Conan O’Brien Needs A Friend XX
[0] Hello, this is Conan O 'Brien Needs a Friend, Deep Dive with Dana Carvey.
[1] Hey, Dana.
[2] Glad to be here, Conan.
[3] It's a six -part mini -series where I, Conan O 'Brien, along with occasional help from my assistant Sonam of Sessian.
[4] Hi.
[5] And my producer, Matt Gourley.
[6] Hi.
[7] Go deep into the weeds with one of my favorite comedians and friends, Dana Carvey.
[8] Enjoy.
[9] Fall is here, hear the yell.
[10] Back to school.
[11] Ring the bell.
[12] Brand new shoes.
[13] Well, walk and lose, climb the fence, books and pens, I can tell that we are going to be friends.
[14] Yes, I can tell that we are going to be friends.
[15] Well, I'm a happy little boy, because once again, I'm sitting with one of my favorite people of all time, Dana Carvey, and we are going to shoot six, call them mini episodes, if you will.
[16] If I had my choice, it would be 75 mega episodes.
[17] but apparently Dana's a little too pissy for thought Well, well, well, well, well, well Look at what we got ourselves here!
[18] Oh, my God!
[19] We got ourselves a talk show man!
[20] That's what you're playing is?
[21] You're gonna talk, talk show man?
[22] Who is that?
[23] I just love doing that.
[24] Who is that guy?
[25] I wanted to start.
[26] Who is that guy?
[27] It's the asshole in the western movies is at the bar, and he says, well, well, well, well.
[28] We're, well, look in what we got ourselves here.
[29] We got a hell's a talk show man. You're going to talk, talk show man. Is that your plan?
[30] You're going to talk like a talk show man. So the funny part is you keep going with, talk a show, talk a show man. And so what happens is this is a western where a talk show host is sitting at the bar.
[31] And a dusty cowboy with two six shooters on each, six shooters on each hip, comes in, wipes the dust of the trail off of himself, sees the talk show host, myself or Regis Philbin.
[32] It's a little bit of Regis.
[33] Yeah, no, and then comes up to me and goes like, where, where, where, yes.
[34] And what do...
[35] You can do it with any occupation.
[36] Wow, Sonya, what we got, we all got ourselves on assistance here.
[37] Woo, we, is that your plan?
[38] You're going to assist.
[39] You're going to make life easier for Conan.
[40] Is that your plan?
[41] Assistance woman.
[42] It works with everybody.
[43] Does it work with Matt Goreley, the podcast producer?
[44] Oh, lookie what we got ourselves here.
[45] We got ourselves a podcast.
[46] Podcast producer.
[47] You're going to produce a podcast.
[48] Is that your plan?
[49] Podcast man?
[50] He's going to find a podcast and he's going to produce it up.
[51] Ain't you a podcast man?
[52] So it does it works with everyone.
[53] I don't want no trouble.
[54] Well, well, lookie what we got ourselves here.
[55] He wants no trouble, mister.
[56] That your plan?
[57] To get no trouble.
[58] You're a trouble, Mr. Man. No trouble in your life.
[59] Is that your plan?
[60] Mr. Trouble man?
[61] I've noticed in the short time you've been here, you don't seem to be going for your gun at all.
[62] You just keep repeating stuff.
[63] So I think I'm relatively safe.
[64] You're not as menacing as I thought.
[65] I don't pack heat.
[66] I humiliate.
[67] And then I leave.
[68] So he doesn't ever shoot anybody this guy.
[69] Everything that delights me is just about me. My brand is being a, he's a nice guy.
[70] What a nice guy.
[71] And all my characters are just aggressive.
[72] Okay.
[73] Like this one.
[74] So long, Spotify.
[75] Farewell, Pod.
[76] America, whatever it is.
[77] There's a new sheriff in town.
[78] Conoco.
[79] Conoco Productions.
[80] Conoco production.
[81] So that's another like aggressive you could get up on anyone with that.
[82] For people who are listening and have trouble with relationships at any time just so you don't want to date me again.
[83] That's all right.
[84] Now you bring up something really fascinating because you are Dana, I'm just telling this, telling the viewer, the viewer for a second.
[85] Because some people do view these by just staring at there.
[86] You did say that we were shooting six episodes of this, by the way.
[87] Well, sorry, I've been in television for 78 years, and I just got horn swagged into this, into this medium, mere months ago.
[88] You can't see us, but you can hear us.
[89] It sounds like he's going to blow up a bridge or something.
[90] But you bring up something that is, I want to talk about, which is aggression and anger.
[91] obviously a big part of comedy you are such a nice person Dana is such a nice guy but at the same time and I think we have this in common we're both I think nice people but we're constantly fantasizing about what's the worst thing we could do what is the worst way we could behave and I did this the other day I did an event at UCLA and it was Mrs. Obama and my job was to introduce Mrs. Obama and these really nervous writers came up to me and they were saying Conan you're going to introduce Mrs. Obama and I immediately said okay here's what I want to do and this is minutes before I'm supposed to do it in front of 10 ,000 kids I'm like this is what I want to do okay can you guys get me the black eyed peace song tonight's gonna be a good night and Sony you were there and they were like wow and they were like what's gutsy and I'm like I want to go out there and I want to say hey guys you young kids a lot of you think I'm irrelevant and I'm an old guy but I'm not because I know what's going on now drop it And then I wanted that song to play, and I wanted to start dancing to, Tonight's going to be a good night.
[92] And then I wanted to start yelling off stage, Mr. Obama, get out here.
[93] Get out here.
[94] And, of course, she wouldn't come out because she'd be a fool to.
[95] And I'm dancing like an idiot.
[96] And then I wanted to go, what the fuck?
[97] What the fuck's wrong?
[98] Come on.
[99] And I thought, and I just was like, I love thinking of ways to destroy my career.
[100] That's not what you should do.
[101] That's not a good idea.
[102] Michelle's got a particular way she likes to be introduced.
[103] But Mr. Obama, what I want to do is play the Black -Eight Peace song.
[104] Tonight's going to be a good night.
[105] And I want to start dancing, and then I want to try and force Mrs. Obama to come out and dance with me and say, Mazel Tov and Leheim, we can get back.
[106] Here's what I want to do.
[107] Obama, Michelle, and Brock, have a deal at Netflix.
[108] They are movie and TV producers.
[109] Yeah, let's talk about that.
[110] How hip would it get to go in there and just pitch something to them?
[111] You know, Obama's there.
[112] He's like, well, before he began dating him.
[113] I'm kind of new to the whole movie thing.
[114] I got a bit of an idea.
[115] I don't know if anyone's done it.
[116] It's about a little cute alien comes down to Earth.
[117] A friend's a little girl.
[118] Then the spaceship leaves it can't get home.
[119] It's got to call home.
[120] I think that's E .T. by Spielberg.
[121] Oh, fuck me. Michelle, what do you got?
[122] So you can go on and on with that.
[123] So, okay, so people were coming in.
[124] But the whole fun of this, fuck me. Michelle, what are you got?
[125] It's a show about a wizard that goes to a school.
[126] that's Harry Potter Fuck me Michelle What are you I want that to be a t -shirt Is that wrong Is it impressive Am I on Predator Island What I love What I love Yeah Is that you can It's comedy As a way to escape Being nice And correct And just these kind of riffs Where Okay you are Barack Obama You've got a really Beautiful office At Netflix Yeah You've got You're a little casually dressed because you've been, you're out of the office now, presidency, you're enjoying life, you've got this big Netflix deal, and now you're taking meetings.
[127] And, you know, Conan O 'Brien comes in to maybe help out.
[128] So I've come in and you are Barack Obama.
[129] That's right.
[130] Mr. President, it's an honor to be here, and I'm excited that you're working at Netflix.
[131] That's good stuff.
[132] I love what you're saying.
[133] That's what I do.
[134] Okay, I didn't say much.
[135] What's the idea that you've got?
[136] I don't know an idea about a young man that comes to America, you know, from another part of the world, and he's confused about American society.
[137] Can I get a cup of coffee?
[138] I'm already asleep.
[139] I'm sorry.
[140] That's not a good idea.
[141] That's not what you ought to be doing.
[142] Okay.
[143] That's the way I talk and I don't know why.
[144] I just lit up the end of the sentence.
[145] So you didn't like that idea.
[146] What about this?
[147] What about a game show where couples have to try and complete each other's sentence?
[148] Do you like that?
[149] What does that show?
[150] I don't...
[151] Married newlywed gay.
[152] Newly white.
[153] The newly white game.
[154] Obama, the tone of Obama, for me being an impressionist, just the calming tone of him, where it was just, we're going to be good.
[155] Things are going to be all right.
[156] And he would just point out stuff and call globally and make you feel better about it like that.
[157] He just pointed out, that's not what they ought to be doing.
[158] That's not in the interest of running.
[159] to go under a country like that.
[160] And then the press would go, what are you going to do?
[161] And goes, not a thing.
[162] Because Trump...
[163] Yes, it's a nice contrast.
[164] At 300 pounds, you know, the orange...
[165] I mean, what, where does he...
[166] He's fighting the whole world all day long.
[167] Sanctions.
[168] Fuck you.
[169] Terrorist.
[170] Crooked Hillary.
[171] It's just such a crazy...
[172] Can I do my favorite new Trump rhythm?
[173] Yeah.
[174] This is the one I like because Trump has so many sub rhythms and weird, crazy things.
[175] But I like it when he's...
[176] He's impatient with us not knowing how brilliant he is.
[177] I know how to make deals.
[178] I make a lot of deals.
[179] I can make deals.
[180] I know how to make deals.
[181] I can make a lot of deals.
[182] That's what I do.
[183] I make a deal.
[184] It's getting there.
[185] I mean, he can work one word for three minutes and somehow it works.
[186] You're going to be happy.
[187] Happy, like, excuse me. Many people are saying happy like you wouldn't believe.
[188] Happy, happy.
[189] People say, you're going to be happy.
[190] You're going to be happy.
[191] Happy like you wouldn't believe.
[192] Happy, happy, happy.
[193] And seven minutes goes by and nothing has been said.
[194] You know what I noticed?
[195] You should add this in.
[196] He does this.
[197] You'd probably notice this.
[198] I was listening to him on the radio yesterday.
[199] He takes in air rapidly through his nose.
[200] When he talks, he goes, Yes.
[201] There was rumors he did cope because of that early on.
[202] Yeah, and I don't think that's it.
[203] No, it's a nasal.
[204] He takes an inhalation and then he does what you're doing.
[205] Yeah.
[206] Yeah, and then he takes an inhale as if.
[207] if he's a whale coming up to the surface and has to grab as much as he can before he goes back down to talk for an hour.
[208] Well, the one thing is kind of interesting is like Obama also could sing, which was amazing, I think, for, you know.
[209] Right.
[210] Amazing days.
[211] You know, and he could sing really well.
[212] We never had a sing, what, maybe Nixon, by darling, clamming ,ard.
[213] But I always thought it would be great if Trump got up there with a mic, inaugural, whatever, pray, you know.
[214] No one knows what it's like to be the bad man, to be the sad man, behind and just come over.
[215] Did I do that on your show?
[216] I think I did it.
[217] I don't remember.
[218] Does it matter?
[219] It's all, does it matter?
[220] We just put it out there, man. Yeah.
[221] I'm just here.
[222] I'm just me. I'm just real.
[223] Feel me, touch me, man. You know?
[224] Did Monet say, hey, did I paint that Lily already, you know?
[225] Krameney.
[226] Hey, was that a little bit of a Dennis Miller there?
[227] A little bit of Dennis Miller, okay?
[228] My IQ goes up when I do Dennis.
[229] Dennis has some of the best references, you know?
[230] He just football.
[231] Or the way he'll say things.
[232] Like, surprise me, see if I could do it.
[233] Any topic.
[234] Okay, talk about the Mueller report.
[235] Christ sakes, okay.
[236] The FBI guy, the Elliott Nest dude, comes out with the bomb show, okay?
[237] Everybody's going hyperbolic.
[238] Pelosi blowing a gasket, okay?
[239] Let's bring the bar cat out.
[240] He's not beat up enough, all right?
[241] That's an old 68 right there, okay?
[242] Let's hang him up in the town square.
[243] Oh, kink, kink, kink.
[244] You know, I was...
[245] I told you, I may have said this, but I was watching...
[246] He's brilliant.
[247] He saw me once.
[248] I worked with him on Sarnet Live, and I think he misunderstood once because he could sometimes come across as kind of menacing back in the day.
[249] Oh, yeah, definitely.
[250] And so I kind of just stayed out of his way, and I was over at the craft services table on Sarnet Live, and I just said something.
[251] People were talking and Dennis said something and then I said something and I think Dennis misunderstood and thought that I had maybe made a little insult or a crack or something.
[252] And Dennis just went, this is 1988 and he went, oh.
[253] So Coensie took a little shot at Den Den Den.
[254] He went, oh, So Combsie took a little shot at Denden and I went, what?
[255] And he was like, okay, Coensie going after Dendend.
[256] Well, here it goes.
[257] And then I remember thinking, shit.
[258] He's pissed at me now, and I think he thought that I had gone after him in some way.
[259] Well, he would go in, I don't know if you were there.
[260] He'd go in like, we had the best junior varsity.
[261] There was a room, there was a holding room where Farley, Spade, Tim Meadows, you know, Sandler.
[262] They'd all be in there, and they'd love it when Dennis would come in and just rip each of them before he'd leave.
[263] He'd be leaving like at 5 o 'clock, you know, Farley, they're not buying the fat kid thing, okay?
[264] Then you go to Spade.
[265] Carvey's already got that one nailed, okay?
[266] Kinky.
[267] Then Sandler, nobody's buying this.
[268] Handle Gump a God, nobody's buying that, okay, babe.
[269] And they loved it.
[270] They just, yeah, they love getting torn apart.
[271] I remember his references would get, the more obscure, I thought the funnier they were.
[272] I was listening to him do Monday night football once.
[273] And someone was getting their ankle, a player was getting his ankle taped on the sidelines.
[274] And Al Michaels or something said, wow, they're really going to town on his ankle.
[275] It looks like he really heard it.
[276] And Dennis went, I haven't seen that much rapping since Christo did the Pont Noff.
[277] And I was like, what?
[278] Christo, the artist, who wraps things with giant, had done an exhibition once around the Pont Noof, where he took giant wrappings.
[279] And so you're just a guy at home eating a sandwich watching Monday night football or Sunday night, whatever it was.
[280] And he's just like, I haven't seen that much rapping since Christo did the Pont Noof.
[281] And I lost it.
[282] I just thought, this is fantastic.
[283] I'm sure so many football people right now are furious because they don't know what's going on.
[284] One of my favorites was, Christ sakes, I haven't seen choreography like that since the Lee Harvey Oswald prison transfer.
[285] That's like kind of a classic, somewhat accessible.
[286] Yeah.
[287] That was horrible choreography.
[288] Yeah, he used to do the warm -up at SNL when I was there and he had a really good act.
[289] But one of his things was he had it memorized and he would go out and say it as fast as he could.
[290] Do you remember that?
[291] Oh, yeah.
[292] He would do his warm -ups under a lot of pressure.
[293] So fast.
[294] Was it pressure, or was it just him saying, screw this?
[295] I just want to get this out of the way.
[296] A little bit of both.
[297] It was like a record played at double speed.
[298] Literally that fast.
[299] It was like, it sounds like more like Manson got an onion up the old bunion, but I got to tell you, that's one trying out of the summertime.
[300] And you were racing to keep up.
[301] You couldn't.
[302] You're lucky my chick's not here, okay?
[303] I'm doing kind of a bean cross.
[304] be now with him, I think, and he's going down there like that.
[305] But he also has a very high, kind of soft.
[306] He's a vulnerable young man. That's a nice thing for you to say, only young man. Al Gore's got 350 tucked, net, you know.
[307] What are you talking about?
[308] Bernie Sanders came out yesterday and said, I check with my accountant.
[309] I now officially hate myself.
[310] I'm a rich prick.
[311] I hate me. I hate me. I'm a greedy rich pick.
[312] You know, you've always, you've always had an eye for the money, Dana.
[313] I'm fascinated what I'm talking with.
[314] Like, if I'm hanging out with Sandler, I'm fascinated.
[315] Am I talking to 350 net, 450 net, 500?
[316] I'm talking millions net.
[317] What do you want to know who you're talking to?
[318] Well, yeah.
[319] Yeah, but it's interesting because when I've talked to you, you get this laser focus.
[320] and I'll be talking to you just about my life and then I'll say and then you'll just start to, you're staring at me as if you're looking into my soul and then you'll say and these are all made up figures but you'll say like I don't know let's see okay this is I'm thinking the TBS deal you're getting this and then you'll go I think you're getting that and I think you're getting that net you're getting that net okay I'm gonna say there's a couple of things you do a couple of corporates a year I'm gonna give you I bet you do six I bet you do six now I think they provide the plane and you do this.
[321] Like I'm rain man or something.
[322] And you start doing it.
[323] Definitely six.
[324] And then you'll say, and you'll say, no, I know you got the family.
[325] You got to take care of them.
[326] But then you're thinking about, okay, you got the podcast too.
[327] Now listen, let's just say that those don't make.
[328] Now you got to split that money, of course, with TBS.
[329] That's okay.
[330] And I watch you and you just go to town and you are surgical about it.
[331] And it feels like you can look at anybody.
[332] It's a tell.
[333] It's a tell.
[334] For you, it's like you just blink a little longer than, normal when I get close to the actual truth.
[335] So you bought a house for $27 million.
[336] You know, and I can look and see if it was actually higher or lower.
[337] So for you, I deconstructed you.
[338] I didn't blink.
[339] I know.
[340] With spade, I was able to discern his net worth in about 20 minutes just by the cat and mouse game.
[341] I'm an evil person.
[342] Let's see about you guys.
[343] No, but I find money fascinating.
[344] I think we'll be easy, right?
[345] Yeah.
[346] Celebrity net worth.
[347] No, but we've talked about this, that it's fascinating to know how celebrities.
[348] There used to be that show Lifestyle The Rich and Famous and I'm yelling and I don't know why.
[349] Robin Leach.
[350] It's an old reference but it was an Australian man who sounded like he was trapped in a well.
[351] He was Australian?
[352] He was Australian.
[353] And he would say things like look at this Palatio Palace and he would talk about champagne dreams and caviar and whatever it was.
[354] But what's far more fascinating is to go through I'm interested in what people spend.
[355] Like sometimes you get these little nuggets, they'll be, it'll come out in a divorce proceeding that Johnny Depp spent something crazy like $10 ,000 a day on wine.
[356] Wine.
[357] And you think, I don't even know, if I had the most expensive wine I could think of, and I had it shooting out of hoses, you know, into a giant urinal, I don't think it would reach $10 ,000 at the end of the day.
[358] I did a movie a long time ago with Nicholas Cage, and he was a kindred spirit.
[359] He's always looking at schematics of Porsches and cars.
[360] And he had a train, this giant Lionel train in his hotel room.
[361] It was like 20 feet across.
[362] I like to watch it go.
[363] You must have a train.
[364] But he was, him and Johnny, they really spent it.
[365] I don't know, maybe I should spend more.
[366] Well, you know, there are those people that have a kind of, they want to spend their last.
[367] dime as they take their last breath.
[368] That was Lovitz, because Lovitz will come out with a Bentley, and I go, how could you afford a Bentley?
[369] Why did you buy a Bentley?
[370] He goes, because I'm going to be dead.
[371] That's a direct quote.
[372] I'm going to take my own life in an hour.
[373] I can't take it with you.
[374] I don't like things.
[375] No, John Lovitz, no matter what's happening his career, will always have several cars and really nice leather jackets.
[376] Mm -hmm.
[377] and he'll always have an attractive woman on his arm.
[378] And the first thing he'll say to you when you come up to him is instead of introducing her politely, he'll just look at the girl, look at you, and go, jealous.
[379] Yeah, jealous.
[380] If you give him a compliment, like, yeah, I like that jacket.
[381] Jealous.
[382] Yeah, he'll do it about anything.
[383] Oh, that looks like a pretty healthy salad.
[384] Jealous?
[385] No. I'm happy you're having that salad, but I don't.
[386] John Lovitz is the kind of guy that took one day to know him in 20 years to believe it.
[387] Hello.
[388] I mean, where did he come from?
[389] He talks like he's from the 40s.
[390] Hello, everybody.
[391] But I remember when he really tried to work this catchphrase on Saturday Night Live.
[392] Do you remember the one?
[393] Goodbye, everybody, goodbye.
[394] He had...
[395] He wanted another huge national...
[396] He had the liar, which was...
[397] That's the ticket.
[398] And that was a huge national catchphrase.
[399] And everybody was saying, that's the ticket.
[400] And it was a giant thing.
[401] And he wanted another one.
[402] so he kept trying to force it.
[403] And he had one that he did.
[404] And he kept trying to do it.
[405] He would do it in the writer's room.
[406] He would do it.
[407] Constantly pitch it to us.
[408] And he'd get angry that we didn't think it was good.
[409] And that catchphrase was...
[410] Well, there were two.
[411] One was as Harvey Weinstein.
[412] I just want to be loved.
[413] Is that so wrong?
[414] That was one.
[415] And then it was goodbye, everybody, goodbye.
[416] That's the one I remember.
[417] I remember the second one.
[418] Yeah.
[419] That was it.
[420] That was the whole catchphrase was, goodbye everybody goodbye and you'd think well what is that attached to I don't know you're the writer you figure it out and he'd get mad like an 18 40s guy yeah come on you're the writer you figure it out goodbye everybody goodbye well I did a fake one I don't know if I've told this story before when I Doesn't matter The second year of Saturday Night Live we had a little press conference and they asked me do you have my second year in like 87 do you have any new catchphrases So I made up my new catchphrase is I got to got to got to go and then Jan Hooks was the sidekick and she was going and I'm going with them so we wrote that sketch funny little poopie head which you know about yes I do yes I do and you are totally making fun of everybody who was trying to come up with a catch phrase yeah completely but then ironically I don't know if that's the word I use that too much ironically but it actually started to catch I got to got to got to go and I'm going with it But it was completely made up.
[421] And the press corps is like, wow, he's got to, you know, because I've done corporate dates where I said, well, I'll improvise that part.
[422] And they go, well, what are your improv's going to be?
[423] What?
[424] Can you tell us ahead of time what your improv is going to be?
[425] That's what I say, goodbye, everybody, goodbye.
[426] The Exxon people want to know.
[427] You know what I just want to go back to one last time?
[428] Yes.
[429] I love Obama hearing as a Netflix exec or a guy who now has a Netflix deal.
[430] I love him hearing a pitch.
[431] with Michelle Obama, or else pitching.
[432] Pitching his own idea.
[433] Yeah, I like him pitching his own idea.
[434] Can I hear that again?
[435] That's right.
[436] Well, let's see what I got.
[437] Here's an idea, Connor.
[438] I'm not sure if this is something that people want to see, but maybe it's something you can work with.
[439] Okay, Mr. President.
[440] Go ahead.
[441] There's a family that's from the Appalachian, and they don't have any money.
[442] And they strike oil.
[443] They come to Hollywood, and they set up shopping in a big old mansion.
[444] Mr. President, that sounds a lot like the 1960s hit the Beverly Hillbillies.
[445] Oh, fuck me. Michelle, what do you got?
[446] Okay, what else he got, Mr. I want to hear another one, Mr. President.
[447] Don't get discouraged because you're new to show business.
[448] Mr. President, you're new to show business.
[449] That's right.
[450] You've got this big Netflix.
[451] Don't get discouraged and I'm here to help.
[452] Well, let's, we're also doing some TV.
[453] Okay.
[454] Now here's an idea.
[455] Okay.
[456] There's millennials, they're kind of young people in her 20s, and they hang out at a coffee shop and they're friends.
[457] And that's it?
[458] That's it.
[459] Okay, well, that, just what you've told me now sounds a lot like the TV show friends.
[460] Oh, fuck me. Michelle, what are you guys?
[461] I want a t -shirt of that.
[462] I want to do one of these.
[463] Michelle, what do you got?
[464] Because Michelle never talks.
[465] No, no. I don't do it, Michelle.
[466] Yeah, yeah.
[467] She's just there rolling her eyes, you know, putting up with, uh, that is, I love that.
[468] Can he pitch a teenage mutant Ninja Turtles, please?
[469] Well, here's an idea.
[470] I don't know if it's going to work, but this is more along for young people.
[471] For kids, do you think?
[472] Maybe children.
[473] Okay.
[474] There's these, there's sort of a radio, active event near a swamp or a jungle or something.
[475] And these turtles, they grow up real big, and they're kind of mutants from the radioactivity.
[476] And they're kind of like they're sort of in their formative years.
[477] You call them teenagers.
[478] And they're turtles.
[479] I don't know if it's any good.
[480] That's teenage minotry.
[481] Yeah, yeah.
[482] I'm sorry, Mr. President.
[483] I think that's teenage mutant into turtle.
[484] Oh, fuck me. Michelle, what are you got?
[485] All right.
[486] Fuck me to show what are we got?
[487] That's it for this episode.
[488] If you don't tune in for another one, you're a fool.
[489] A fool, I tell you.
[490] Please come back.
[491] Dana Carvey.
[492] This is the most fun I can have in show business right now.
[493] Conan O 'Brien needs a friend with Sonam of Sessian and Conan O 'Brien as himself.
[494] Produced by me, Matt Goreley.
[495] Executive produced by Adam Sacks and Jeff Ross at Team Coco, and Chris Bannon and Colin Anderson at Earwolf.
[496] Special thanks to Jack White for the third.
[497] theme song.
[498] Incidental music by Jimmy Vivino.
[499] Our supervising producer is Aaron Blair and the show is engineered by Will Bechton.
[500] You can rate and review this show on Apple Podcasts and you might find your review featured on a future episode.
[501] Got a question for Conan?
[502] Call the Team Coco Hotline at 323 -451 -2821 and leave a message.
[503] It too could be featured on a future episode.
[504] And if you haven't already, please subscribe to Conan O 'Brien needs a friend on Apple Podcasts or wherever fine podcasts or This has been a Team Coco production in association with Earwolf.