped faster.
[126] in this decade, not because it's easy, but because it's hard.
[127] And with that in mind, my guest today, a hilarious actor and comedian who wrote for Saturday Night Live and appeared in such movies as I think, by the way, the best title ever for a movie, Pouti Tang.
[128] It's right up there with, what is it, dude, where's my car?
[129] Yeah.
[130] Yeah, he wrote for Saturday Night Live, he appeared in such movies as Pooty Tang in Spider -Man, Far From Home.
[131] You also know him as Leon on the HBO series Curb, your enthusiasm.
[132] I've known this gentleman for a long time.
[133] He is an absolute delight and wonder.
[134] J .B. Smooth, welcome.
[135] You know, what do you mean?
[136] I'm pressuring you to be my friend.
[137] This is pressure.
[138] You call a show Conan.
[139] What's the name of the show?
[140] Conan needs a friend.
[141] And you call said friend who ain't sure he's even your real friend.
[142] You know what I'm saying?
[143] That's putting pressure on people.
[144] And I use a co -signing thing because you have a friend.
[145] co -signed for a friend for a car and you got to go down there with him, they got to run his credit and they got to run your damn credit.
[146] Right now, you're running my credit.
[147] You know what I'm saying?
[148] Right now you're running my credit.
[149] You're running my credit right now.
[150] I'm looking at this damn salesman like, yo, you know what I'm saying?
[151] The first day you get the car, you crash.
[152] Wait a minute.
[153] Wait a minute.
[154] J .B., your likening being friends with Conan O 'Brien is having to co -sign for a 1991 Toyota Tercell.
[155] Yes, a used car, a used car.
[156] That's missing a rear panel.
[157] You know what to be nice, though, Conan?
[158] Get one of those Suzuki Samarise.
[159] Now, that's a car you co -sign a person for.
[160] So, you know, I don't even make those anymore to Suzuki Samurai.
[161] You can find them, but it's not easy.
[162] It's not easy to find those Samarise.
[163] You know, the top comes off and everything.
[164] I understand.
[165] A little lady on the side or something like that.
[166] I don't know what's going on in your household, but not your, you don't put your real lady in that car because they say those things tip over.
[167] So you put your side chick in that car.
[168] That's what I'm saying.
[169] I mean, that's what I'm saying.
[170] The Suzuki Samurai is for your, you know, your, your mistress, your side.
[171] Same thing with the Pontiac Fierro.
[172] Remember the Fioro was it catch on fire?
[173] They called it the Fioro, but the damn thing when you started up, it cuts on fire.
[174] Don't make no damn sense?
[175] J .P. Either way, either way, if that car gets on fire, that's a hot chick.
[176] You know what I'm saying?
[177] You are saying that I'm not even as good as a Suzuki samurai as far as being friends with somebody, go, which is hard not, it's hard not to hear that and be insulted.
[178] Well, look, there's different ways of being a co -signer.
[179] Anybody else who's watching this is going to say, wow, is J .B. Cohen's his friend, or is he not his friend?
[180] Or is he just going to be a co -signer?
[181] And Cohen's going to get that car, he's going to drive off that lot, and bam, right into a damn tree.
[182] This is an endless stream of bullshit, J .B. And let me tell you something.
[183] Let me tell you something, because it's going to be very hard for me to get a word in edgewise here.
[184] and it's my podcast.
[185] But here's the deal.
[186] J .B., I've known you for a long time.
[187] When you were a writer on Sarnat Live before anybody else knew your face, I used to have you come on the show do bits for us, right?
[188] Yes, right.
[189] And you were always hilarious, you were always fantastic, and I would talk to you, you were great, but you were always, J .B., you were always this guy.
[190] You've done a bunch of other things.
[191] Then you get on curb, and you start playing Leon, and everyone says, oh my God, he's brilliant, this character.
[192] And I'm like, no, that's J .B. That's who you are 24 -7.
[193] I've run into you in all kinds of places and situations and you are J .B. smooth all the time talking a stream of bullshit.
[194] I try to be consistent.
[195] You know, I separate, there's different levels of bullshit, see.
[196] And I try to categorize my bullshit into different people.
[197] You know what I'm saying?
[198] It's a certain level of bullshit that Leon does, a certain level of bullshit that I do.
[199] See?
[200] So you got to separate your bullshit.
[201] But I don't want to.
[202] happened here is my bullshit to intertwine with each other, you know?
[203] I don't want my bullshit to start to go into other shit.
[204] Like, okay, you're a farmer, right?
[205] You're a farmer.
[206] You got bulls?
[207] Why am I a farmer?
[208] No, I'm just saying.
[209] I'm just, I'm just doing this a metaphor.
[210] All right, all right.
[211] So I just, you got to give me a second to catch up.
[212] Suddenly I'm a farmer.
[213] I'm telling you, you're a farm.
[214] You're talking about, you know, in Ghostbusters, they can't pass the, you know, they have these beams they shoot.
[215] Yeah.
[216] These streams, and they can't cross streams.
[217] Yeah.
[218] Because that's a big problem.
[219] You're saying, bullshit streams cannot cross or it will create a massive explosion.
[220] I just want my shit to intertwine with the other shit.
[221] That's what I'm saying.
[222] I use a farmer metaphor because a farmer has several animals on his farm.
[223] He got bulls.
[224] He got cows.
[225] He got pigs.
[226] He got chickens and shit.
[227] Hens.
[228] A rooster.
[229] J .B., we don't have to list them all.
[230] How come you never see more than one roosters?
[231] It's only one rooster.
[232] You know what I mean?
[233] Is the rooster a pimp?
[234] Is he like a pimp to all these chickens and shit?
[235] And what's the difference to the hen and a fucking chicken?
[236] You know what I'm saying?
[237] It's a hen supposed to be like the fine one.
[238] Because they always have a better body shape.
[239] That's the one wearing a lot.
[240] That's the one wearing pearls.
[241] Look at the cartoons.
[242] The hen has a better body shape than the regular ass chicken.
[243] That's what I'm trying to say.
[244] So the hen is a higher level.
[245] We consider the hen fine, all right?
[246] The rooster is like some dashing, handsome -ass chicken and shit.
[247] Because they've been throwing rooster.
[248] They got that little red thing.
[249] hanging from your, but I don't know how to be handsome with that red little fucking gizzard thing hanging in front of the fucking neck.
[250] What the fuck is that red thing, Conan?
[251] You don't what I'm talking about?
[252] I have no idea.
[253] Listen, I am a professional conversationalist.
[254] It's like a little punching bag and shit.
[255] If anyone out there understands how we got to this quickly, please contact me and let me know how we got to the little thing that hangs off the rooster's throat from me mentioning Kirby your enthusiasm.
[256] Oh, okay.
[257] So I don't want my shit to end of Fine.
[258] I'm saying is this.
[259] When you're walking through a farm and you're on the phone walking, you might step in, you might step in pig shit, hog shit, chicken shit, dog shit and bullshit.
[260] I'm saying that I don't know all the shit to get all confused.
[261] You know what I'm saying?
[262] Is there a difference in shit?
[263] You know what I'm saying?
[264] If you go in the house and it's on your shoe, do you say specifically that's bullshit?
[265] Or do you say, you know what?
[266] That could be any kind of shit.
[267] I got a lot of shit going on this phone.
[268] I can be any of these shit of those animals.
[269] Maybe my one really cool talent is I can immediately tell what excrement comes from what animal instantly, just by smell.
[270] So when people come into my home, I'm like, ah, you stepped in raccoon shit, you know, and I know immediately I'm able to tell, I'm able to tell which species.
[271] I can break it down.
[272] I can tell the sex of the species.
[273] Wow.
[274] I guess there's a female kangaroo in the neighborhood.
[275] You just stepped in female kangaroo shit.
[276] I can do that.
[277] Now, I can tell, I can tell before, like, I can tell before it gets on my shoe.
[278] Like, like, some animals, shit, like, a curly, a curly fry.
[279] Like, it's like a curly fry and shit.
[280] You know what I mean?
[281] You've got a swirl to that motherfucker, like a, like a Mr. Softy Ice King Cone.
[282] Like, you go to New York, you hit the sound and shit.
[283] It's like a, it's a swirly kind of thing.
[284] I don't know if that's on purpose or I don't know how that happens, but it just comes like a swirl and shit.
[285] And sometimes it has sprinkles on that motherfucker, but sprinkles.
[286] Should we not do this?
[287] Should we just, listen, should we just stop this now?
[288] Because someone's going to get hurt.
[289] Someone's going to get hurt.
[290] This is, this is called cosigning.
[291] I'm co -signing for your ass right now.
[292] You understand?
[293] This is a co -signing process.
[294] We are both in front of this damn car dealer.
[295] We're both sitting there.
[296] He's running my credit right now.
[297] He's running your credit.
[298] Evidently, your credit wasn't, wasn't suffice.
[299] So, I got to give my social security card number.
[300] My credit is a comedic voice.
[301] What you're saying is I came in with my comedic voice.
[302] They said you've got to get a co -signer, you've got to get J .B. Smooth.
[303] You came in and still, still they need to check our credit.
[304] Don't blame this shit on me. You're trying to find a friend.
[305] Don't blame it on me. You're trying to find a friend.
[306] Not me. I got pity of friends.
[307] You're trying to find a friend.
[308] Your show's called, it's a friend.
[309] I'm trying to be there for you.
[310] I'm trying to co -sign for your ass right now.
[311] Okay, this got belligerent very quickly.
[312] I'm just trying to make the point.
[313] That you've always been this guy, and you've been this guy through, I think, your entire life.
[314] Going forward, what I don't understand is, where did this guy come from?
[315] Were you born this guy?
[316] You know what?
[317] Are you always this guy?
[318] No, I am actually a very down -to -earth, grounded person who's, like, their fucking positivity oozes out my pores.
[319] It pours out.
[320] Like, some people sweat.
[321] I love when people don't just say the very positivity, they say their fucking positivity.
[322] I love that.
[323] It pours out of my, out of my pores.
[324] It's just like, oozes out of me. You know what I mean?
[325] So all day, I'm just trying to help people, man. I'm trying to help your ass right now.
[326] Like, in some sense, in some sense, you know what I'm saying?
[327] In some sense, we're in a psychiatrist's office right now, right?
[328] In our mind.
[329] You know, you've got a psychiatrist sitting in a chair, leg crossed right over left, you know, a little pad and shit to write down all the crazy shit that's going on in your head.
[330] Right now, that's what I do to people.
[331] But I'm not sitting in a chair with my leg crossed with a little pan.
[332] I am actually the fucking couch.
[333] So I'm the couch and you're laying on top of me. I'm not laying on top of you?
[334] Fuck, yeah.
[335] You know, not like this.
[336] I'm more like this.
[337] You know what I mean?
[338] Okay, you had your hands fit.
[339] Okay, you just, because it's a podcast.
[340] This is something different.
[341] You had your hands together.
[342] You said we're not, we're not lying crotch to crotch.
[343] No. We're lying.
[344] Like this.
[345] I'm the couch.
[346] You know what I mean?
[347] Maybe I got a few little throw pillows on me or something like that.
[348] But picture me, the couch.
[349] you know, it's more intimate, it's more intimate thing.
[350] Yeah, it's very in.
[351] I recommend most psychiatrists to have their bodies, like have a body cut out in the couch that they fit right in, like Lego, like they fit right in that little slot, you know, and that way they can be the couch closer to their patients.
[352] So this is fantastic.
[353] This is a fantastic idea.
[354] You're saying lay on the psychiatrist.
[355] You actually have to lie on top of the psychiatrist while you talk about your problems so that psychiatrist is not only providing psychological, support, but actual low back and leg support.
[356] Physical attraction, lumbar.
[357] No, who said attraction?
[358] No one said attraction.
[359] You just said attraction.
[360] No, you must.
[361] You just said attraction.
[362] You said attraction.
[363] You said attraction.
[364] Of course, your psychiatrist has got to be, like, you have become, you've got to become one person.
[365] I recommend also, when you walk into your psychiatrist's office, you guys switch pants.
[366] Like, he pulls his pants off.
[367] Okay, for God's sake.
[368] What do you?
[369] No, I'm saying.
[370] Switch pants?
[371] Of course.
[372] You've got to become one person.
[373] You've got to become one.
[374] So you've created an awkward situation here.
[375] This is more awkward than you just suddenly making me a farmer, not minutes ago.
[376] You've just now said that I'm going to my psychiatrist.
[377] My psychiatrist and I, I'm attracted to this guy, and he's attracted to me. And the first thing we do is we switch pants.
[378] If you want all the sense is this, just like you want a friend, if you want that said friend or a psychiatrist to get in your head, you must connect.
[379] And right now, I'm just trying to connect right now.
[380] If I can decide for myself, if I want to be your fucking friend.
[381] That's all I'm trying to tell you.
[382] Okay, okay.
[383] Well, I, I, I, I, you know me pretty well, J .B. You've known me over the years.
[384] We've known for a long time.
[385] Yeah, I know you.
[386] No, what is that all?
[387] What is that all about?
[388] You know me. Yeah.
[389] I don't like that laugh.
[390] I don't like it at all.
[391] Yeah.
[392] I'll say, that's the shit that people do.
[393] When someone coughs their mouth like this, that means like, okay.
[394] All right.
[395] So you're not buying any of this.
[396] You don't think, do you think we could really be good friends?
[397] No, I think we could.
[398] But you got to connect, though.
[399] I do believe that we should switch pants when I see you next time.
[400] I don't want to switch pants with you, J .B. Although I'll say this, you're one of the few guys who if we switch pants, they would fit.
[401] Because you and I are about, right?
[402] We're about the same height.
[403] We're super, we're lean guys.
[404] Long and lean.
[405] We're long and lean guys.
[406] Yes, indeed.
[407] Long and lean guys.
[408] And you like being long and lean, don't you?
[409] I love it, I love it, man. You know, you know, I don't know if I told you this, but, you know, I'm a vegan, you know.
[410] Yes.
[411] Vegan lifestyle is wonderful, Coney.
[412] You know, we also have a vertical garden here.
[413] So all of our vegetables from Thanksgiving, we actually grew in our own garden, you know.
[414] That's beautiful.
[415] Yeah, we have a vertical garden by this company called L .A. Urban Farms.
[416] And we have.
[417] Do you get paid if you mention their name?
[418] No. No, but I don't get paid per se.
[419] But know what I get, though?
[420] I get this thing called seedlings.
[421] I get an abundance of seedlings.
[422] Seedlings are what your plants will grow out of.
[423] We call them seeds.
[424] Seedlings.
[425] They're just seeds, right?
[426] Seedlings.
[427] They call them seedlings.
[428] There's a different process.
[429] They're smaller, a different process.
[430] You put them in the ground and they grow.
[431] I just told you it's a vertical garden.
[432] It goes up.
[433] It's in a silo.
[434] It's in like a...
[435] Right, but when you plant a seed, it grows up.
[436] No, that's what got Jack and the Beanstalk fucked up.
[437] See, his dumb ass planting those stupid ass seeds, glue the fucking thing up.
[438] Then he took his nosy ass up that goddamn vine to the top.
[439] And that giant whipped his ass.
[440] See?
[441] And then the Giant beat his ass.
[442] Then he ran back down.
[443] Then the Giant.
[444] I thought he got away.
[445] I thought Jack got away.
[446] He got away.
[447] Didn't Jack get away and get the goose that laid the golden egg?
[448] No. What?
[449] What am I thinking of?
[450] I don't remember.
[451] I thought Jack got away.
[452] He did get away after said Giant slap the shit out of his ass and up there, up the vine for being in his house.
[453] He told him, fuck you're doing here.
[454] Then he ran, and then the That's not how the story went.
[455] The giant did not say what the fuck you're doing here.
[456] He did say that.
[457] And then the giant tripped, and that's when the giant fell to his death and hit the ground.
[458] And that's when he, that's when Jack got away.
[459] Because the giant didn't have life alert.
[460] He should have had life alert.
[461] That would have helped his ass out.
[462] Again, I've never seen a guy jump the tracks faster than you.
[463] Hey, that brings me something.
[464] One of my first little bits I ever wrote as a stand -up was about life alert.
[465] Because you know, we had a commercial in New York, you know, I've fallen, I can't get up, you know what I mean?
[466] Yeah, yeah.
[467] So here's what I did.
[468] It's okay.
[469] And it was fine.
[470] And they would combine two commercials into one.
[471] Like the lady would say, oh, I've fallen and I can't get up.
[472] And then the operator would say, oh, it's okay, Mr. Johnson.
[473] We'll send help right over right now.
[474] We'll send help.
[475] She'd say, oh, no, it's okay.
[476] I just got this new carpet from carpet world.
[477] See?
[478] See that?
[479] That's two commercials in one.
[480] She fell, but she enjoyed it.
[481] No, she did die.
[482] But she dies on the night.
[483] No, she was comfortable.
[484] She fell onto the carpet.
[485] And the carpet was so plush.
[486] And she was like, it's okay.
[487] I just got this brand new carpet from carpet world.
[488] That's combining shit together again.
[489] See, that's a callback.
[490] Yeah, I can imagine if, like, say you were involved in a lawsuit and I was a lawyer and I had to depose you or I was an investigator, detective, and I had to talk to you, J .B. Smooth, you were a witness.
[491] And I was trying to get information out of you because you had seen the murderer run out of the building holding a hatchet, you would get to roosters and then Jack and the Beanstalk within seconds.
[492] Meanwhile, the bad guy's getting away.
[493] He's in another country by the time they even establish what you say the guy looked like.
[494] No, you just got to paint pictures.
[495] People need, you know what?
[496] People, some people don't like, I'll tell you what, you know why they invented podcast?
[497] People want to see you and they want you to paint pictures from them and vividly express things like swirly poop and freaking and one wants to envision that and combining of different types of shit on that farm people don't understand we just say it's not why the podcast was in front of course it was of course it was if people want to see what you're talking about they want to see what you're talking about and the same thing goes for holograms holograms are the same thing fucking holograms you can't a hologram is only good for a voice See?
[498] A hologram can't be anywhere else.
[499] You can't be a hologram pimp because, you know, you know, the lady pays you and you're going to put the money in your pocket and the money just falls on the ground because you're a hologram.
[500] You're right.
[501] A pimp is there to threaten and as a source of menace and protection.
[502] And so a hologram pimp is a complete waste of time.
[503] Certain people can't be holograms.
[504] Hologram mobsters, pimps.
[505] Hologram bouncer outside a club.
[506] It's not going to.
[507] He can't throw you out of there.
[508] You can talk as much.
[509] You can talk all this.
[510] He's like, I'm sorry.
[511] You know, you can't come in here, get out of here.
[512] What are you going to do about it?
[513] Walk right through him.
[514] Yeah, walk me through him.
[515] What are you going to do about it?
[516] And walk, and fade right through his ass.
[517] You know what I mean?
[518] And walk your ass.
[519] Here's the thing.
[520] One of my favorite things about working at Sound Out Live, and you worked at Senate Live as a writer.
[521] And I worked there as a writer at different times.
[522] But one of the things I love was being in the room with someone with a mind like yours because we'd get a good idea just shooting the shit, just talking.
[523] I was lucky enough to be, I was lucky enough to be in a room with Robert.
[524] Kurt Smigel and Bob Odenkirk and Greg Daniels and hilarious guys.
[525] And we would just be talking.
[526] We wouldn't even be working.
[527] We'd be talking and a funny idea would come out.
[528] I know that if I share an office with you, all I'd have to do is talk to you.
[529] I would probably say three words.
[530] You would be babbling and then you'd get to a hologram pimp.
[531] And we're off to the race.
[532] Oh, man. You start creating that kind of stuff, man. But I do believe, you know, that was a great process.
[533] Not only just the writing part, but also the pitching.
[534] That was your test ground to see if this is even a good idea.
[535] You know, Lauren's very good at, like, he'll smirk a little bit, and he would have a bowl of those goddamn edamamees on his table.
[536] So it's like a smirk, you know, grab one atlema me. Oh, J .B. You know, anything else, J .B. And he'll fucking elamamees.
[537] Those are the only things keeping him alive.
[538] He has two, he has four of those a day.
[539] And he's been living off of them since 1975.
[540] I'll tell you, I'll tell you, there's tedious things like that that you could eat.
[541] Like, etymame, fucking, fucking, fucking, you gotta crack them shit's open and eat them, you know?
[542] And, you know, pistachio.
[543] You burn more calories cracking the pistachio than you get out of the pistachio nut.
[544] God damn right, you do.
[545] And have you ever cracked one open and the inside was a rotten one?
[546] You're like, fuck.
[547] You know what I mean?
[548] You're like, fuck, you know what I mean?
[549] It throws you up.
[550] Well, we just, you just learned a lot about what it's like behind the scenes at Sound Out Live, Lauren Michaels.
[551] I'm telling you.
[552] Sometimes you bite into a pistachio and the inside nut is soft.
[553] This is crazy.
[554] I don't know how this shit happened.
[555] One time I had an edamame, you know, you put it in your mouth, you pull it out, and guess what was inside that motherfucker?
[556] What's that?
[557] Three fucking pistachios.
[558] I said, what the fuck is happening?
[559] Okay, all right.
[560] I said, what the fuck just happened?
[561] You are...
[562] What the fuck just happened, Conan?
[563] I said, what the fuck is...
[564] You are now, I don't, you know what I no longer want you.
[565] All the thing about was, I no longer...
[566] Somebody had been fooling around around.
[567] That's all I can think about it.
[568] I no longer want you as my comedy co -signer.
[569] Okay?
[570] I want you to take your visa card.
[571] I want you to take your visa card and leave and I'll take my chances on my own.
[572] But that's what, you know, that's what the pitching was.
[573] The pitching was, you know, getting, you know, I don't know, truth be told what I didn't get a lot on air.
[574] Legendary pitches, though.
[575] Fucking legendary pitches.
[576] I didn't get a lot on air.
[577] So you would have everybody in the room laughing at your comedy ideas, but very little of it ever could make it on the air as a sketch.
[578] You know what I thought would make it, though, was the one about the guy I used to work at a bank.
[579] He got fired from the bank, and then he got a job at Subway, making sandwiches and shit, but he couldn't stop doing bank stuff.
[580] Like he would say, you want salami cheese?
[581] Let me get that salami cheese and ham on this, and he would lick his finger.
[582] Like he's counting out bills.
[583] Like lick his fingers.
[584] like he's counting up bills except he's doing it with deli me he's doing it with fucking deli me oh my god man that's a sketch that has a lot of backstory it doesn't a lot of backstory because you've got to do a lot of backstory we explained he worked at a bank but then lost that job and now he's at subway and that explains it so how do you do the backstory for that sketch how do you educate the audience about what happened before you got that's the tricky part that's my challenge here's what should happen anytime you go somewhere right to take care of business right they always ask you if i can help you with anything else.
[585] You always, now, I always throw out the most obscure shit ever.
[586] You know what I mean?
[587] You do this in real life?
[588] Fuck yeah.
[589] Keeps people on their toes.
[590] So you come to me and, and, uh, and you ask for a subway sandwich and I give it to you and then I say, sir, can I get you anything else?
[591] Yep.
[592] And when you say that, I say some weird shit out of left field.
[593] Like, I would love a nice shepherd's pie.
[594] You know what?
[595] I love shepherd's pie.
[596] Would you happen to have some shepherd's pie?
[597] Sir, this is Subway.
[598] This is, uh, we don't, we've, we've never.
[599] ever, ever had shepherd pie.
[600] We've never advertised that.
[601] That's completely off brand for us.
[602] You asked me, did I want something else that you can help me with?
[603] Yes, I want you to help me make a fucking shepherd's pie.
[604] If you'll say that, you got to put up a shut up.
[605] Put up or don't ever say that shit again.
[606] You know what I'm saying?
[607] You know, J .B., you were, and I found this out about you, and it makes so much sense because I've always thought as a, such a fun, comedian and actor and personality.
[608] You're so goddamn funny.
[609] I thought there's an element to you that always feels like a salesman.
[610] Like I equate you with that old TV show, Bilko, starring Phil Silvers, like the guy that's always trying to talk somebody into something.
[611] And then I find out that you used to be a salesman.
[612] Yes.
[613] That you had a lot of jobs back in the day.
[614] You sold fire extinguishers at one point?
[615] I did sell fire extinguishes.
[616] Were you a good salesman?
[617] You know what?
[618] I was good at getting in your house.
[619] you know what I mean I was good at causing you know I'm very good at reading people you know I think that's where we came that's where the comedic part comes from this is all before I became a comedian so being able to read people was always something you need needed as a salesman you got to be able to get in their house you got to be able to be I would knock on someone's door you know they would open the door and immediately I would put my foot down in the threshold so your ass can close the door back Okay.
[620] See, J .B., that's exactly what you're probably not supposed to do.
[621] No, you, that sounds like it's creating a threatening environment.
[622] You don't make it like obvious.
[623] You don't like pick your leg up here and stomp it on the, you know, ha -ha.
[624] What's to say?
[625] They get suspicious.
[626] Ha -ha.
[627] Don't say aha.
[628] So when you kick their door, when you physically kick their door open and yell, aha, you think that's going to come.
[629] Don't do that.
[630] Don't do that.
[631] That's the worst salesman ever.
[632] But when they open the door, you have to put your foot on the threshold.
[633] So, you say, hello, ma 'am or hello, sir, you lean over about 30 degrees just to get a little peek into their world, what's going on inside that house.
[634] What you want to do as a fire extinguisher salesman is ask, do you have a fire extinguisher in your home and you lean over like this?
[635] And when they say no, you say, hey, I see you have a bunch of baby toys over there.
[636] I see you have a grandpa in a wheelchair.
[637] See, once you do that, it lets them know that, they ain't safe.
[638] You've got me wanting to get a fire extinguisher.
[639] If you don't have one, you should be a shame of your fucking self.
[640] You've got to have a fire extinguisher.
[641] You know the number one thing?
[642] You're not even a fire extinguisher salesman anymore, and I think I'm going to buy a fire extinguisher.
[643] I can still sell them, because I know what it takes to sell them.
[644] Let me guess.
[645] Your flaws as a salesman might be, a salesman has to stay on track.
[646] Always be selling, always be closing.
[647] And my thought is that you knock on the door, they answer.
[648] You say, sir, madam, you got your foot in the door, but subtly, you do the 30 -degree lean, you see Grandpa on the wheelchair, you see the baby toys, you see the grandfather clock, you say, do you have a fire extinguisher, and they say, no, we don't.
[649] You say, you really got to have a fire extinguisher, and they say, you know, that's probably a pretty good idea, and you go, why does a rooster have that thing coming off the bottom of the speak?
[650] What is that?
[651] What is that thing?
[652] Is the rooster the pimp?
[653] Is the rooster a pimp?
[654] You better do that.
[655] And then you've lost them.
[656] You better do that.
[657] You better do that themselves, man, because they want to feel attached to you like you're their friend.
[658] And then I asked them, hey, do you have Netflix or do you have Hulu or do you have Amazon Prime?
[659] And I asked them, while I'm doing my sales pitch, I'm telling them to put that movie Backdraft on while I'm doing my pitch.
[660] See?
[661] Yeah, that's smart.
[662] You got a fucking think.
[663] You got to think.
[664] So they go and they put Backdraft on.
[665] Put that shit on?
[666] The Rossi Ron Howard movie famously About Fire.
[667] Right.
[668] And I tell him to turn the volume down because I don't want to talk over the fucking dialogue.
[669] You don't want to compete with one of the Baldwin brothers.
[670] Put the shit on mute.
[671] But every once in a while, I go, oh, I love this part.
[672] Every once in a while, every 15 minutes, I go, oh, I love this part.
[673] Wait, how long are you in the home?
[674] You sounds like you're in the home for a long time.
[675] As long as possible.
[676] As long as fucking possible.
[677] And what I do is I do my demonstration, but while I'm doing my demonstration, I'm pointing things out that you got going on in this house, you know, things that would be a problem.
[678] Like getting that goddamn grandpa through that door, doing a fire in that goofy -ass wheelchair might be a problem, you know what I'm saying?
[679] You gotta navigate through smoking shit and fire and shit falling down, you know, just like on backdraft.
[680] Just like on backdraft.
[681] See?
[682] This is ingenious.
[683] I could see why you were a great...
[684] See, that's why I was a great salesman.
[685] That's why I was a great salesman.
[686] Because I pull in different elements.
[687] Sometimes there's a show that's up and it's going and it feels like this show doesn't need anybody else.
[688] This show is great the way it is.
[689] And I felt that way about curb your enthusiasm.
[690] And then I heard that you were going to join, the show.
[691] And I thought immediately, I was so happy because I knew you and I thought this is going to add such a fantastic element and this is going to let J .B. be J .B. and really blow it up.
[692] And you did just that.
[693] You did that.
[694] You did a fantastic job.
[695] You're hilarious on that show.
[696] What is your process with Larry?
[697] What is your process when you do that show because you are so yourself in that program?
[698] You know what, Conan, it's like the only way I know how to do it is I got to be in a moment.
[699] If I overthink it, I can't get a natural reaction.
[700] One thing I try to do is I try to give Larry something he didn't know about Leon.
[701] I try to give him something new all the time because my character doesn't have an origin.
[702] He just came out of nowhere and then so you know he's living in Larry's house and Larry can't get rid of him.
[703] So I try to give him something new since I can make shit up.
[704] You know, so I just started to create my own kind of, you know, even in season, was that 10?
[705] Yeah, we did the scene where we were talking about.
[706] constipation.
[707] So I gave he said his secretary was taking days off because she had constipation.
[708] And he's like, you think that's right?
[709] I said, no. You know, constipation couldn't stop nothing.
[710] I said, shit.
[711] I ran a 5K marathon, constipated.
[712] You know?
[713] I was in a hot dog eating contest, constipated.
[714] And I still fucking won.
[715] And I said, I saw a I saw a porno constipated.
[716] You know what I mean?
[717] And Larry's like, you shot a, you shot a porno?
[718] Now, I didn't answer him.
[719] I didn't answer him because I can that another time.
[720] I used that, you know, I didn't want to overpower the scene about Leon doing fucking pornos and shit, you know?
[721] But my thing is, I choose in the scene whether I want to have Larry's back or do I want to go against them.
[722] Yes.
[723] Or the other thing you do that's so good is you go after somebody and you did it today, and I'm just going to assume it was a joke, when you pretend it that you weren't sure you wanted to be my friend because it was like co -signing for a shitty car and you didn't know if I was good if I had the credit and you came after me and then I get to go after you and we immediately have a lot of fun immediately.
[724] See, that's what I'm trying to tell you.
[725] It's just a way of helping your ass.
[726] no, now I'm really mad again because I don't need your help.
[727] I don't need your help.
[728] But if I call sign for you it's a possibility you can fuck my creditor.
[729] Okay, see now I'm realizing it's not a bit.
[730] Now I, see, I tried to figure out a way intellectually that, ah, up front, you were giving us all a master class in improv and you decided to go after me as if I was not a worthy friend.
[731] Now you're revealing I'm really not worthy of your friendship.
[732] No, you are worthy.
[733] See, here's the thing.
[734] Once I give that dude my social security number.
[735] I cannot get you out of this analogy.
[736] You are trapped in this analogy.
[737] You are trapped like a Macedon in a tariff.
[738] In a tariff.
[739] pit in like, you know, 10 million BC.
[740] You cannot get out of this.
[741] You can't seem to get out of it.
[742] If I run into you six years from now, if you're in the hospital in a coma and I come visit you, you're going to wake up and go, why would I co -sign for your ass?
[743] And I'd say, what?
[744] We're back in this again?
[745] That's exactly what you would do.
[746] No, Colin, you know already.
[747] You are my dearest friend.
[748] but I have seen dearest friends fuck up somebody crazy I'm just telling you what could the possibilities are it could happen but you know you are my buddy you are my buddy we're but we've known each other a long time and I gotta say two things one every time I run into you and I ran you are one of the best dressed people I've ever met and and I just I mean I bump into celebrities all the time.
[749] I go to their homes and ring the bell and it's never a long conversation.
[750] I'm asked to leave.
[751] But you, I've bumped into you several times and you wear incredible suits.
[752] You are always perfectly dressed and you take it very, very seriously, don't you?
[753] I was time travel was a real thing because I feel like I would have loved to be around when that form of fashion, even the heyday of Harlem, you know, all these amazing suits and how people carried themselves and every club had a doorman, you know, a dude standing in front, you know, and a suit.
[754] Yeah.
[755] You know what I mean?
[756] Yeah.
[757] I always love speak -easies.
[758] And because, you know, everybody knows that a suit.
[759] When you get a suit, get out of here.
[760] When you get a suit, right?
[761] Come on.
[762] Get out of here, man. I'm not Mike Pence.
[763] Get out here.
[764] There's a fly.
[765] I'm just to, I want people, I'm, I'm, there's a fly buzzing around.
[766] Because I don't want people listening.
[767] Same fucking fly.
[768] It's a podcast.
[769] It's not the Pence fly.
[770] That was...
[771] It is.
[772] That was a long time ago.
[773] That fly died.
[774] They have a very short life cycle.
[775] Same fucking fly.
[776] How are you going to tell me?
[777] I saw the fucking fly on TV.
[778] That's him.
[779] Okay, sure.
[780] You know flies.
[781] Okay.
[782] That's him.
[783] I'm telling me, that's the same fucking fly.
[784] Yeah.
[785] Anyway, just explaining to people, it is a podcast.
[786] So when you said, get out of here.
[787] Get out of here.
[788] I think they thought that you were losing your mind or maybe suddenly growing angry with me. Oh, yeah.
[789] Yeah.
[790] So you like a suit?
[791] You like the way...
[792] I love a good suit, man. I love a good suit.
[793] I could learn a lot.
[794] from you.
[795] Yeah.
[796] You gotta make something pop.
[797] See, your skin tone toning is begging.
[798] It's begging.
[799] Your skin tone is like a canvas.
[800] See, you got to picture it like, like you naked as hell, and it's this amazing painter who's painting your body, because your body's a canvas.
[801] You white as a canvas right now.
[802] I'm trying to tell you.
[803] I'm pretty, I'm pretty, am I the whitest guy you've met?
[804] Do you think?
[805] You might be.
[806] You might be.
[807] You are a canvas, you understand?
[808] Slightly freckled canvas.
[809] Fuck yeah Fuck yeah slightly freckled canvas Yeah You know what I mean Some areas no freckles Some areas Absolutely not Some areas no freckles I'm sure you're frackledest In some areas Yes I am But you're still a canvas Your body Think about Unless some you go shopping Think about your body As being a canvas What's the story?
[810] What do you want to It's a sad story It's a very It's a tragic It's a tragic tale That's what it is Yeah you can't be You know what I wrote a sketch on S &L My first season It was called the Morty's, the home of the 11 -piece suit.
[811] 11 -piece?
[812] You know?
[813] Yeah, I know this.
[814] I've heard this.
[815] It's such a great idea.
[816] An 11 -piece.
[817] Explain how an 11 -piece suit works.
[818] You got another, your vest got a vest.
[819] You know what I'm saying?
[820] Oh, man. You got all kind of, oh, Coney, you don't understand.
[821] You say, what color do I feel like wearing today?
[822] You figure your color out first.
[823] Then you grab your tie.
[824] Oh, you know what I do sometimes?
[825] Sometimes I put my tie on, like, I just posted something on my, on my Twitter and Instagram of me wearing a tie with no, I got no shirt on.
[826] I'm naked as a J -bird, but I got a tie, I got my tie on while I'm shaving.
[827] You know what?
[828] Because I want to feel my posture that's me working on and seeing while I'm getting dressed, while I'm doing something else, I'm getting dressed in my mind.
[829] So I pick a tie out that I would love to wear that day.
[830] I put the tie on while I'm still in my boxes or naked or whatever.
[831] I'll put the tie on and then I save my face while the tie is on.
[832] That allows me to think.
[833] Wait a minute.
[834] So you're naked wearing a tie shaving.
[835] Doesn't shaving, doesn't shaving cream get on the tie?
[836] No. This is all smooth already.
[837] You see, I put the tie on.
[838] Down by the throat.
[839] No why?
[840] Because I need a reference.
[841] I need a fucking reference to see what color I'm thinking about.
[842] If I love the tie for the day, I'll think about what's going to go with this tie perfectly.
[843] But I don't want to be in a room overthinking it while.
[844] I'm in the closet going through stuff like I can't fucking find shit but what I'm saving I'm relaxed you know what I'm saying you want to be in a relaxed state when you're getting dressed put the tie on put the little cream in your face shave your face still looking at your complexion looking at your tie oh I know what I can wear with this tie it sounds to me like we have another difference which is you seem to be comfortable with your naked body oh you better be well I'm not I'm not comfortable with my naked body and guess what you should gotta be comfortable You shouldn't be comfortable with my naked body either because it is, it's something I didn't grow up that way.
[845] It's not the culture I come from.
[846] Are you happy being naked at home?
[847] You got to open up.
[848] We have this thing called Naked Thursday around my house.
[849] Called a naked Thursday.
[850] You know what?
[851] This is actually a true thing you do.
[852] This is real.
[853] This isn't a joke.
[854] Yeah, it's not a joke.
[855] Every Thursday you get butt -ass naked and walk around the house.
[856] You know what I'm saying?
[857] Now this is you and your wife.
[858] Yeah, me and my wife.
[859] You're both naked.
[860] So here's what it is.
[861] Ladies like cute shit like this.
[862] So I combine naked -ass things.
[863] Thursday, and so every Thursday, I meet my wife for the first time.
[864] Of course, we changed the story around a little bit, you know, so what I did was I bought one of those, I bought some of those strobe lights, like in the club, nightclubs and shit that blink real fast and shit.
[865] So you're walking, your body, such as, you know, like you're pop -locking and shit, I got some blinking -ass lights, you know, I got a smoke machine and shit.
[866] Wait, this is happening in your house, and you and your wife are naked.
[867] We recreate, we met in a club, so I recreate the night over and over, you But I change the story around once in a while.
[868] You know, we do different things.
[869] So the couch is the VIP area.
[870] The kitchen island is the bar.
[871] See?
[872] So what happens is I got a smoke machine and shit.
[873] If it's smoking, make the room more hazy.
[874] Got the blinking -ass lights, you know?
[875] I get my homeboy to DJ and shit.
[876] But I make him DJ facing the wall.
[877] Yeah, you don't want him looking at you.
[878] You don't want it to do.
[879] It's an invasion of privacy.
[880] It's too much shit.
[881] I'd say, you turn around.
[882] You turn the fuck around.
[883] And you DJ, he put his forehead on the wall.
[884] wall while he's DJing.
[885] He's got a DJ with his head up against the wall?
[886] That's a, that's very difficult.
[887] That way, his forehead got to touch the wall, and he got to DJ while his head is on the wall.
[888] You know, that way, we got our privacy.
[889] So your wife's comfortable, you got to have something like that.
[890] You're comfortable, and there's a lot of nudity, and that's commendable.
[891] I think that's very commendable.
[892] That would not happen in my marriage.
[893] My wife and I have still not seen each other naked.
[894] We, and we have...
[895] I call it naked Thursday.
[896] You got a theme it out.
[897] You got to call it.
[898] it something.
[899] So I call it Naked Thursday.
[900] And, you know why?
[901] Not just because Thursday's a great day, but no other day sounds naked.
[902] You can't put naked with no other like Naked Monday.
[903] She just sounds dumb.
[904] Look Tuesday.
[905] Look Wednesday.
[906] So those days already got shit attached to it.
[907] You know, Monday's like Oh, Monday back to work.
[908] You know?
[909] You know, Tuesday or Wednesday, hump day.
[910] They already got hump day already.
[911] You know?
[912] Thank God it's Friday.
[913] Everybody got their own shit.
[914] Right.
[915] But Thursday, it's naked Thursday in my house.
[916] Once again, you've sold me. What do you say, J .B., we've been talking for a while now, and I want to know, after this long conversation, what do you think about us really being friends, really hanging out?
[917] What do you think?
[918] And be honest.
[919] How do you think it would go?
[920] I'm be honest.
[921] I think the first thing we got to do is we got to go shopping together.
[922] I'd like that.
[923] We should go shopping.
[924] I should upgrade not just your wardrobe, but your attitude.
[925] towards your wardrobe.
[926] See, here's how you got to figure it out.
[927] You are doing that fucking outfit a fucking favor.
[928] You understand?
[929] Allowing it to wear you.
[930] See, that's how you got to think.
[931] You're thinking like, oh, I've got to put this shit on me. No, that shit is.
[932] It gets to be on me. You're fucking right.
[933] When you walk in that closet, they should all be all those suits and shirts and fucking underwear.
[934] It should be yelling out.
[935] Me, me, me, me. Yeah, yeah, it should be like 1978, outside Studio 54, all my shirts and t -shirts and sort of shitty, you know, sweaters should be going, me, me, me, me, me, me. And the underwear I've had since high school, she's like, me, me, me, me, me. Yes, everyone should be begging to get on your body and walk around with you.
[936] And not even just clothes.
[937] I mean, also people.
[938] People on the street should want to be on my body.
[939] You got a damn near be insane when you're wearing a great outfit.
[940] When I meet people and I know I look fucking good, know what I do, I introduce my outfit to said person.
[941] I say, you know, this is my good friend jacket, suit jacket and shit.
[942] Say hi -ha -ha -ha -ha -ha -ha -ha -ha -ha.
[943] See, see that?
[944] I love that.
[945] So that like when you're on a red carpet and they want to know what you're wearing, you just go, say hi to suit jacket.
[946] You don't say the brand.
[947] You don't say the designer.
[948] You don't say this is your shirt.
[949] you go boss, you go, say hi to fucking suit jacket.
[950] You're damn right.
[951] Sometimes these interviewers will ignore your outfit.
[952] They won't show the proper respect for your shit.
[953] It took you a long time to put that outfit together and show my outfit the proper respect and say hello to it, you know?
[954] Well, you know what?
[955] I'm going to say you are a delightful, hilarious gift to humanity.
[956] You always make me laugh.
[957] I've known you for so many years.
[958] Before, I think a lot of other people knew you and, you know, before your big success.
[959] And you've always been a hilarious and delightfully nice and funny guy.
[960] And I don't know if this deal, if our credit, if my credit's going to come through.
[961] But to take that analogy even further, I would love, I just would, I love the, even the idea of being your friend makes me happy.
[962] Conant, you know, I love you, brother.
[963] And, you know, I always tell you, man, when I was sitting upstairs, SNL, typing behind that goddamn computer and that phone would ring and I would see your extension on that motherfucker.
[964] I was to be like, oh, God, please call me downstairs.
[965] I'm proud to say, yeah, I'm proud to say that you are a big part of my movement, man. Oh.
[966] Yeah, when you make people, you know, when people can you feedback and they laugh or you can bounce off each other like this, man, it's like, you know, it confirms that, you know, it's a checkpoint.
[967] I always think when you can just hang out with somebody, uh, as you can.
[968] as funny as you, and then that's part of your job, you did something right in a prior life.
[969] And J .B., I'm sold, I'm sold on you, I'm sold on the fire extinguishers, I'm sold on lying on top of a psychiatrist as I talked to him, my crotch.
[970] Yes.
[971] Oh, wait, no, his, how would it work?
[972] I guess my ass would be on his crotch, wouldn't it?
[973] Your ass would be on his crotch.
[974] Very good.
[975] That way, you know, when he's trying to make a point, he can grab the shoulders and say, listen to me. See?
[976] See, listen to, why are you laying down?
[977] Listen to me. You know what I mean?
[978] Also, you're a, and he passed your chest.
[979] You're a good guy, see?
[980] He puts his arm around my chest and, yeah.
[981] Everyone's somebody, he may scratch your chin or rub your nose.
[982] I don't know.
[983] Give me a favor, J .B. Also, please write up hologram pimp.
[984] Yeah, please write that out because I love that idea.
[985] I love that idea.
[986] Or just give it to someone at Saturday Live and tell them what the beats are because that's a hilarious.
[987] I love a pimp getting in someone's face and he's a hologram.
[988] All right, J .B. I got to go.
[989] You got to go.
[990] I'm going to go out and buy a, I'm going to buy a suit at Sears.
[991] Is there still a Sears?
[992] Did Sears go away?
[993] I think it went away.
[994] I don't know, man. Okay, I'll go to, they might still have the big essence side.
[995] I don't know.
[996] I'm going to get a suit at bed, bath, and beyond.
[997] Oh.
[998] Okay.
[999] Oh, I like that idea.
[1000] All right.
[1001] I like that idea.
[1002] Thank you so much, J .B. I love talking to you.
[1003] Thank you.
[1004] I think most of you know that I'm not an experienced podcaster.
[1005] I stumbled into this, bumbled into it.
[1006] It's like I fell through a skylight, you know?
[1007] I was in broadcasting, and then I stepped on a skylight and crashed into podcasting.
[1008] And I love it.
[1009] I really enjoy it.
[1010] It's a lot of fun.
[1011] But I don't really know what it is I'm doing.
[1012] I just babble like a chimp on meth.
[1013] I don't know.
[1014] What's that?
[1015] Well, I think you are an experienced podcaster now.
[1016] I was going to say the same thing.
[1017] You've been doing it for like, what, two and a half years?
[1018] Well, I'm saying compared to television, which I've been working in since technically 1985, I feel I'm still a newbie, I'm figuring it out, but I like to every now and then check in and see how we're doing.
[1019] I like to check on the state of the podcast.
[1020] I feel like I am supposed to be in charge, yet I'm stunned.
[1021] I'm stunned at the number of things I don't understand.
[1022] Yeah.
[1023] And you guys are always asking me to do things and I don't.
[1024] quite know what it means.
[1025] Yeah, for instance, for this segment, you said, is this at the beginning where I say hi, hello?
[1026] Well, I don't know.
[1027] I don't think I'm supposed to know.
[1028] You should though.
[1029] Why?
[1030] Because it's not hard to know.
[1031] It's an easy thing to know.
[1032] Did you know that Lennon McCartney never learned to read music during their whole career with the Beatles?
[1033] They didn't read music.
[1034] They didn't understand.
[1035] They just knew, they knew chord shapes.
[1036] They knew how to make the tune.
[1037] Now, some listening saying, oh, wait a minute, Conan, your computer.
[1038] carrying yourself to Lenham -Cartney.
[1039] Right, and I think that's what I was just going to say.
[1040] No, you're saying you're both of them.
[1041] Yeah, I'm not saying I'm either one.
[1042] I'm saying I'm both.
[1043] Wow.
[1044] I'm, yes, I'm LaCartney and I just say things.
[1045] And if you start getting into the technical, I mean, Matt, we have you there to go, this is at 32 megahertz.
[1046] Hello, no, I'm your George Martin.
[1047] Are you kidding?
[1048] Come on.
[1049] Oh, so who does megahertz?
[1050] Who's on that?
[1051] That's definitely, probably Sam.
[1052] Sam, so Sam, you're in there.
[1053] Sam, get your feet off the...
[1054] Sam is in the booth.
[1055] It's so chill.
[1056] And he's got his feet up on a board that looks like it's worth $600 ,000.
[1057] Would you grow up in a barn?
[1058] Wisconsin.
[1059] Okay, all right.
[1060] I used to get up at 4 in the morning, go to the barn and put my feet up on the $600 ,000 Sony console.
[1061] Well, Sam, are we...
[1062] You're there monitoring levels.
[1063] Is that correct?
[1064] Oh, my God.
[1065] Yeah.
[1066] Okay, and what does that mean?
[1067] I don't even understand that.
[1068] It's just watching things, and if it goes wrong, then I just tell everyone that it went wrong.
[1069] Okay.
[1070] I'm familiar with that.
[1071] We have that in my end of the business as well.
[1072] Is there a way to add more of a masculinity to my voice?
[1073] Is there a way to do that?
[1074] Is there a knob?
[1075] I could overdub it later.
[1076] Okay, yes, yes.
[1077] Overdub it with like a completely different voice?
[1078] Yeah, if you could get Morgan Freeman, you know, just to just put him in from my voice.
[1079] So not even change the levels on your voice.
[1080] You want a completely new person.
[1081] I want Morgan Freeman.
[1082] I don't care what it costs.
[1083] But I think if Morgan Freeman were talking my nonsense, word for word, and we'd compensate him.
[1084] I know he's probably got a very high price.
[1085] Yeah.
[1086] But I think technically the podcast seems to be going well.
[1087] I'm told we have Adam Sacks, who's the guru behind it all.
[1088] He's the master puppeteer.
[1089] He's Oz.
[1090] Adam, tell us, how's the podcast doing?
[1091] Is it a successful podcast?
[1092] It's very successful.
[1093] It continues to do well.
[1094] We had to make some adjustments through quarantine.
[1095] and we were, I have to be honest, I personally was a little bit nervous about those adjustments.
[1096] We had never done a remote episode up until the, up until the quarantine, and we were pretty serious about avoiding any remote episodes because we felt like the show would suffer.
[1097] Yes, the idea of the show was always, I really need to be in the space, sharing the space, packed in very closely with the guests, and that it would be that compression of my energy and their energy that would help the podcast.
[1098] So we were obviously very worried when we went to this technology where they were in a remote location.
[1099] And I, yeah, sometimes it's been a little hairy.
[1100] Yeah.
[1101] I think when we talked to John Cleese, John Cleese was on an island.
[1102] Yeah.
[1103] And I think he had one of four bars of Wi -Fi.
[1104] And I think he was eating a bowl of nuts and wearing a robe from a hotel.
[1105] And he was chomping away on nuts.
[1106] And speaking of nuts, it was an open robe.
[1107] Oh, man. Well, when they said the, did the sound check with him, he literally didn't have a shirt on.
[1108] Yeah.
[1109] He had no shirt on during the sound check.
[1110] He was delightful.
[1111] And it's, you know, my dream, I've talked to him before, but my dream was, yes, the podcast was John Cleese.
[1112] And then I find out that it is one step removed from a carrier pigeon, you know, a carry pigeon flying back and forth with questions and answers.
[1113] But that worked pretty well.
[1114] Yeah.
[1115] And, uh, it did.
[1116] No, no, I didn't mean to do that with my voice.
[1117] I'm sorry.
[1118] The technical achievement, I'm very proud of our people.
[1119] I think there are a lot of times where people don't even know we're in different locations.
[1120] And that's what I'm, sometimes I'm a little deceptive, like I want it to seem like they're here.
[1121] So I'll say, oh, you know, Harrison Ford, your hair is a little in your eyes.
[1122] Let me get that for you.
[1123] And he's not with me. No. And we add that later on.
[1124] And then people think, wow, he's touching Harrison Ford and adjusting his hair.
[1125] That's so creepy and weird.
[1126] I just add those in to make it look like we're in the same room.
[1127] That's a weird thing to do though Yeah And I don't think anyone buys it Remember when I said to Michelle Obama Do you want a bite of this toll house cookie I'm eating And I said here you go And then I made a Sound and then I went hope you liked it Michelle Obama That was me faking it to make it look like You know we were in the same room When actually that was a remote segment Oh she wasn't in the same room Yeah Oh wow That wasn't her going Oh okay Yeah So when I said to Liza Minnelli your back looks like it's gone out let me get that for you Crickle crackle Crickle crackle Oh Oh And I said There you go Liza Minnelli That was me doing all of that Was that her moaning?
[1128] No no no That wasn't her monie I do all of it After they're gone But I do it So people think I'm in the studio With these people Yes Matt Well we've already recorded Our episode with the Pope So do you want to add One of those in for him Yes The Pope This is good soup Would you like some of my soup, pontiff, God's representative on earth?
[1129] Then here you go.
[1130] Oh, it's Pope Yoda.
[1131] I know.
[1132] What is that sound?
[1133] What it is?
[1134] Hmm, hot and steamy it'd be.
[1135] Okay.
[1136] You're a good Pope.
[1137] Good luck.
[1138] You're a good Pope.
[1139] That's what you're going to say.
[1140] So anyway, I do that.
[1141] I've been doing that.
[1142] I listen to the other podcasts and I hate to go, you know, be critical of the other podcasts.
[1143] They don't make any attempt to fool the listener into thinking that they're in studio with the person during quarantine.
[1144] They respect their intelligence.
[1145] I like us.
[1146] Well, I think what I do is ingenious.
[1147] These are little things I do that make it all seem much more intimate.
[1148] I agree.
[1149] You know?
[1150] Okay.
[1151] Anybody knows about technical stuff for the podcast.
[1152] Remember when Taylor Swift was on?
[1153] And everyone was like, oh, this is such a great interview.
[1154] Yeah.
[1155] Remember that?
[1156] I hope she sounds like Yoda.
[1157] No, no, don't be stupid.
[1158] I'm very careful about how I do the voices.
[1159] You don't know what the Pope sounds like.
[1160] But Taylor Swift was on and I went way out on my way to go.
[1161] Taylor, I know you just finished that roast beef sandwich and there's some roast beef between your third and fourth tooth right near the bicuspid.
[1162] Let me reach over there and get that for you.
[1163] And you heard, and I went, got it, got it.
[1164] I just got going to grab that little piece of fat and then I went, there, I got it.
[1165] And she went, ah, ah.
[1166] And I said, there you go, Taylor.
[1167] and that was another thing I did to create the illusion that Taylor Swift was with me during coronavirus.
[1168] Now we're never going to book these people.
[1169] Yeah, the Pope and Taylor Swift.
[1170] We're never going to get the Pope.
[1171] No. The Pope has given us a hard maybe.
[1172] A hard maybe.
[1173] Yeah, a hard maybe.
[1174] And Taylor Swift, it just keeps going to voicemail.
[1175] And you know what?
[1176] It's an old...
[1177] You're calling her personal line?
[1178] Yeah, and hard maybe sounds like a Taylor Swift song.
[1179] Yeah.
[1180] Hard Navy.
[1181] Here's Taylor Swift, burning up the charts with hard maybe.
[1182] I think my celebrity voices are pretty good.
[1183] Oh, you do?
[1184] Soup, could it be, Taylor, you want?
[1185] Wait, the Pope and Taylor Swift are now in the same room?
[1186] Uh -oh, yeah, and here comes their friend with a bad back, Liza Minnelli.
[1187] Together again.
[1188] Oh.
[1189] Anyway, we're doing what we can, and I hope this is inspiring if you're listening because we're all doing the best we can through this pandemic to try and make adjustments.
[1190] And I look forward to the day when we're all back in studio with these people who will probably refuse then to come in because they know that...
[1191] Yeah.
[1192] Yeah.
[1193] Are we ever going to get someone back in the studio?
[1194] I don't know.
[1195] I may never come back in.
[1196] Yeah.
[1197] Look at you.
[1198] I miss you.
[1199] I know.
[1200] I haven't seen you guys in person in almost a year.
[1201] Really?
[1202] Well, nine, ten months.
[1203] March.
[1204] Yeah.
[1205] Wow.
[1206] It We'll be a year probably before we see each other.
[1207] That's not true.
[1208] Why do you say that?
[1209] Well, don't you think?
[1210] Because by the time the vaccines are all out and we can get out again, it'll probably be March.
[1211] I'm going to be real well on the list.
[1212] I'm going to figure out some way to get this vaccine way ahead of first responders and old people.
[1213] Okay.
[1214] I'm just going to.
[1215] Talk to the Pope.
[1216] Pope Yoda.
[1217] He'll do it.
[1218] Do it?
[1219] I will.
[1220] No, that's just a joke.
[1221] I would never do that.
[1222] I know that sounds horrible.
[1223] Anyway, onward and upward.
[1224] Better things, as the kink say, are on the way.
[1225] Conan O 'Brien needs a friend, with Sonam O 'Sessian and Conan O 'Brien as himself.
[1226] Produced by me, Matt Goreley.
[1227] Executive produced by Adam Sacks, Joanna Solitaraff, and Jeff Ross at Team Coco, and Colin Anderson and Chris Bannon at Earwolf.
[1228] Theme song by The White Stripes.
[1229] Incidental music by Jimmy Vivino.
[1230] Our supervising producer is Aaron Blair, and our associate talent producer is Jennifer Samples.
[1231] The show is engineered by Will Beckton.
[1232] You can rate and review this show on Apple Podcasts, and you might find your review featured on a future episode.
[1233] Got a question for Conan?
[1234] Call the Team Coco hotline at 323 -451 -2821 and leave a message.
[1235] It too could be featured on a future episode.
[1236] And if you haven't already, please subscribe to Conan O 'Brien needs a friend on Apple Podcasts, Stitcher, or wherever fine podcasts are downloaded.
[1237] This has been a Team Coco production, in association with E!
[1238] Oh!