Carol Burnett

[0] Hi, my name is Carol Burnett.

[1] And I feel so much love for Conan O 'Brien.

[2] Back to school, ring the bell, brand new shoes, walking blues, climb the fence, books and pens.

[3] I can tell that we are going to be friends.

[4] I can tell that we are going to be friends.

[5] Hey, Conan here.

[6] I just gave a short exhale before I started and it made Matt laugh.

[7] Welcome to Conan O 'Brien needs a friend.

[8] This is, what was they would say, probably in the 1890s, a quarker.

[9] We've got a quarker today.

[10] I'm joined by my pal, Sona.

[11] Hi, there's an insect.

[12] What's that?

[13] Flying on this tree.

[14] Okay, let me explain where we are.

[15] Settle down.

[16] We're not in the woods in Brazil.

[17] We are in a very nice hotel suite, which we booked because our very special guest is Carol Burnett.

[18] she's here, she's doing a junket, and definitely we don't move for anybody.

[19] They come to us, but when it's Carol Burnett, we packed up our shit when we got here as fast as we could.

[20] And we got a room full of insects.

[21] And then we're in this room, and Sona, you have not been able to focus yet.

[22] It's so close.

[23] I don't fear an insect.

[24] It's just so close to your face.

[25] Yeah, what's probably attracted to the hairspray.

[26] Okay.

[27] A lot of it.

[28] Do you see it?

[29] Yeah.

[30] Yeah, there's bugs.

[31] There are these two, want to now say the name of the hotel.

[32] It's a very fancy hotel.

[33] I don't want to denigrate them in any way.

[34] But there are bugs swarming around these beautiful, beautiful plants, tall plants.

[35] And I'm worried because Carol Burnett's going to be here.

[36] And we'll probably have to spray the place before she gets in, you know?

[37] We're pretending we didn't do the interview already?

[38] I don't know.

[39] Oh, okay.

[40] Well, I just go with what you set up.

[41] I like to lay out realities and Matt knows to go along.

[42] We did it already.

[43] Maybe she brought those bugs in.

[44] I saw her release a vile of bugs at one point.

[45] Do you think?

[46] Yeah.

[47] It was incredible.

[48] I'm sorry.

[49] I tried to say, oh, we have Carol, I tried to build like an old show business some suspense.

[50] Like, Howard Burnett's coming.

[51] This is going to be exciting.

[52] And then immediately soon as you went, what do you mean?

[53] We already talked to her.

[54] And there's bugs here.

[55] Well, you just completely deflated our bouncy castle.

[56] I ruined it.

[57] I'm sorry.

[58] I am sorry.

[59] No, you're not.

[60] I'm not sorry.

[61] I really didn't.

[62] I don't should, I don't know if I should feel bad because you're lying and I need it to point...

[63] It's just lying with us off.

[64] Don't do it, and I hear.

[65] Well, I can't wait until she gets here because it'll be nice for you to meet her.

[66] Okay.

[67] Because you didn't already.

[68] I will say this, which is unusual.

[69] Gorley, you are always a smartly dressed fellow.

[70] Oh.

[71] Sona, and do not take this personally, but you have very casual attire.

[72] You own one jacket, I believe it, belonged to Dr. Zeyas on Planet the Apes.

[73] It's a well -worn leather coat.

[74] that you've had, I guess you've found it in a bin somewhere a long time ago.

[75] But anyway, you're not someone who dresses up a lot.

[76] You look fantastic today.

[77] You, you went all out for Cobra Nett.

[78] I really respect her, her, and I want to look good for her.

[79] Usually most of the time when we're recording, there's no reason I should look good because I don't care about what other people like you think about me. Wait a minute.

[80] I know, but I'm saying.

[81] I'm sorry.

[82] I really did.

[83] I mean, there are similarities I have with Cabernet.

[84] We are both inspirations to red hair and it stops there, I think.

[85] No, it doesn't stop with red hair.

[86] Many women got into comedy because they thought I was a woman.

[87] No, no, no, no. They were inspired that I got the late night show in 93.

[88] And then later on they figured out I wasn't, but by then it was too late.

[89] You know, so yes.

[90] Yeah.

[91] But I did dress up for her.

[92] And also, I dressed up for the hotel because it's nice.

[93] It's a very nice hotel, except for the bugs.

[94] Yeah, I know.

[95] I'm sorry.

[96] That distracted me. And then I drove up here and my car is really dirty and there's a leak in it.

[97] And so the inside of my car is kind of smells a little moldy.

[98] Let me ask you a question.

[99] You said there's a leak in your car, not that your car is leaking, which would mean oil, antifreeze, one of the other brake fluid.

[100] What is, what is leaking in your car?

[101] I think we have a sunroof and I think water is coming into the car from the sunroof and it rained a lot.

[102] Do you close the sunroof?

[103] We do.

[104] It's closed.

[105] Okay.

[106] So you have a mildewy car that's full of trash?

[107] Yes.

[108] You brought the insects in.

[109] I think I did.

[110] I think they followed me. Of course, because they could nest in your hair.

[111] Your hair is.

[112] I'm out.

[113] I'm out.

[114] First, the hard cheese, then the hair.

[115] Why am I in the clothes?

[116] Why am I here?

[117] Listen, I made a joke about hairspray.

[118] I'm not wearing hairspray, but you do use various waxes, oils, bombs, yes?

[119] You are we using hairspray.

[120] No, that's not hairspray.

[121] What is it?

[122] I don't want to say.

[123] Okay.

[124] Why?

[125] It's old mayonnaise.

[126] It's a great trick that I learned.

[127] You brought the insects.

[128] I learned it from Danny Kay.

[129] You get mayonnaise, you let it cure in the sun for a couple of weeks.

[130] And once the smell is gone and it's hardened, you put it in your hair and it gives it great volume.

[131] Okay.

[132] And then I did that and then mistakenly I let my son eat it.

[133] But six weeks later, he was out of the hospital.

[134] Oh, my God.

[135] These stories...

[136] This is so stupid.

[137] I'm so stupid.

[138] I can't wait to meet Carol Burnett.

[139] Yes, a true comedy legend who knows what she's doing and doesn't just babble about...

[140] We did this after, because if we did this truly before, I don't think we would have felt worthy, you know?

[141] fantastic.

[142] My hair's amazing.

[143] This is the reality I'm sticking with.

[144] You're a good assistant.

[145] Oh.

[146] And we're thrilled and we're excited and we hear her footsteps coming down the hall right now.

[147] She's coming right now.

[148] We better get this.

[149] I hear her.

[150] Listen.

[151] No. No. What is she on a horse?

[152] What is she coming here with?

[153] She's walking, but someone put horseshoes on her.

[154] Which is just, I don't know why they did that.

[155] Oh, she's probably doing a bit.

[156] Or maybe it's the new fashion.

[157] Here she comes.

[158] No, that's bad.

[159] The door's opening.

[160] That's the horse waning?

[161] Whatever you like.

[162] Do you like it being horse winning or door opening?

[163] Oh, that's what it was?

[164] I thought it was door opening.

[165] Okay.

[166] No, horse winning is, I'm a horse.

[167] That's a horse.

[168] Did the horse open the door?

[169] No. This is the horse.

[170] I'm a horse.

[171] She's standing right there.

[172] Hold on, Carol.

[173] I'm finished with this bit in a minute.

[174] Carol, just calm down.

[175] No, no. Carol, stand still.

[176] I know.

[177] Okay.

[178] Yes, I don't know.

[179] Voice changed rapidly.

[180] Just stand still.

[181] And, yeah.

[182] And then the door opened.

[183] I'm a door.

[184] The door said I'm a door?

[185] And all my sound effects, the sound effect ends up saying what it is.

[186] There's no confusion.

[187] Anyway, enough screwing around because you've just heard some solid C -plus comedy.

[188] Let's catch.

[189] to the ultimate master.

[190] My guest today is a comedy legend who hosted the Carol Burnett show for 11 seasons.

[191] Now you can see her in the Apple TV Plus series Palm Royale.

[192] It says I'm honored.

[193] Carol Burnett, welcome.

[194] I really do adore you.

[195] I think you're so terrific.

[196] I, well, I can't handle that.

[197] I don't know if you could see it, but my soul just left my body because I have to tell you something and we have met before.

[198] Oh, yes.

[199] I'll never forget the first time came on the show, my parents called me and said, how did you get Carol Burnett?

[200] Because you are in the stratosphere.

[201] I'm sure you hear this all the time.

[202] But when I was a boy growing up in Brooklyn, Massachusetts, on Saturday nights, we would all huddle in our living room.

[203] And there was one heat vent that had the heat coming out of it.

[204] And we would fight to see who got to sit on the heat vent.

[205] And we would watch that amazing night of television.

[206] That Saturday and I lineup, which was absolutely all in the family, MASH, Mary Tyler Moore, Bob Newhart, and us.

[207] And you'd watch it, and it was just this fireworks display.

[208] And then my feeling about it was always that the biggest, they always save that huge firework for the end.

[209] You would come on, and we would all sit there and watch it.

[210] I've interviewed you several times.

[211] I have bumped into you in different places.

[212] I've stalked you.

[213] I've been escorted out of your home dressed as the gardener but the I'm driving here today and my assistant had to drive me today I said you need to drive me because I just need to think about the fact that I'm going to be seeing Carl Burnett again and one of the first things I wanted to talk about that we explore a lot on this podcast we talk a lot about comedy and we talk a lot about where does it come from and there's this common belief that it has to come from you need some kind of tragedy.

[214] And you, of course, had some sadness as a child.

[215] And you went through a lot.

[216] Well, you know what?

[217] Sadness, whatever.

[218] I actually had kind of a happy childhood for the most part.

[219] Yeah.

[220] And, you know, my parents, there was a problem, but I knew I was loved.

[221] Yes.

[222] They were alcoholics.

[223] And so I was raised by my grandmother.

[224] We were poor, but everybody in the neighborhood was.

[225] Yeah.

[226] Our rent was, get this, a dollar a day.

[227] $30 a month was our rent.

[228] And sometimes we barely made that.

[229] But we did save our pennies.

[230] And my grandmother and I, we lived a block north of Hollywood Boulevard.

[231] We moved out from Texas.

[232] You were in Texas, and then you moved with your grandmother and you're living.

[233] And we were living in this apartment building.

[234] My mother lived down the hall.

[235] And my grandmother and I were in one room and with a pull down Murphy bed.

[236] and I slept on the couch, but we would go to, we'd say, as I said, we'd save our pennies, and we'd see maybe four movies a week, which would be double features, so that would be eight movies a week, second run.

[237] The movies were my salvation.

[238] Really?

[239] My fantasy was, I would go not see Mickey Rudy and Judy Garland, you know, these wonderful MGM musicals where they would say, we're going to put on a show.

[240] Hey, let's put on a show.

[241] I'm going to put on a show in the barn and then it's going to go to Broadway.

[242] You know, so everything was always upbeat.

[243] The bad guys got their just desserts.

[244] And nothing when I was growing up in the 40s was cynical.

[245] Right.

[246] And I just had this naive, optimistic quality that, and I think it came from the movies that everything was going to work out okay.

[247] It's what they imprinted on you, too, I think, because clearly you were such a shapeshifter in your comedy.

[248] and all those amazing sketches and in your different performances and movies.

[249] I believe if at an early age you see a wide variety of ways that you can be funny and you're young, it imprints on you.

[250] Well, I didn't know I could be funny.

[251] I was a nerd in school.

[252] I wouldn't know anything about that.

[253] You're going to have to help me because that was an incredible jock and a real leading man material.

[254] That's why we connect.

[255] That's why it's exactly.

[256] I have a little nerd clubhouse you can join, yeah.

[257] No, and I was, I thought I would be a journalist because I was editor's school papers and stuff like that.

[258] And it never occurred to me to be a performer at all.

[259] And so I wanted to go to UCLA to major in journalism, but we couldn't afford it.

[260] It was funny, I saw myself on campus.

[261] I knew it was going to happen.

[262] I just didn't know how, right?

[263] So we lived in this one room and it faced.

[264] the lobby and there was a pigeonhole mailboxes for each apartment or for each room and ours was there and I'd look out every morning to see if we had a letter in our little slot.

[265] So this one morning, there was a letter and I, oh, but first, guess what the tuition was that we couldn't afford to go to UCLA?

[266] This is going to break my heart because I'm going to have two kids in college and it's going to break my heart.

[267] Tell me what the tuition was.

[268] Yes, 1951.

[269] Was it $1 ,000, $2 ,000?

[270] What was it?

[271] $43.

[272] Oh, my God.

[273] Okay, I need an ATM machine and a time machine.

[274] $43.

[275] Okay.

[276] But we couldn't afford it because our rent was there, you know what I'm saying.

[277] So anyway, now I get this letter and I bring it back in the room and it's typewritten to Carol Burnett, 6434, Yaku Street, Hollywood.

[278] Oh, my God.

[279] Look at you.

[280] Okay.

[281] You know, with a little three -cent stamp on it.

[282] I opened up and there was a $50.

[283] bill.

[284] To this day, I do not know where that came from, but that was my entrance to UCLA.

[285] That's like an angel story.

[286] Exactly.

[287] Yeah.

[288] And so I got to go to UCLA, but they did not have a major in journalism.

[289] I could take a course and join the Daily Bruin newspaper.

[290] So I got the catalog and I'm looking through and it said theater arts English, theater arts theater, theater arts film, theater arts, and I said, theater arts English, well, I love to write.

[291] And I thought, well, I'll major in that and take the playwriting courses and all of that.

[292] But when you were a freshman in theater arts, whether you wanted to direct or write or whatever, you had to take an acting course, you had to take scenery building, you had to take costumes, so forth so on.

[293] So I'm a freshman, and I had to take an acting course.

[294] I was terrified.

[295] And I had to get up and do a little.

[296] scene or something.

[297] And I remember the scene where it would be a hillbilly woman.

[298] And I'm from Texas and Arkansas, so that came easily.

[299] So I went out and I read this scene and everybody laughed where they should.

[300] And I kind of like that feeling.

[301] Yes.

[302] And then after I'd done that, And some of the kids asked me if I'd be in a couple of one acts that they wrote, they'd put on pretty soon.

[303] I was starting to do that and getting that kind of response, which I'd never dreamed I would ever get.

[304] Because had there been a major in journalism, I wouldn't be here talking to you now about all of this.

[305] Well, you screwed up.

[306] If this is the big prize you get at the end of this incredible story, you made a mistake.

[307] I can relate very much to it because I was loved comedy and watched comedy.

[308] I was a nerd, went to a very good school because I was a grind.

[309] I worked very hard and thought, well, I considered journalism.

[310] I thought, I'll just do some serious work.

[311] Maybe I'll get into the law and then found my way.

[312] How did you do it?

[313] There was a magazine at Harvard called The Harvard Lampoon, and I just heard that there were, and I didn't even know what it was.

[314] and I went and I heard it was very competitive and they're mean and they cut people out.

[315] And I just started writing because I'd always loved writing funny things and it was like falling off a log.

[316] I did it.

[317] They said, who is this guy that led to me performing?

[318] That led to me being a comedy writer first.

[319] But the thing that imprinted on me when I was young, I would say to my influences when I was very young was Bob Newhart yourself and that amazing Carol Burnett.

[320] show and Warner Brothers cartoons.

[321] And I think you can take those three and no offense to Bob, but if I had to, he can drop out and it'll be Warner Brothers cartoons and you.

[322] And I know Bob well enough to be able to say that.

[323] But that's all the comedy class you need in timing and just the joy of performing comedy.

[324] So that was in me somewhere.

[325] I had just watching you do your thing.

[326] and it wasn't just the sketches.

[327] You did something that was very unusual at the time, question and answer, you did a Q &A segment on the Carole Burnett show, and I remembered that blew my mind that you could stand out there in front of people, not hide behind a character, and talk to people, and you'd see real people in the audience ask you questions.

[328] I maintain, and I've said this before to people, human beings have this crazy ability to know when something is organic.

[329] They know when it's rehearsed and they know when it's spontaneous.

[330] I don't know why we know, but we do.

[331] And I would watch those segments and see you be funny in the moment in front of back then these, you know, half the country is watching.

[332] And I thought, where did that come from?

[333] The guts to do that on CBS, one of the most watched shows on television, you know, that walking without a net on a tightrope.

[334] Well, what happened?

[335] was when we were going to do the show, the producer, executive producer, Bob Banner, said, Carol, you know, instead of having a comic come out and warm up the studio audience, you should come out as yourself before you get into all those sketches with your fat suits and blacked -out teeth and fright wigs and, you know, all of that, so that they get to know you and just open it up to Q &A.

[336] And I said, I don't think I can do that.

[337] I mean, I'd be too frightened.

[338] I'd be afraid that they wouldn't ask anything or that if they did, I wouldn't have a good answer.

[339] And he said, well, we'll put some plants in the audience, you know, and I said, no, you know, if we're going to do it.

[340] And if I could have egg on my face, at least say, no, it's real.

[341] You can't fake that.

[342] Got to be real.

[343] So then I said, okay.

[344] Okay, we'll do like the first four shows, four weeks.

[345] And if it's terrible, it's goodbye.

[346] We won't do it anymore.

[347] So I went out there.

[348] First show, I was terrified.

[349] And some people did ask a question or two.

[350] But I mean, if you look at the first episode, it was really goofy.

[351] It wasn't that good.

[352] But then it aired.

[353] And then the next week, some people would come, and they were ready to ask questions.

[354] and ready.

[355] And then I started to get into the groove and love it.

[356] And it became one of my favorite things to do.

[357] And it was great because I would do maybe about 15 minutes and then we'd do the show.

[358] If the show was long, we'd only have maybe five or five minutes of Q &A or for sure we would have do the whole 15 minutes.

[359] But some of the stuff that we did that people were just wonderful.

[360] It was this one woman.

[361] She looked like B. Arthur when B did Maud.

[362] Yes.

[363] Kind of imposing a little fierce.

[364] Yeah, yeah.

[365] And she got up.

[366] She raised her hand, and I called on her.

[367] And she said, I want to come up and sing.

[368] And I said, come on up, you know.

[369] Well, she was up there like that.

[370] And I said, what's your name?

[371] I remember she said, Terry McCann.

[372] And I said, so what do you want to sing, Terry?

[373] and we had a 28 -piece orchestra over there.

[374] She said, looked at the band and she said, you made me love you and the key of G. You made me love you.

[375] And the audience was laughing and she went, okay, okay, go, okay.

[376] And then she started, you made me love you.

[377] I didn't want it.

[378] She was.

[379] Really?

[380] She was good.

[381] Now, I came in, and I started to join with her.

[382] Yeah.

[383] So we were wailing away.

[384] And really, because I knew the song, she knew the song, you know, and the audience was clapping.

[385] And then it comes to where we're going to end it, right?

[386] I had a different way that I thought it should end from what she is.

[387] Because I went, you know, you made me love you.

[388] I wanted that.

[389] She had a different way.

[390] So after all this wailing.

[391] clapping and everything.

[392] It was kind of petered out, you know.

[393] And she looked at me and she said, you screwed it up.

[394] I love that it's the Carol Burnett show.

[395] And she's whatever she is, Millio Sullivan is telling you, you screwed up.

[396] Maybe it was actually B. Arthur.

[397] Yeah, it was B. Arthur in a wing.

[398] Well, you know what?

[399] Later on I heard from some of her relatives, about maybe five years ago, She died at the age 100, and they played this at her memorial.

[400] Oh.

[401] You know, I was thinking about when you just said you had a 28 -piece orchestra.

[402] Yeah.

[403] And I was thinking about it because I want to get this straight.

[404] A 28, this, the show that you did, which ran on CBS from 1967 to 1978, it won 25 Emmys.

[405] Why?

[406] It could not exist today.

[407] It doesn't, that world doesn't exist anymore.

[408] You had a 28 -piece orchestra.

[409] And you had 65 to 70 costumes a week.

[410] You do the math in 11 years.

[411] Bob Mackey designed over 17 ,000 costumes.

[412] But I mean, it was a time when I don't think we'll see that again, where you had a large portion of the country watching.

[413] And that meant because of the advertising power and the star power of the people that would come by.

[414] It worked out.

[415] It was very different.

[416] And, you know, what's happening now to variety is it just is getting, you have that feeling every now and then you'll pick up a magazine at the newsstand and it weighs next to nothing because everything's online.

[417] And it's a magazine that's a famous magazine.

[418] It's been around forever and it's glossy, but it weighs.

[419] It's like 15 pages long.

[420] And I think that's what's happening in a lot of talk and variety too is it's unimaginable to have.

[421] Also, you know, when we were casting and everything, and I was fortunate enough to get Harvey, who was brilliant.

[422] And Tim didn't come on in the show as a regular until the ninth season.

[423] You know, it's so funny, most people don't know that.

[424] Harvey Corman always knew, and I was lucky enough to have him on the show, and he came on and lay on the couch like it was a psychiatrist's couch.

[425] And he was wearing like a safari jacket, and I was crying.

[426] I was laughing so hard.

[427] And then Tim, we were lucky enough to have him on a bunch of times.

[428] but you think of Tim is always being there ninth season.

[429] Yeah, but we had him on as a regular guest quite often, but he was doing other shows.

[430] He did, had a Tim Conway variety hour at one point, but nothing that he ever did lasted more than 13 weeks.

[431] He even had his license plate 13 weeks.

[432] But one of my favorite Conway stories is he did a film, a comedy called Rango.

[433] And it was film where he was this inept cowboy.

[434] Tim needs an audience where he can just go.

[435] So they're filming and it was not good.

[436] It was not good that, you know, he was kind of hornswoggled.

[437] He couldn't do what he usually did.

[438] He's in a vacuum because he's on a film set.

[439] So now they're on location.

[440] And this guy from ABC is going to come and tell Tim that the show is canceled.

[441] But Tim didn't know it yet.

[442] So he's in his motorhome, he's changing for the next scene and whatever.

[443] And there was a knock on the thing.

[444] And the guy who came in from ABC was very nervous.

[445] It was like he was an underling, you know, and very – he said, hi.

[446] He said, oh, Mr. Conway, I'm Warren Tart.

[447] I'm from ABC.

[448] And Tim said, yes, hi.

[449] And he said, well, stop doing this.

[450] Stop doing this.

[451] Stop doing this.

[452] Stop doing this.

[453] That's how they canceled them.

[454] I was told stop doing this many times.

[455] And I never listened.

[456] I think that's the magic is you just don't listen.

[457] But also, you know, when you talk about back then, no network today would let me hire Vicky Lawrence.

[458] She was right out of high school.

[459] Yeah.

[460] She was 18 years old.

[461] I'd seen her in a contest that she won.

[462] And we were looking for a gal that would play it in an occasional sketch as my kid's sister.

[463] And she looked a lot like me and we all.

[464] And we hired her on the spot.

[465] Today, no network would let me do that.

[466] No experience.

[467] Right.

[468] Well, you had a degree of power.

[469] I mean, you clearly knew what you were doing.

[470] And you could say, this is going to work.

[471] I always thought, wow, Wagner was an amazing choice.

[472] Because he, he, you wouldn't think, you've got everything you need.

[473] You don't need this handsome fellow there.

[474] But then you used him so well, and he was terrific.

[475] He grew as a comedian.

[476] Yes.

[477] Yeah.

[478] But, I mean, a lot of it is, I think your show had such a deep bench of comedicability.

[479] You could do anything.

[480] I also think it represented a time when people had a common reference point.

[481] I think now there's so much media and people are so fractured that it's very hard to parody one thing and everybody knows what you're talking about.

[482] So there was an era where you could do so many of your parodies of famous movies were movies that we all knew like Gone with the Wind.

[483] Today I think it's very, it's a different time.

[484] It's hard for everyone to agree on one thing that they've seen and know all the nuances and know all the little.

[485] bits like when you're taking the curtains out of the window to me oh i just saw it in the window and i mean that's a famous line i don't know if you could have a home run like that today i probably i don't know but there were times when i would do we would do takeoffs on movies that weren't that well known but they but they were funny in their own right yeah so if you knew it it was twice as funny yep you know i remember we did one there was a movie that joan fontaine was in called born to be bad and it was bad you know truth and advertising and we I forget what we called it something to be evil or whatever but so I was doing a takeoff on that character and it was very funny and people who didn't know it it was still a funny sketch as opposed to a parody and those who did know it got it you know doubly I didn't want to embarrass you but I'm going to embarrass you because the achievements, you know, all the Emmys, Tony's, Grammys, seven Golden Globes, Presidential Medal of Freedom.

[486] I was reading your achievements, and I started to laugh because it's comedically amazing.

[487] I'm not even, and I'm halfway through the list.

[488] Mark Twain Prize for American Humor, Screen Actors Guild, Lifetime Achievement.

[489] There's a Golden Globe Award named after you.

[490] And what's interesting is I get the impression that doesn't affect you.

[491] that you're still Carol Burnett and you're going to give it your all and you still have that humility and true optimism, but it hasn't gone to your head in any way.

[492] Because if I had one of those, I'd be an absolute madman.

[493] No, I don't know.

[494] I'm just grateful.

[495] Yeah, yeah.

[496] I wanted to ask you about Lucille Ball because obviously growing up, even though the show had long been gone, it was running constantly in reruns.

[497] I love Lucy.

[498] And that was the format for the modern sitcom that has endured for 50, 60 years.

[499] And I know that she was very kind to you.

[500] She saw you as, hey, this kid has something.

[501] I like her.

[502] How did she reach out to you?

[503] Well, I was doing the off -Broadway show called Once Upon a Mattress.

[504] And we had just opened the night before and the second night, there was a lot of buzz I could hear in the audience, and Lucy was in the audience the second night.

[505] I remember I peeked through the curtain, and I saw this big shock of red hair, and there she was.

[506] I was more nervous that night than I was opening night before, because she was in the audience.

[507] Anyway, it went okay, and I had this funky little dressing room off Broadway.

[508] She knocked on the door after the show and came in, and I had this couch, and it had a spring coming up.

[509] And she was going to say, I said, look out, she said, I see it.

[510] Is it my first rodeo?

[511] Anyway, we visited for about a half hour, and she said, she called me a kid because she was 22 years older.

[512] Right.

[513] She, if you ever need me for anything, give me a call.

[514] So about four or five years later, I was doing, I was going to, I did a few things.

[515] And then CBS was going to give me. special, a one -hour variety thing, if I could get a major guest star.

[516] So the producer said, call Lucy.

[517] And I said, oh, I don't want to bother her.

[518] He said, all she can do is I'd love to, but I can, I'm busy.

[519] Got her on the phone, called her office.

[520] She came out, hey, kids, you're doing great.

[521] What's happened?

[522] I was just, blah.

[523] I said, oh, Lucy, I'm doing, I'm, I'm, you know I know you're busy.

[524] She said, when do you want me?

[525] And we did the show together.

[526] So then when I got my variety show, and then I did several guest appearances on her later shows.

[527] The Lucille Ball show and when she played Lucy Carmichael and all of that.

[528] With Gail Gordon.

[529] Right, right.

[530] And then when I got my show, she came on.

[531] So we kind of traded on and off.

[532] And so, oh, wow.

[533] this one time she's on my show and we have a dinner break before the orchestra rehearsal so she and I went over to the farmer's market to have little so we were in the Chinese restaurant there and she's knocking back a couple of whiskey sours you know please tell me it's the morning it was a nighttime okay okay so at that time of course my husband joe hamilton was executive of producing our show and so she now was not with Desi she said you know a kid it's great that you got Joe you know to handle a lot of stuff for you because when I was married to the Cuban like he's a cigar she said he did everything Desi did everything he took care of the scripts he took care of the lighting the camera work he's the one who invented the three cameras yes yeah Genius.

[534] Yeah.

[535] And she said, when I came into the Monday morning, you know, the table read, everything was perfect because he had seen to it.

[536] And all I had to do is be crazy Lucy, you know, fine.

[537] So then we got a divorce.

[538] Now I'm going to do the Lucy karma, whatever it was.

[539] And I came in, no Desi.

[540] And we read the script.

[541] And she said, it was awful.

[542] Kid, it stank.

[543] And she said, and I thought, oh, God, what am I going to do, Desi?

[544] And I said, and I thought, oh, God, what am I going to do, Desi?

[545] She's not here.

[546] She called for lunch and she said, she went back to her office.

[547] She said, I've got to be strong.

[548] I've got to be, I've got to confront this the way Desi would.

[549] She said, so I knew what I had to do, went back to the table of read.

[550] And I told them in no uncertain terms how I felt about the script, how we had to fix it.

[551] She said, and kid, and she took an ill, and that's when they put the S on the end of my last name.

[552] Now she sent you, I think, flowers every day on your birthday.

[553] On my birthday, and this one birthday, I got up in the morning and turned on the today show and she had passed away on my birthday.

[554] And that afternoon, I got flowers that said, happy birthday, kid.

[555] yeah so we we had a great bond yeah you're doing this project now parmorial which i got i had the privilege they let me see a sneak peek of two episodes and uh and i got to talk to christin wigg yesterday for a long time about it and it is amazing to me that you know your work there's has reached so many generations of people.

[556] I mean, just in this room, you know, I'm 60.

[557] Matt, you're 50, 50, 41.

[558] Let's just say 40, rounded out.

[559] But I'm 41, but okay, I'll say 40.

[560] Yeah, but I rounded it down.

[561] These two were apoplectic, nervous about we're going to come in and be in the same room as Carol Burnett.

[562] Oh my God.

[563] You know, our rap sign for this is I do an earlub tug to Eduardo and that's how he He's been doing that since the day we started this podcast five years ago.

[564] He's been doing it.

[565] And I think you should file suit.

[566] Is it longer than the other?

[567] Mine is a millimeter longer.

[568] You tugged it longer?

[569] Yeah, it was measured once.

[570] By some pervert in the park?

[571] Well, I've been going up to shorten it.

[572] Okay.

[573] It's so, I mean, I remembered you coming on the show.

[574] Yeah, for my grandmother.

[575] For your grandmother, and you did it on the show.

[576] And again, I had one of those moments where I thought, this can't be happening.

[577] I can't be here with Carol Burnett while she's tugging on her earlobe.

[578] That's the same earlobe.

[579] And then you think, dude, relax.

[580] You've got to just be in the moment.

[581] But this is a bunch of generations of people who are just astounded to be in a room with you and so grateful for all this amazing work you've done.

[582] But also talking to Kristen Wigg and she's, they're just everyone's, your work.

[583] And I don't think that used to be the case.

[584] They sometimes think that people used to do their work.

[585] And then because times were different, they wouldn't rerun shows or they wouldn't be seen again.

[586] But your work has been seen.

[587] And now, thanks to just the Internet and your legacy, everyone's very aware of this crazily rich fabric of work you have.

[588] It's wonderful.

[589] I get fan mail now from 10 -year -olds, teenagers, you know, we're on like Shout and YouTube.

[590] and Me TV and all of that.

[591] So people are seeing it, you know, and it's just, it's a thrill for me. I have recently just stopped doing it, but for about 25 years, I went around the country doing Q &A.

[592] That's right.

[593] You know, and so just a few short years ago, and I would get audiences that ranged from five years old to 100.

[594] I mean, it was wild.

[595] So this one time, there was this little boy in the second row, and he raised.

[596] his hand and I called on him and I said what's your name and he said Andrew and I said how old are you and he said nine oh and I said and you know who I am and without missing a beat he said surprisingly yes what's it like I mean you know it was so funny too I don't want to give anything away no spoiler alerts but in in the first episode we're meeting all the different I mean it's an incredible cast you have on Pomeroyle.

[597] Oh, wow, yeah.

[598] And just looking at Allison Janney and it's just, it just, Laura Dern, Laura Dern, just this powerhouse cast, and I'm watching the show and I'm thinking, well, I know Carol's in here somewhere, but I don't, I don't see her yet, and why isn't she with the other ladies?

[599] And then you have, there's this reveal of your character, you are in a coma.

[600] I just thought but you're still doing a little something in your coma and I was like only Carol Burnett can lie in a coma and kill it I mean that's you're the only one that can do it and then I was in I was like I want to see because I know there's no keeping Carol Burnett on this hospital bed she's coming out of this coma and I'm I'm down for it I want to see the whole I want to see all of this but it doesn't it feels to me like you haven't lost this sense of joy of working with people and just the doing of it and also i'm just thrilled because uh you know now i've got some new best girlfriends christin alison laura durn i mean it's just so now we've bonded and i it keeps me young yeah to be able to be in to say in fact um alison and i we wordle a lot of a lot of friendships end that way tell me yeah if you're not careful we whirdle uh -huh that may be the most intimate relationship I think so this modern era is if you're whirdling with someone and even connections do you know that one yes yes so we we Allison and I are into connections and wordling we love it how are you with you're out in the world and people approach you do you enjoy that?

[601] Sure.

[602] Yeah.

[603] Yeah.

[604] I always did too.

[605] And I have friends who are lovely people who are very well known and they just, you'd never know it because they appear like extroverts.

[606] They're comedians.

[607] And then when, but they're very shy and they don't like it.

[608] And I just was always felt very lucky that and I sense that we're similar in some ways.

[609] I, I enjoy it.

[610] I'll, I'll talk to anybody.

[611] As long as they're nice and, you know, not too pushy or anything like that.

[612] Right.

[613] Yeah, and I enjoy it.

[614] I remember when my grandmother and I would go to Hollywood premieres on Hollywood Boulevard, I was maybe nine or ten years old.

[615] We'd hang over the ropes to see all the movie stars coming in to go to the mood.

[616] And I remember one of my favorite movie stars was Linda Darnel.

[617] She was so beautiful.

[618] And she was in Texas, so I, you know, and at one point she was walking by us to get into the theater.

[619] And my grandmother, who was not shy, said, Linda, Linda, this little girl just loves you.

[620] Give her your autograph.

[621] And she looked at me and she said, what's your name, sweetheart?

[622] Oh, wow.

[623] And I said, Carol, she said, okay.

[624] And she took her time.

[625] I never forgot that.

[626] Nope.

[627] So it meant the world to me. You never know how much you might be helping somebody by responding to them and being kind.

[628] Yeah.

[629] It's so important.

[630] I've had the experience.

[631] We've talked about it over the years.

[632] I mean, years ago of being in a restaurant and someone waiting on me and then later on, they're a huge movie star.

[633] And they remember it.

[634] They were waiting a table.

[635] And I was a couple years into my show.

[636] And they waited on me. And I always say, was I right?

[637] And they always tell me, nope, you were very nice.

[638] And you did some bits.

[639] with me, and then you kept doing bits, and we had to leave.

[640] So goddamn needy, Conan, but I always thought you just never, I mean, you should be nice because it's the right thing to do for its own.

[641] But if you're not...

[642] You're paying it forward.

[643] Yeah, paying it forward.

[644] Because the person you're being nice to, well, then remember that and maybe be nice to that, the next person that comes to them, you know?

[645] Yeah.

[646] It's funny to me because it's often.

[647] and people now every time, you know, a woman gets a late night talk show.

[648] They talk about this woman's in late night and it's breaking a barrier.

[649] And I always think it's, yes, that's great and it's important, but I always try and remember that you, Mary Tyler Moore, Lucille Ball, were smashing these barriers, you know, 60 years ago.

[650] It's absolutely stunning.

[651] And we need to remember that because I think you guys...

[652] Well, CBS didn't.

[653] want me to do it.

[654] They didn't want you to do the show?

[655] No, they didn't want me to do a variety show.

[656] And I had a weird contract that I'd signed a few years before with CBS that if I, Carol, wanted to do a variety show or long comedy variety show, CBS would have to put it on for 30 shows whether they wanted to or not.

[657] That was some agent.

[658] I could have used him in 1993.

[659] And so I, when the time came, I pushed that button and got one of the vice presidents of CBS on the phone.

[660] And I said, I think I want to push that button.

[661] That's what we call?

[662] He said, what button?

[663] He forgot about it.

[664] And I said, you know where I get to do 30?

[665] Oh, let me get back to you.

[666] He said, so he called the next day.

[667] It's really got a bunch of lawyers, you know, to talk, to find out about that contract.

[668] He said, yeah, I see that, Carol.

[669] But, you know, comedy variety is a man's game.

[670] Yeah.

[671] He said, it's Caesar, it's Jackie Gleason, it's Milton Burl, now it's Dean Martin.

[672] And he said, you know, it's not for you, gals.

[673] He said, we've got this sitcom we'd love you to do called Here's Agnes.

[674] That is the perfect, perfect bad pitch.

[675] sitcom.

[676] And by the way, I'd like to bank that now.

[677] I will put up the money if you'll do the Agnes show.

[678] Well, I think it's safe to say you prove them wrong.

[679] I think so, yeah.

[680] Well, at least we got 30 shows out of it and we wound up having 276.

[681] So we did okay.

[682] This question just occurred to me, but it must have been interesting the next morning.

[683] After the I know that everyone else, you know, in my house, would be talking about it the next morning.

[684] We'd be talking about all the things that we saw on what made us laugh.

[685] One of six kids.

[686] We're all packed together in this house.

[687] We're all about six months apart.

[688] I don't know how my mom did that.

[689] And we, it's the Irish thing.

[690] But we would be talking about because we loved your show.

[691] And I'm curious, as Carol Burnett, you must have been hearing from people.

[692] next day people from the street or just people in your life was there yeah it well from the get go people were pleased yes with what now we didn't score every week by any means but for we had a pretty good average you know and the first few years uh like first two or three or four years i was more goofy like i had been on the gary more show which is why they wanted me to have lyle so that I could swoon over Lyle.

[693] And after that, I thought, wait a minute, I'm married and I've got children.

[694] Let's not do that anymore.

[695] That's when we started giving Lyle more to do other than for me to go Gaga over.

[696] Right.

[697] You know, and then we started getting more, I don't know, a little bit serious when we did the family show.

[698] Yeah.

[699] Where Eunice and Mama and Ed and some of those were, you know, you look up dysfunction.

[700] in the dictionary and you'd find that sketch.

[701] It would get very dark.

[702] And I remember thinking this, like, it got to me in a good way.

[703] I remember very well when your character went on the gong show.

[704] The gong show.

[705] You know, it's all played for comedy and then you get gonged and the camera just stays on your face.

[706] And it gets smaller and smaller and smaller.

[707] It's smaller and smaller.

[708] And you're thinking, is there going to be some reprieve or some less?

[709] laugh, and there wasn't.

[710] And I remember that to this second, how powerful that was.

[711] And it gave me the idea that it doesn't always have to be funny.

[712] Right.

[713] I don't know.

[714] It's one of those memories I have from television.

[715] Some people hated, hated it.

[716] Of course they did, yeah.

[717] It made them uncomfortable.

[718] And then others, after it had aired a few times, you know, I was getting a manicure.

[719] And The manicurist was Russian.

[720] And she said, you know that family, you do.

[721] That's just like my family in Russia.

[722] So people identified.

[723] But you know, it's interesting, too, you were playing this really real dysfunctional family.

[724] And then that is most comedy now, the comedy of discomfort and dysfunction.

[725] So what you were, not initially, but what you were playing with a little bit was something that now is deriguere.

[726] It's all comedy.

[727] But you didn't see stuff like that on a variety show.

[728] You did not.

[729] That was different.

[730] And what's really funny was we only thought we were going to do it one time.

[731] So they had written for me to be Mama and we were going to have a guest star be Eunice.

[732] But Eunice spoke to me because my mother had a lot of dreams that never came true.

[733] And I said, I think I want to play Eunice.

[734] So then we were going to hire an older woman to play Mama.

[735] And Bob Mackie, our costume designers, said, I'll let Vicky do it.

[736] We'll just take off her eyelashes and put her in a fat suit and put a wig on her.

[737] And she was so young at the time playing.

[738] 24.

[739] Yeah, hilarious.

[740] 24 years old.

[741] And I said we hired her when she was 18 to be my sister and she wound up being my mother.

[742] The business will do that to you.

[743] But I mean, she nailed it.

[744] Yeah.

[745] She nailed it.

[746] She, and like she talks, she said, I learned comedy in front of things.

[747] 30 million people every week.

[748] It was like she went to school, but everybody was watching her.

[749] And Harvey was great with her.

[750] He helped her with her props, told her out, you know, he said, don't just wait for your cue to tell you you've got to listen when people are talking.

[751] I mean, he was a master at giving her acting classes, and she sure, she was like a sponge.

[752] Well, I did make a promise, which is we have, we have so many terrific people on this show.

[753] And sometimes they say, like, oh, yeah, I can hang around for all day.

[754] But you, and this is a real testament to you, Carol, your day is packed.

[755] You are out promoting Palm Royale.

[756] You are working as hard right now as anybody I know.

[757] And so I don't want to monopolize your time.

[758] I want to let you go, but I do want to tell you that getting to know you just a little bit is one of the most meaningful things to me in show business.

[759] I'm serious.

[760] I'm serious.

[761] You're just, and the fact that you were always so good at what you did and I got the sense watching you through the TV.

[762] They say don't meet your heroes, but I always got the sense through the TV through the Q &As.

[763] This is a nice woman who's real and she's connected.

[764] And then I got to know you and you're as amazing a person as I could have hoped for.

[765] So thank you for improving my childhood and adulthood, immeasurably.

[766] Oh, let's do this again.

[767] No woman has ever said that to me. I love you and just have an amazing day and let's do it again.

[768] I like this.

[769] We're in a different environment.

[770] I love our home base.

[771] It's incredible.

[772] I love our little studio.

[773] It's very comfortable, wonderful location.

[774] But we are today at this incredible hotel.

[775] And I have very fond memories of this hotel because I used to live back when I was writing on The Simpsons.

[776] I lived about, I don't know, a block and a half from here.

[777] We're standing here at this hotel, you could hit my apartment with a tennis ball.

[778] But I think you'd need, I mean, I couldn't do it.

[779] I think you'd need like a pneumatic cannon.

[780] But still, it's close, but not close enough.

[781] You can't say you could hit it with a tennis ball.

[782] If you had a cannon of some kind.

[783] I don't think people take that literally.

[784] Well, I just wanted to be clear.

[785] I'm always worrying about the legal.

[786] And if I said you could hit it with a tennis ball, I'm worried some listeners are going to say, oh, if Conan was at the Four Seasons on Doheny, he could hit his old apartment on Weatherly with a tennis ball.

[787] And, you know, and then I'm challenged to do it, and I can't do it.

[788] Oh.

[789] So I just want to say, please don't sue me for that.

[790] You think you can get sued for that?

[791] It's a crazy country.

[792] You can get sued for anything.

[793] I don't think you could get sued for that.

[794] You'll see.

[795] It's coming.

[796] Also, if someone says, I bet that's not true, you could just be like, yeah, is, but then not actually try to do it.

[797] Okay.

[798] All right.

[799] Well, anyway, you didn't help here.

[800] I took us down, I took us down a bad alley.

[801] And then you said, let's go further down the alley and then drive in circles.

[802] I have fond memories of living here.

[803] It was the early 90s.

[804] I was writing for the Simpsons.

[805] This is a pretty ritty area.

[806] So were you living that large back then?

[807] Well, I had already, I had been working in television at that point.

[808] I got started in 85.

[809] Yeah.

[810] And then I worked on Saturday night live.

[811] and then I came out here for The Simpsons.

[812] So I had done okay at that point.

[813] I had just purchased a brand new 1992 Ford Taurus, which when you see someone driving a new 92 Ford Taurus in 1992, you know they've got bank.

[814] Oh, that's the Toyota Camry of Ford's.

[815] Yes, it is.

[816] Yeah.

[817] Which was the Dodge Neon of Camrys.

[818] So anyway, I was living in this neighborhood, and I remember my mom came to visit me. and she didn't know anything about The Simpsons or didn't watch it.

[819] I didn't think it was a big deal.

[820] But I remember she came out and visited and I said, I know a good place for brunch and just walked her like a block and a half to this four seasons, which has the most amazing brunch.

[821] And I told her you'll probably see a celebrity.

[822] We did not.

[823] But I kept telling her that just random people were celebrities.

[824] You did lie.

[825] I did lie.

[826] I said that guy over there is Tony Curtis.

[827] And the guy had already left the room.

[828] She just saw the back of a shoe.

[829] She was excited.

[830] And I don't know.

[831] I just have a nice time here.

[832] I was a single guy living the life.

[833] What was Bachelor Conan like?

[834] Single Conan?

[835] Bachelor Conan of that era.

[836] What was he getting up to?

[837] 91 Bachelor.

[838] 92 Bachelor Conan.

[839] Oh my God.

[840] Ladies, look out.

[841] Look out.

[842] Look out.

[843] It's 92 Bachelor Conan.

[844] Now I know now we're in an era.

[845] We're saying look out, ladies.

[846] Probably not the way to go.

[847] No, I was a kindly gentleman, but I did okay for myself.

[848] Yeah?

[849] Because I was, I'd started to fill out a little bit.

[850] I had been way too skinny for years.

[851] And my skin had cleared up.

[852] Oh, good.

[853] It was a little more confidence.

[854] I had a credit card.

[855] Oh, sick.

[856] Yeah.

[857] I was a little cash in my pocket.

[858] They were all like, you know, ladies would be like, hey, I kind of like this guy.

[859] And then I'd say, yeah, and when do you see my car?

[860] And then the Fort Torres would come out.

[861] And then I'd have a hard time finding them.

[862] Oh, okay.

[863] Take off.

[864] So one woman jumped behind a hedge.

[865] And you still have your Ford Taurus.

[866] I still have the Ford Taurus.

[867] Yeah, it became kind of a thing because on the late night show, guests would talk about their Lamborghini or whatever.

[868] And they thought that because, oh, Lano has a lot of cars, let's find out what Conan drives.

[869] And I would say, truthfully, I have a 1992 Ford Taurus.

[870] It's an S -H show that's super high output.

[871] So it looks like a tourist that you'd pick up your kids at soccer practice with, but it's actually got a stick shift inside.

[872] Yeah, that guy fucks.

[873] People's lives, though.

[874] Did you drive that cross -country to New York?

[875] No, I had it shipped.

[876] Oh, an aristocrat.

[877] Yeah.

[878] I didn't want it to be damaged, so I had it put on the roof of another Ford Taurus.

[879] Yeah, but I brought it out here.

[880] When I bought it, I did not drive stick.

[881] I bought it completely on faith, and then my brother Neil, I bought it in Massachusetts, So my brother Neil took me to a supermarket parking lot and taught me how to drive stick.

[882] And then I brought it to L .A. and went right into L .A. traffic, grinding gears like crazy, but got good at it.

[883] And then pulled up at the Simpsons lot in a Ford Taurus.

[884] And I think they knew then this.

[885] There's a badass in town.

[886] Who definitely fucks.

[887] Yeah, yeah.

[888] He was born.

[889] Down to Ford Taurus.

[890] It's got a stick shift.

[891] The gears that grind.

[892] And it was, but I lived in this neighborhood, and it was really nice.

[893] I had a good time.

[894] I enjoyed it.

[895] I loved working in that Simpsons writing room and kind of loved it.

[896] And this was, this is the hotel where I met Jeff Ross for the first time.

[897] I thought you were going to say where you lost your virginity.

[898] Where I lost my virginity?

[899] Well, that's true.

[900] Four years ago.

[901] Yeah.

[902] With the help of my wife.

[903] But yeah, I met Jeff Ross here because I was being considered for the late -night job.

[904] And Lauren said, you should go meet with this guy, Jeff Ross.

[905] And we met about 15 feet from where I am right now, which I could hit with the tennis ball.

[906] Okay.

[907] Back to the tennis ball.

[908] I'm sui.

[909] A tennis ball that went through walls.

[910] Okay.

[911] Anyway, that's my story.

[912] So this brings up a lot of nice memories, this hotel, this area.

[913] And I like getting out of the studio once in a while.

[914] Yeah.

[915] It creates a new vibe.

[916] You do have a swagger about it.

[917] you today that makes me feel like you're back in your prime, you know?

[918] Because it's, I'm telling you it's, it's, it's, it's, it's, it's, it's, it's, it's, it's, it's channeling 1992 single Conan and I love you.

[919] Yeah.

[920] Yeah.

[921] Here it comes.

[922] That guy likes to meet people.

[923] And try and buy them.

[924] He has dinner.

[925] He has a credit card.

[926] Nah, nah, nah, nah.

[927] I've had it for years.

[928] Nah, nah, nah, nah, nah, man. One thousand dollar limit.

[929] I've only gone over twice.

[930] I like coming to these fancy places because then I know that you can buy us lunch.

[931] I'm going to take you out for a nice lunch.

[932] Is that right?

[933] And you know what?

[934] And you too.

[935] And you know what?

[936] I'll tell you, Matt, you don't know this.

[937] It's 2 .15 in the afternoon.

[938] And if there's one thing I know about Sona, she's having wine with her love.

[939] I'll join you on that.

[940] Yeah, yeah, yeah.

[941] Let's wind it up.

[942] Hey, and David's driving.

[943] So I'll...

[944] Well, he's driving you.

[945] He drove me. Yeah, yeah.

[946] But we drove ourselves.

[947] I drove in a mildew car.

[948] Yeah, you're going to be wine drunk driving in a mildew car.

[949] Yeah.

[950] You're going to be pulled over a by the police, not for your swerving, but because of the odor of your car.

[951] Toxic output.

[952] All right, peace out, Tupac.

[953] Conan O 'Brien needs a friend with Conan O 'Brien, Sonam of Sessian and Matt Goorley.

[954] Produced by me, Matt Goorley.

[955] Executive produced by Adam Sacks, Nick Leow, and Jeff Ross at Team Coco, and Colin Anderson and Cody Fisher at Earwolf.

[956] Theme song by The White Stripes.

[957] Incidental music by Jimmy Vivino.

[958] Take it away, Jimmy.

[959] Our supervising producer is Aaron Blair, and our associate talent producer is Jennifer Samples.

[960] Engineering and mixing by Eduardo Perez and Brendan Burns.

[961] Additional production support by Mars Melnick.

[962] Talent booking by Paula Davis, Gina Batista, and Brick Con. You can rate and review this show on Apple Podcasts, and you might find your review read on a future episode.

[963] Got a question for Conan?

[964] Call the Team Coco hotline at 669 -587 -2847 and leave a message.

[965] It too could be featured on a future episode.

[966] And if you haven't already, please subscribe to Conan O 'Brien needs a friend wherever fine podcasts are downloaded.