The Avett Brothers Return

[0] Welcome, welcome, welcome to armchair expert, experts on expert.

[1] I'm Dan Rather, and I'm joined by Modest Mouse.

[2] Hello.

[3] Hi, what are you reading over there?

[4] The same intro?

[5] Yeah.

[6] Today we have our friends on, the Ava Brothers.

[7] They're back.

[8] This is round two Aver Brothers.

[9] Yes.

[10] But we get some good singing in this one.

[11] It's so fun.

[12] They're so, so special.

[13] They are.

[14] They combine to make something impossible.

[15] Yeah, they do.

[16] You're sitting in the, middle of it was transcendent.

[17] Fuck.

[18] That's what I didn't want to say.

[19] Oh, the word transcendent?

[20] Yeah, let me say it again.

[21] Okay.

[22] It's like a whole thing.

[23] Okay.

[24] The Aver Brothers are a Grammy -nominated folk rock band.

[25] Their albums include, Closer Than Together, True Sadness, Magpie and Dandelion, the Carpenter, I and Love and You.

[26] And they have a new album out now called Self -Titled, the Avid Brothers.

[27] Yeah, they did a little loop -de -loop.

[28] They did.

[29] And they went self -titled.

[30] Now.

[31] Yeah, most people start self -titled.

[32] They're, uh, one, two, three, four, five.

[33] There's a sixth album.

[34] That's a cool move.

[35] It is.

[36] I like it.

[37] You're going to love David Brothers.

[38] What a special performance we get from both of them.

[39] Please enjoy.

[40] He's an object to.

[41] One here.

[42] It's a concert.

[43] Hi, boys.

[44] How are you?

[45] How are you?

[46] Have you had some instruments for this concert?

[47] Do you have a guitar?

[48] You have a guitar from downstairs?

[49] There goes.

[50] I bet if you played it down there, we'd be able to hear it.

[51] Take them in, Monica.

[52] I know.

[53] It's once in a lifetime.

[54] Have you guys been offered coffee and all this stuff?

[55] Yeah, I got a coffee like I know I shouldn't.

[56] Scott, how is that gone?

[57] For him not drinking coffee?

[58] The notion that he's not drinking coffee.

[59] I found it to be a betrayal.

[60] An off -putting?

[61] Yeah.

[62] Who wants to hang with a guy who's not drinking coffee?

[63] Well, he doesn't have coffee with you.

[64] I'll tell you that much.

[65] And if he ain't having coffee with you, what is he doing?

[66] What is he doing?

[67] And he's judging you drinking coffee.

[68] He sure is.

[69] He's feeling high and mighty.

[70] I'm silently judging.

[71] How's the air up there, Seth, on that moral high ground?

[72] What about tea?

[73] Are you a tea guy?

[74] It's stifling.

[75] No, I like tea.

[76] I like decaf.

[77] He likes coffee, actually.

[78] Yeah, I love coffee.

[79] When I smell it, I'm like, ooh.

[80] All the more offensive.

[81] How dare you?

[82] Oh, that's true.

[83] It's just that I have so much self -control.

[84] I know!

[85] He's like proclaiming to the world, I'm a stoic.

[86] You should have a shirt that says, I'm a stoic, because it's so much worse that you love it, isn't it?

[87] Yeah.

[88] Because someone who quit something every 10 days.

[89] For sure.

[90] But I would argue the thing I quit was driving the car into the ditch.

[91] Seth was just getting more energetic and likable.

[92] No, not more likable.

[93] We talked about this last week.

[94] I didn't have a plan.

[95] This only happened out of solidarity because Jennifer was doing this.

[96] Clean's, no meat, no caffeine.

[97] I was like, I'll just do it with you just for fun.

[98] But I had such a headache for about seven or eight days.

[99] I moved through it.

[100] And then I was like, well, that's it.

[101] I'm not going back.

[102] That's a great motivation.

[103] You don't like the headphones.

[104] Do I have to happen?

[105] No, at all.

[106] You can do whatever the fucking over.

[107] Yeah.

[108] That's a great motivation, but similar solutions don't ever stop.

[109] I understand not wanting to have the headaches ever again, but just resume and don't stop.

[110] Yeah, because it's always readily available.

[111] It's not like you can't get a hold of coffee.

[112] We all have our little battles with having to depend on things.

[113] I just didn't like, I was like, I don't want to depend on this.

[114] I know.

[115] I get that way, too.

[116] I didn't mean to pick a fight with you soon as you got in.

[117] No, I took it really hard, as you can see.

[118] I was thinking about it two weeks later.

[119] This just feels like good motivation just to come back to it.

[120] You know, I've been missing out.

[121] Well, what would be great is if I could get you to do it now?

[122] Because as we discussed, Michael Pollan wrote about caffeine in one of the books.

[123] And he said that after two months off of it, he takes his first sip and he's like, it's like doing cocaine.

[124] See, that's the thing.

[125] I do have it about once every few months, and it's awesome.

[126] Ooh.

[127] Yeah, rocket fuel.

[128] Maybe that's the way to do it.

[129] How are you doing, Scott?

[130] I'm good.

[131] You're good.

[132] Real good.

[133] Where's your energy level at?

[134] It's solid for sure.

[135] We both have been up since about 2 .30 this morning.

[136] Yeah, but I'm peaking right now.

[137] So this is midday for you.

[138] This is good.

[139] You're fucked for Kimmel.

[140] Yeah, Kimmel's going to get the leftovers.

[141] Sorry about that, Jim.

[142] Kimmel's Down River.

[143] Why were you guys up since 2 .30?

[144] We're on North Carolina time.

[145] Okay, but you didn't fly here this morning.

[146] We flew here yesterday.

[147] Yesterday.

[148] Yeah.

[149] And I mean, I wake up around 5 .30.

[150] And you boys over at that Hilton Universal?

[151] No. Should be.

[152] I love the Hilton.

[153] It's a lot closer to here that where we are.

[154] Yeah, Seth was explaining to me that you guys have to stay there because of the tour bus parking basically we have in the past and we found love with it like it turned into this little i have those too but you've told us the story about your relationship with it and your perspective of the area because you have a much more dynamic relationship with the area and some people that you encountered there for people didn't hear that episode i think he's referring to the time that five gentlemen almost jumped me in the lobby of the amc 26 over there at universal city walk but i love that i have certain you guys must we were just talking about it there There's a hotel in Austin, and it's where I stayed on my very second movie ever.

[155] Four seasons, we can shout it out.

[156] Yeah, and it's the first time I ever stayed out of four seasons, and it's on the river, and I was doing a movie with Mike Judge.

[157] And I walk into the lobby of that hotel, and it's, I bet, as close as I'll feel to church that people feel.

[158] Oh, this is so special.

[159] Where do you most look forward to going where it kind of delivers every time, other than the Hilton Universal?

[160] Well, we do have a couple of those spots that we can't say on Mike because they are away from places, and they're really ramp.

[161] Okay.

[162] And they're usually rural.

[163] We have found a couple of really sweet spots in rural areas for days off that you wouldn't expect.

[164] And they're not necessarily fancy.

[165] They're just really good for bus parking and for space and for being able to walk to a place that has good juice.

[166] Just a nice usable spot.

[167] Here's the rule.

[168] So somebody said, well, what's the prerequisite to know where you're going to go?

[169] I say, if you can leave the bus door unlocked.

[170] Okay.

[171] That's hard to find.

[172] And are you finding that's possible at the Hilton Universal City walk?

[173] No. It's not possible.

[174] You do not leave the doors unlocked.

[175] In fact, it's very rare that you leave the doors unlocked.

[176] You leave the motor running there.

[177] I'll tell you that much.

[178] Not the generator motor.

[179] The engine.

[180] The one that you can put into park and drive.

[181] You've got to make a pasty exit.

[182] Are these places so sacred that even off air, you're not going to let me in on them?

[183] Because you know, I too contend with bus parking.

[184] We'll tell you off there.

[185] Give me the cheat sheet.

[186] Yeah, we'll send you a map.

[187] Are you guys allergic to fancy?

[188] Do you feel embarrassed if you're out of fancy place?

[189] No, I like fancy.

[190] Okay.

[191] Wouldn't I do like that?

[192] Oh, good.

[193] Yeah, if you broke up Scott's sections of his life, he had a period.

[194] Like, if he were an artist and he had a sunflower period, Scott had a whole period that was G -wagon.

[195] Boy, I was obsessed with a G -wagon.

[196] Oh, yeah.

[197] I saw you live a few times.

[198] I mentioned it on Skype.

[199] Couldn't keep it off your tongue.

[200] I mentioned it during a song.

[201] Yes, you did.

[202] I can't believe at some point they didn't just give you one.

[203] I mean, my man, you were out there promoting the product.

[204] Not anymore.

[205] And then you didn't get the product.

[206] I still may. this is a really good approach to life you have something you can get it's a little stoicism you resist the urge because the fantasy's generally better than the acquisition yeah must be but i tried to talk you into and i want to tell the story of this really lifetime fantasy you guys granted me two summers ago i'll hit you with that first i had been begging you guys just let me ride on the bus and act like i'm in a rock band for a minute keep asking keep asking apparently logistics was always the issue That's what they say.

[207] Locations couldn't be provided because of privacy.

[208] But by God, Aaron Winkley and I were driving around in my bus and we're like, where are we going to go?

[209] We have two weeks to fuck around.

[210] And I thought, let's see where the Avid brothers are playing.

[211] So cool.

[212] It's awesome.

[213] We were in North Dakota when I Googled this.

[214] And I was like, by God, they're in Indianapolis in three days.

[215] So we high -tailed it down to Indianapolis and we got to park our bus with y 'all's buses.

[216] Fuck me. That was great.

[217] It was nice.

[218] Thank you for that.

[219] You know, I'll talk with Jennifer.

[220] We've talked about this a few times.

[221] We've always laugh about you and your bus because it's like because there's a reason that bands lease them, you know?

[222] Because, you know, it's like a house.

[223] There's always something breaking.

[224] They're not cheap to buy.

[225] They're not cheap to run.

[226] And there's a million working parts and they're always breaking.

[227] The brand new ones are breaking.

[228] And we also talk about how impractical it is.

[229] Oh, yeah.

[230] Our most recent conversation about it, she was like, but why did he buy it instead of like borrowing it when he wanted you?

[231] And I'm like, babe, Dax wants to.

[232] drive the bus.

[233] That's the difference.

[234] Like, we lease a bus, we lease a driver.

[235] He helps us, you know, we've been with him for many years.

[236] Sometimes you wake up and the guy's washing the inside of the windshield while driving the vehicle.

[237] Fully off the seat.

[238] That has happened.

[239] That's why I want to drive the bus.

[240] It's not just the bus.

[241] It's not just that type of travel.

[242] Dax, he needs to be behind the wheel of the giant engine.

[243] I got to spend 60 % of the vacation fixing the fucking contraption.

[244] That's right.

[245] Because when you say it breaks like a house, that doesn't even begin to explain it.

[246] And the guy who I bought it from, David Garza in Dallas, he said, Dax, this is like owning a home that's in a hurricane with a hundred -mile -n -hour winds at all times.

[247] The thought I just had was like two hands, like on the side of the house that you live in, just shaking it.

[248] That's what is happening to it.

[249] So of course, the hot water heater is going to break sooner.

[250] The seals are going to come undone.

[251] It's just how it is.

[252] Everything's going to break inside it.

[253] It's a perfect thing to own if you love problem solving.

[254] You've got a busy mind.

[255] You want to get out there and figure out why you got no power.

[256] Nothing's working.

[257] And it provides the same thing that it's provided for people that love RV and camping.

[258] You get to have your cozy little home anywhere else.

[259] And the most embarrassing thing, I can bring on my weights.

[260] How else am I going to travel with a few hundred pounds of weights?

[261] You're not going to be able to do it, Dex.

[262] That's the bottom line.

[263] And so really, it was imperative that you buy the benefits.

[264] That's true.

[265] I have no choice.

[266] I would love to see the little mazes in your mind that work out how to justify certain purchases.

[267] Like, well, I got to take the weights with me. Sorry, Kristen.

[268] I got to buy this bus.

[269] Hey, Kristen, I got to buy this bus.

[270] Got to have Lincoln's dirt bike everywhere we go.

[271] Everywhere we go.

[272] What would she do if she didn't have her dirt bike that she barely likes to ride?

[273] I can't just drop this thing off of UPS and have them chip it over there.

[274] Okay, so Scott, on that lovely little.

[275] What was fun about it is we were parked with you guys, and then we would wake up in the bus, and we'd come out and basically just live like the bandit.

[276] We'd meet you all for the meals before the show, a lot of chit chat.

[277] It was so fun.

[278] We were catching mice in the thing.

[279] I don't know if you remember that part of the, like a house, you can get mice in the bus.

[280] Did those come with your bus?

[281] They were an ad on, yeah.

[282] Upgrade.

[283] I was trying to talk to you into a Raptor R. Yeah, that's right.

[284] And I thought I had tickled your fancy a bit.

[285] You had.

[286] But did you get that?

[287] So I didn't.

[288] Scott made a purchase recently that you'd be interested in, though, that he immediately regretted.

[289] How do I say this?

[290] You know, some people make one really big purchase every now and again, and then some people make a lot of piddly purchases and break themselves doing that.

[291] So I would back off of something like a Raptor R or a G -Wagon, which I think are just blest.

[292] blessings to this world.

[293] They're not just fancy, just like a fancy hotel room.

[294] I think this is a gift.

[295] Yeah.

[296] And it's not just luxury.

[297] An offering.

[298] It's earthly.

[299] It's beauty.

[300] I think the Hawaiians would call it mana.

[301] It's power.

[302] Well, that too.

[303] So what I did end up doing was buying a 1986 Ford Crown Vic.

[304] With 22 ,000 original miles.

[305] It's like a brand new car.

[306] It's incredible.

[307] That's a great purchase.

[308] I don't know.

[309] It is.

[310] I'm having some title issues with it because it came from Pennsylvania.

[311] No problem.

[312] We're working it out.

[313] But we're still trying to clear the paperwork.

[314] I'm not sure.

[315] I think I bought it because, well, we were watching men and black, me and the boys.

[316] We saw the black one that he's driving them as they heard it.

[317] You know, it's like, oh, man, Luke, that's an incredible car.

[318] They didn't make them like they are and they don't fly like that.

[319] They're not like men in black.

[320] No. But so we purchased this car.

[321] Do you know I was horny for the exact same car?

[322] Really?

[323] Oh, my God.

[324] That's one of my favorite movie cars of all time because it's so goddamn plain and stupid and boxy.

[325] They have blocked.

[326] And the way they made it sound in the movie.

[327] And with 22 ,000 miles, it is pristine.

[328] It's like sitting in a brand new car.

[329] It's really weird because nobody saved to those cars.

[330] They bought them for their family and they wore them out.

[331] For us, in our generation, we see that as like, oh, I remember my buddy.

[332] His mom had this car and we rode into school or whatever, but no. It's as close as I can get to time traveling.

[333] It is.

[334] So I bought the exact same thing, but the GM model, because Lincoln has a Lincoln to inherit.

[335] And I was like, Delta needs a Delta to inherit.

[336] And the Oldsmobile made the Delta 88.

[337] And it is as stupid and boxy and boring is that.

[338] Crown Vic.

[339] And so I bought an 85 Delta 88 that's currently getting an LS3 and a six speed.

[340] So that's the trick.

[341] We got to link up when we come down to Nashville.

[342] You and I got to do like a stupid hot rod car cruise.

[343] So I need to do that to that car.

[344] We have enough resources around Charlotte.

[345] You could dumpster dive and find a NASCAR motor where you guys live.

[346] That's exactly true.

[347] You're probably throwing away.

[348] Crazy parts.

[349] It's ridiculous.

[350] But I had started earlier, what is the venue that never fails to rekindle?

[351] the romance and the nostalgia there are several the new hampshire venue what is it called now el poyle loco amphitheater it's changed the bank of new hampshire you guys play at the bank when you go to new hampshire well's boring game financial center theater oh god it's high interest APR loans to low credit score arena amphitheater it's like an old fair ground but there's several that one comes to mind just because the nostalgia of being there is red rock up there it is That we have such relation.

[352] I mean, it's been 30, what, six times we've played that?

[353] So we have a history with it in terms of always delivering.

[354] Yeah, it's like that.

[355] It's been so celebrated.

[356] It's more exciting for us to think about other places, but Red Rocks is an obvious answer.

[357] It's a place that could never be built now.

[358] You could never get permission to build that.

[359] Because what, they just blasted out.

[360] Yeah, like in whatever, 1900 carved it out of like one of the most beautiful.

[361] Put seats in it.

[362] Yeah.

[363] We're going to take this at theater.

[364] Thank God they got that happening before you couldn't in a way.

[365] But there is quite a spiritual element to seeing a show there or performing there.

[366] We've developed a personal relationship with it at this point.

[367] You know, it's one thing to pass through it on the way as you hit stardom.

[368] But we've developed this long -lasting personal relationship with us.

[369] Is it the same date every year?

[370] It's a similar time frame.

[371] But it's for us kind of like our New Year's show.

[372] We've done 20 years in a row now of a New Year's show every year.

[373] It took a long time, I think, for Scott and I both to accept it as just something to enjoy rather than this occasion that we had to rise to, which sort of took some of the joy out of it.

[374] Of course.

[375] And so Red Rock's had the same thing with so much renown and so much in the state.

[376] spirit of it and the history of it, that it took many times for me to be okay being there and just know that I can inhabit the place.

[377] I don't have to match the energy of 10 ,000 people.

[378] I can just have fun with them.

[379] It's easier to do that in certain venues.

[380] Red Rocks that took longer to get there.

[381] Could we say maybe that you belong there?

[382] Yeah, that's a good simple, true way of putting it.

[383] Oh, good.

[384] That brings me to a later question I had for you.

[385] But that kind of sums up perhaps an interesting challenge for artists, which is, yeah, I think all of us don't feel like we belong where we're at for some long period of time.

[386] And there's a bunch of weird reactions that come out of that.

[387] with young artists and then you do reach that sweet spot where you're like okay no no enough times pass it wasn't a fluke i belong here that's a nice zone to be in but is that potentially problematic for creativity and even further as life carries on you guys are getting older and i'm getting older and your life gets more sorted it gets more stable there's less angst and ire is it harder to keep the engine flying creatively when we just think of what causes causes all these great outbursts of creativity.

[388] You're like hurting because you love someone.

[389] You have your first baby, C -sections and railway trussles.

[390] These things happen.

[391] And then, you know, less stuff happens.

[392] You, like, might build an 86 crown vic.

[393] By choice.

[394] It's not getting boring.

[395] Maybe the key component is being involved, invested, and interested in your own life, because it's not getting boring.

[396] I wouldn't think the performing would ever get boring.

[397] Right, right.

[398] But in terms of the creation side, like the adjutant, like making a thing, continuing to give yourself permission to do things that are scary, creatively, certainly doesn't have to be fueled by a conflict of like a negative nature.

[399] I think that's something that had to be learned possibly for our generation or certainly when I think about my own personal relationship with art. I did connect early on to more tortured, the whole Cobain, Elliott Smith kind of world, or going further back, just looking at all the different artists that have had troubles mixed into their output.

[400] But that's not the only art that I love.

[401] I love Tom T. Hall and Beatles, music about love.

[402] And it doesn't have to be a conflict necessarily.

[403] That makes sense.

[404] But definitely, I would imagine that music, part of it, is a salve or salve, that's a tough word to say.

[405] I thought it was salve.

[406] Sab?

[407] Yeah.

[408] Just salve.

[409] We don't need the, I think it's a silent L. Leave that behind.

[410] Let's get rid of that L. But do you find when you're hardcore depressed, hardcore heartbroken, the song becomes a bit of the remedy.

[411] Yeah.

[412] I certainly know that that's how.

[413] We consume and use music in a way.

[414] This is an unbearable feeling, but weirdly when I pair it with this Cure song, now this is okay.

[415] I kind of can live in this funk.

[416] We have company, which is nice.

[417] You feel a little less alone.

[418] And it's just like any organizational tool, like talking to a therapist, a lot of times it's just talking.

[419] Let me get this out.

[420] It can be helpful to you, can be helpful to others.

[421] But yeah, I certainly don't think that it needs to go away just because things in your life are getting sorted.

[422] or you're learning, that should be caused to make even more and have even more fun with it and discover more angles that you haven't discovered yet.

[423] Yeah, some of the artists you mentioned, they were almost painted themselves in a corner where they had to shovel more chaos into their life regularly.

[424] Another divorce, another divorce, another this, you know, another OD.

[425] But which is like a cop -out.

[426] I was thinking about this the other day.

[427] Man, am I out of new thoughts?

[428] I was thinking so much and coming up with all these thoughts in my 20s and early 30s.

[429] And now I'm like, I haven't had a new thought in quite a long time, which is scary.

[430] But then I was like, I need to force myself.

[431] I mean, we do this here all the time.

[432] We repeat what we've already figured out, as opposed to what haven't I figured out?

[433] What am I still curious about?

[434] But when life's going pretty well, you're not really forced to do that.

[435] So you almost have to make yourself do that.

[436] Well, life going really well, it just sort of presents an illusion that you have something figured out, really.

[437] Right, exactly.

[438] And like believing it, that's the problem.

[439] Yes, that's so.

[440] true because maybe it just means that you're not either challenging yourself or opening yourself up to enough of a new experience to be confronted with that.

[441] Do you have the same takeaway, Scott?

[442] Well, I kind of doubt that you've ever had a new thought in your life.

[443] Oh, there we go.

[444] This is provocative.

[445] Okay.

[446] Yeah.

[447] I doubt that I have either.

[448] Really.

[449] I think about three things there, conflict, covenant, and practicality.

[450] And so I don't think what caused Kurt Cobain conflict is what made him creative.

[451] At the end of the day, I think it probably was a major distraction.

[452] And unfortunately, it was probably the end of I could be wrong.

[453] That's just a guess.

[454] And I think about our covenant to our creativity, so our commitment.

[455] The objective demands to being a creator.

[456] And so as we get older, we think about, well, we're not athletes like we were.

[457] We are athletic on stage, but that changes over time.

[458] If you ride motorcycles or BMX eventually, you know, it changes how you do it.

[459] You have to.

[460] But what only gets better with ages our writing certainly just gets better and better.

[461] Probably no new thoughts, but we keep returning to these, same things within that covenant of commitment to it.

[462] So in a way there is not necessarily any need for any new, it's our commitment.

[463] Then there's this practicality to like, okay, wait a second.

[464] So when I was younger, I was thinking about these mystical truths that I was shuffling through to find, which there's a reality that there's certainly mystical truths that we all reach for.

[465] But what are the practical things that I can do to set myself up to create?

[466] So has the mechanics of how you guys create evolved at all?

[467] Massively.

[468] This most recent album, that we're here to talk about.

[469] The Abbott Brothers, side note, most people do a self -titled album on the debut.

[470] There's got to be some rhyme or reason to that.

[471] Earmark that.

[472] But when you're working on the Abert Brothers, the newest album, how has that process changed?

[473] The process changed majorly by technology in tandem with art. Technology's cutting through and doing all these things, and arts responding to it.

[474] It was happening to us as well, because we all of a sudden realize, well, we can make this record in Malibu, Concord, North Carolina, and Nashville.

[475] really other places as well, because we're sitting there tagging ideas constantly still.

[476] And so you would think that'd make you make the record faster, but maybe not.

[477] And for us, we made it slower because I think there was more listening.

[478] There was more critical thinking in it.

[479] That's a side thought.

[480] But one thing I've learned in the past five, six, seven years is feeling that belonging is like feeling at home.

[481] This is your spot.

[482] You haven't changed it since the last time we were in here.

[483] Whether you know it or I know it or anybody, it's for a reason.

[484] So for me, what I learned was something Chris Cornell told us, too, was I worked best when I'm comfortable.

[485] And if I'm sensitive to where I am, when I'm leaving, where I'm going, who's there, what am I eating?

[486] I'm not as comfortable.

[487] Do I belong here?

[488] And so what I learned in it was through technology, I was very comfortable at home being able to record.

[489] We did that at Seth's studio, but it was like right across the street.

[490] So I sing better when I'm like that because I've got nobody telling me, let's go.

[491] We got 10 hours here at the studio in Malibu.

[492] We're going to be for 10 days.

[493] Let's go.

[494] I like to work slowly.

[495] And Seth and I can work slowly together.

[496] And we don't get each other's business.

[497] And that's something that's good for me. I learned that the way Scott writes music so far as I can tell I've always been a little more of like a studious get in my comfort place get in my kitchen when it's quiet and lay out the sketchbooks in front of me and the tape recorder and the guitar and the pick and the tuner and everything and work on it like a book and with Scott it's always more of lightning in a bottle so early on I would expect him to work like me maybe we make this mistake a lot expecting others to navigate things like we do but I would like give him an idea and I would think that well he's going to go and work on it and then he'll come back but being in the room with Scott and playing him the idea he hears it for the first time and and then responds.

[498] I like to work like that too, but he really excels in that way.

[499] And sort of the franticness and the rapid fire of love of a girl, it did make me think more about Scott's energy and what he brings to the table musically.

[500] I got to just tell you this.

[501] So Seth and I hung out a couple weeks ago.

[502] Lovely hang, by my estimation.

[503] I give it an A plus.

[504] I really do.

[505] And it's a great opportunity to get up to that Hilton Universal.

[506] We were in the Roadmaster.

[507] Isaac and Jennifer sat in the back seat that faces the back.

[508] Oh, the rear.

[509] There are all kinds of new rattles in the dash.

[510] Seth was telling me that you guys have been playing with a really huge act recently.

[511] Who's the country guy?

[512] Luke Holmes, but Noah Khan was another one that we sang with.

[513] All this to say, you guys have been playing some bonkers huge venues, right?

[514] In your playing sofai?

[515] That's tomorrow.

[516] But yeah, I think I may have mentioned with Luke because Luke is just a giant.

[517] I mean, Noah's this huge dude.

[518] Noah's like, I guess more like on a songwriter pop sort of world that's taking him in.

[519] Then Luke is just this massive country star at this point.

[520] Yeah.

[521] And you're like playing sofa.

[522] And I was saying to Seth, what's it like that transition to a fucking full -blown arena?

[523] And you know the first thing he said?

[524] And I'm kind of always waiting for him to dish on you because fuck, I have a brother.

[525] If you get me alone, I'm like, this motherfucker won't shut up about politics.

[526] He thinks he's got it all figured out.

[527] He's never done it since I met him.

[528] And in fact, I go, what's it like playing in these enormous arenas?

[529] And he goes, you know, I just had a moment one time because we go first.

[530] And people are sometimes there to see the main act.

[531] And I'll be behind Scott watching him walk out into the middle.

[532] on the long catwalk, and I'll be thinking, hey, guys, open your fucking eyes.

[533] That's a star right there.

[534] Oh, my God.

[535] And he said that in your absence.

[536] And I was like, oh, my God, what a sweet brother.

[537] And I said, he is.

[538] My God.

[539] Look, it's an interesting thing being 23 years into this band, right?

[540] Yeah.

[541] And being the opening act, we're not kids.

[542] We're older.

[543] I'm almost 44.

[544] Scott's almost 48.

[545] I don't know what we look like to an audience.

[546] of like 60 ,000 people.

[547] There's a lot of young people out there.

[548] Like, I don't know what we look like, but I'm sure that we don't look like what I think that we look like.

[549] We don't look 25.

[550] You guys both look pretty good.

[551] Well, that's very nice.

[552] We're still excited to be there.

[553] But girl, you're 36 as well.

[554] Like, when you're 19, you don't know.

[555] Like, you all are both gorgeous, but it is possible that the 19 -olds are like, I think those guys are 60.

[556] Well, yeah.

[557] They have no idea.

[558] They don't.

[559] And they shouldn't.

[560] It's not on their place to know it.

[561] In that scenario, I just have to say, we're getting on an age.

[562] We're still excited to be there.

[563] We're still excited to share this music.

[564] But we find ourselves back in that very wonderful, very precious place of introduction.

[565] If a crowd's 50 ,000 people, 60 ,000 people, it's almost like there's counties, like different regions.

[566] Like these 4 ,000 over here might be digging it.

[567] It's hard to tell, you know, it's just so giant.

[568] But what I was seeing in front of me were a ton of young people, teenagers, people in their early 20s that were processing.

[569] They're just looking at you.

[570] They don't know the songs.

[571] There's no relationship whatsoever.

[572] they are biding their time to see Luke, which I appreciate, and going out on the thrust on the catwalk type thing and like throwing down and dancing and singing and going for it when you're 20 is one thing because you're showing off.

[573] There's a lot of reasons to do it, but it's different than doing it when you're in your 40s.

[574] And we are in this place of settledness and who we are that to me really shines, like to see it.

[575] Yeah, yeah, yeah, yeah, yeah.

[576] We're playing the song.

[577] We were doing Ain't No Man. He just went out there.

[578] I was proud to be up there with him.

[579] The thought did go through my mind.

[580] Like, all you kids, pay attention.

[581] Yeah.

[582] This is it.

[583] Like, look at him.

[584] He's the one.

[585] He's the real deal.

[586] There's a star right here.

[587] Yeah.

[588] It's not show off for the sake of show off.

[589] He's throwing down because he belongs right there.

[590] And we're having fun together.

[591] There is no threatening ego in it.

[592] There's no dangerous ego in it.

[593] There is no, I'm better than you in it.

[594] There's just somebody that's just doing their thing at a high level.

[595] Yes.

[596] Look at this.

[597] I feel like I can talk about this in third person, too.

[598] I feel like I can talk about him.

[599] as well right now.

[600] Just, okay, go ahead.

[601] It was an awesome feeling.

[602] Yeah, and I know what you're saying.

[603] In your 20s, you're trying to establish and define.

[604] But at 47, you're kind of mastered now.

[605] You are the thing at this point.

[606] And it doesn't matter anymore.

[607] There is no prize.

[608] You transcend it.

[609] We do it because it's going to be a great show.

[610] And I think Luke is awesome.

[611] And it's an honor to be playing in front of him and to be involved and to be invited.

[612] All of that's awesome.

[613] But we don't have this thing anymore where we think, man, if we play before this bigger act, we'll get more fans.

[614] We don't talk like that.

[615] We don't think like that.

[616] It's a luxury not to think like that.

[617] But we're just on our journey.

[618] It tickles me to think that some out there might see that and think that it's funny.

[619] Sure, sure, sure.

[620] You know, like, look at this old dude, like, dancing.

[621] Or that some might connect and think, like, oh, it's badass.

[622] Who knows what they think?

[623] That's secondary.

[624] It doesn't really matter.

[625] It's just that we're doing our thing and we're where we need to be.

[626] And it's my big brother and he's killing it.

[627] Oh, my God.

[628] You guys are cute.

[629] I wish I had you as a little brother, Seth.

[630] What you do now.

[631] Oh, bullshit.

[632] You're like, why this guy buy a fucking buck?

[633] Oh, man. What a couple.

[634] compliment, right?

[635] It is.

[636] It is nice.

[637] I feel like compliments from your baby's sibling.

[638] There's nothing that beats that.

[639] I painted this huge painting in 2020.

[640] As soon as I finished it, it went to New York to be shown in a show of paintings during COVID time.

[641] A lot of the paintings were of that time.

[642] And this was a painting of just looking down at a creek.

[643] That's all it was.

[644] And so it wasn't exactly a COVID -time painting, but it was very much was for me. And Seth and Jennifer bought the painting from me. And when my gallery, we were on the phone talking about the deal and how do you do it?

[645] And he was like, Scott, just so you know, nobody's family members, much less their brother.

[646] They say sometimes it's a mom or a dad, you know, but brothers and sisters don't buy major pieces of art from their siblings.

[647] It's to just know this doesn't happen.

[648] I was like, okay.

[649] Another thing, something I think about and then put it away is nerve.

[650] Sometimes when I feel old, But I'm hoping that somebody would look out there and go, what nerve does this guy have to step out here on this catwalk at 47 and jump around like he's whatever?

[651] What nerve?

[652] And I'm like, I can hang on to that.

[653] Eventually, maybe I'll be in a wheelchair.

[654] So what nerve does this guy have to roll out?

[655] Look at Willie.

[656] At some point, Scott will be in a wheelchair going out there.

[657] He'll be like 80.

[658] And I'll be back there at 76.

[659] And at that point, I'll have no reserve whatsoever during the song.

[660] I'll be like, y 'all look at that.

[661] That's how it's done.

[662] That or you'll be having to mention.

[663] You'll be like, you suck.

[664] I mean, what?

[665] Unfortunately, you will probably be wheeling him out into the catwalk, but that's fine.

[666] You have an obvious confidence, Scott, but I do wonder, have you allowed yourself to evaluate, how much of that have you been able to build off of cess pretty undying love for you in adoration?

[667] Is it a big chunk of the foundation?

[668] For sure.

[669] Like, you almost got to live up to what he thinks you are?

[670] No, I don't think that.

[671] I want to make sure that I can reflect and reciprocate the sentiment.

[672] That's the key.

[673] because I'm a little harsher and a little rougher around the edges.

[674] I don't think in my heart, but in my behavior.

[675] Yeah, yeah.

[676] I will be willing to say more things that I'll regret, I think, a lot of times.

[677] Is that way you're being a little quieter today?

[678] No, no. I have a little quieter today.

[679] But a lot of times, if I listen back to something, I'll hear how I try to interject every opportunity I can, and it's nice to listen.

[680] Can I make an observation?

[681] It comes from a place of I think I deeply relate, which is I think it's really healthy to be very self -aware.

[682] and then I also think it can tip into a little bit of getting in your way of disexisting.

[683] A hundred percent.

[684] The first feeling of that was with children.

[685] Your ego gets in the way and then you go, oh, okay, I want to push on this and you think you're supposed to kill your ego like early.

[686] And that's not the deal.

[687] No, no, I love my ego.

[688] And really it's to foster and to love and really lift up.

[689] No, I'm in.

[690] So I'm with you.

[691] There's a lot of thinking about disappearing and I can muse on that.

[692] We've written some about that.

[693] But to a point, the self -reflection is like, forget it.

[694] Come on.

[695] Let's do this.

[696] Let's be people.

[697] Yeah, let's shut this thing off.

[698] Yeah, we don't even talk about it anymore.

[699] Let's have some coffee.

[700] Yeah.

[701] Let's get some coffee.

[702] Let's get some coffee.

[703] Let's do it.

[704] All right.

[705] I want to hear, by the way, thank you for offering because I always feel very guilty asking musicians to perform.

[706] I don't know.

[707] We both do, right?

[708] Well, because it's an added pressure and we want everyone to feel comfortable.

[709] It's different here, though.

[710] We're friends.

[711] Well, I'm just so glad you offered because I wouldn't have asked, but it would always be my pick that you guys would play a few songs anytime you're here.

[712] So we know that I've got to give the chewed -up discarded remains to Kimmel shortly.

[713] So maybe we should get to jamming a little bit and then I have some more questions.

[714] Yeah, we can.

[715] We've got to figure out what we can do.

[716] Are you open to, like, playing a song chatting, playing a song chatting?

[717] Or would you want to chat, chat, chat, chat, play songs and get the fuck out of here?

[718] Yeah, we can play a chat.

[719] Okay.

[720] Because now we've referenced some songs would be good to hear if we can.

[721] Stay tuned for more armchair expert, if you dare.

[722] I will say one thing.

[723] It's funny you're just now considering what songs you can play here in the attic because you had a few days to think about what might work.

[724] I was kind of like that self -reflection thing.

[725] We didn't really think about it at all.

[726] Didn't want to overthink it.

[727] I didn't bring an instrument, that.

[728] I see that.

[729] Do you need anything?

[730] I have a guitar.

[731] It depends on what we're playing.

[732] Do you have a banjo?

[733] Oh, fuck.

[734] Why don't you have a band?

[735] How do you not travel with the banjo?

[736] We just didn't have the bus.

[737] We are loved.

[738] That's a no -brainer.

[739] Yeah, okay.

[740] I'm itching to talk about country kid when we're done singing.

[741] this one.

[742] Oh, Seth, and we also could just play country kid, just strum the guitar and just sing it.

[743] We totally do it.

[744] Well, play what you're going to play.

[745] Let me do country kid after that.

[746] Okay.

[747] And then I want to chat about some fun.

[748] Oh, damn.

[749] You don't have headphones on, but it just got real smooth in here.

[750] And this song gets loud on the mic with the vocals, so just as long as you know.

[751] As you can see, Rob's a one man, everything.

[752] Yeah.

[753] Yeah.

[754] When I see the guy putting the mic on the guitar that made the coffee earlier.

[755] I know what kind of operation.

[756] we're running out here.

[757] Let me know when we're good.

[758] We'll go.

[759] All right.

[760] We are loved.

[761] Whether we speak up or we are side.

[762] If we are, we are done.

[763] But we are loved, discover.

[764] There lies divinity.

[765] Even as homes lost, it may be found.

[766] If you are stand Oh, cannot stop move If you are home Pain comes and pain goes And we are love Are huge Crossing the Barbering change God you do Fuck off Wow Oh my God How can humans do this Wow Oh my God You know it's nuts There are so many Beautiful instruments in the world What are the chances that really the human voice is the number one.

[767] That's impossible.

[768] It's got to be.

[769] Maybe not mine, but it's got to be.

[770] Seth, you beautiful boy.

[771] I know.

[772] You are such a beautiful boy.

[773] It drives me nuts.

[774] Okay.

[775] You are.

[776] That voice is so fucking sweet.

[777] Keep it common.

[778] And you play it like a laser beam.

[779] It's nuts that you have that kind of control over your voice.

[780] You guys have such a way.

[781] Apart from just being beautiful sounding, there's something that happens when you two are together doing it.

[782] It is transcendent.

[783] Like, that is the only way.

[784] We've had a lot of people come play.

[785] Everyone's amazing.

[786] But there's a moment of real, there can be harmony in the world.

[787] It's so special.

[788] That was perfectly said, Monica.

[789] Transcendant's the operative word.

[790] There's also an implicit beautiful potential for family in blood, in siblings.

[791] There's something that happens that's really big.

[792] Scott and I were really lucky to play music together and sing together because I think that we haphazardly present like a thing that can't get presented by a solo artist, which is basically just a lifting up of another or like a collaboration in real time that's loving and trusting.

[793] It's an example that we get to show just kind of by happenstance.

[794] That's what it is.

[795] It's hopeful because we all have siblings and it's hard.

[796] I love my little sister.

[797] I love my brother.

[798] But this is somehow a display of the most hopeful union.

[799] To me, more than just siblings, it's any relationship.

[800] It's such a visceral sort of embodiment of how two people individually are great.

[801] But the mix can elevate to such an incredible level that you would never have on your own.

[802] The kinship part is just sort of, that's how it happened.

[803] The universality is the point that, like, we want to believe and know that we can can work together.

[804] And if we have examples, we can make something together that I could never do alone.

[805] That same truth goes for all of us.

[806] Family, not family.

[807] Yeah.

[808] And that's the thing.

[809] Sometimes you really don't want to believe that because you don't want to count on somebody else.

[810] But Scott and I, we have built a thing where we have over time just announced to the world or anyone that would pay attention.

[811] Like, we count on each other.

[812] But we don't talk about it.

[813] I know.

[814] I know.

[815] And it's just doing it.

[816] Because what it becomes, what you're saying is, I like what that symbolizes.

[817] Do you like Kendrick Lamar?

[818] Sure.

[819] He's got that line.

[820] in King Coonta maybe.

[821] I don't talk about it.

[822] I'm a be about it.

[823] I had to play that for my daughter the other day.

[824] The song is so underrated.

[825] It couldn't be celebrated enough.

[826] It's so good.

[827] But yeah, there's a hopefulness.

[828] Honestly, my brother's coming Sunday.

[829] We only get to see each other once or twice a year.

[830] And we're going to do the only thing we can do, which is play grass volleyball together.

[831] When we're on a team together, that's as close as we get.

[832] It's incredible.

[833] It is.

[834] And in those moments, there's a bitter sweet heartache where it's like, God, if we could have figured out how to work together, we'd be unstoppable in a way.

[835] There is.

[836] some crazy strength.

[837] That's also kind of like that dog you have that passes away and you lose this pup and maybe you did all these wrong things with it.

[838] You get the next dog.

[839] In that dog's honor, I hope this makes sense, you raise this one just right.

[840] Our brothers and sisters are out here on the street.

[841] And if you miss that opportunity with your sibling, in the honor of that, you go, you know what?

[842] When this Joker says this thing that I want to bark back or punch them or whatever, instead, I'm going to love them.

[843] In honor of the times that I have screwed this up, that's where you start really getting at it.

[844] Now, that sounds like a pipe dream, but it's real.

[845] But you're right.

[846] I think it's better expressed in doing and not thinking or talking.

[847] You almost got to lean into the belief that it's just there.

[848] Can't be acknowledging that stuff.

[849] It's so awesome to hear it.

[850] This was the moment at the end of the dock where you guys put down that impossible first take of no hard feelings.

[851] Oh, yeah.

[852] And Scott was like, fucked up over it.

[853] Or at least it appeared in the movie.

[854] I don't know that I want to acknowledge that this happened.

[855] It's embarrassing.

[856] I think that's ultimately it.

[857] Yeah, so weird.

[858] And then Seth talks about it in love of a girl in a way where he says, doesn't talk about the celebration, et cetera.

[859] That's funny.

[860] Psychoanalysis, so my therapist, he has this interesting thought experiment.

[861] He makes me at least consider.

[862] Is that that inherent Icarus flying too close to the sun?

[863] Do we have this fear that to really own what we are and acknowledge what we are, it would be taken from us because we flew too close to the sun?

[864] Earlier I was going to say this, Seth was talking about process, and I was envisioning what my process is, Seth, when he explained how he lays things out and organizes things.

[865] Ritual.

[866] What I realized was I'm in constant, and I don't know if this is your Gemini or whatever, but this conflict that I put myself in to deter the need to own up to the task.

[867] Right.

[868] So it comes out in this thing, well, I'm painting, but this song's pulling on me. And I'll say, well, I'll do it, but I don't have to completely succeed at it because I'm doing this.

[869] And I do that in all these ways.

[870] And in older age, you go, acknowledge this.

[871] Go and try to win this.

[872] It's okay.

[873] Instead of making it like you're terrified to fly too close to the sun because you're afraid.

[874] Instead, if I could go back to that, if we were recording no hard feelings and everybody was congratulating each other over that, what I felt or not, I would have said, absolutely, y 'all good job.

[875] I wouldn't mess with it now.

[876] It was the growth from it.

[877] And watching that was painful.

[878] Was it?

[879] Yeah, I didn't want to see that.

[880] It was really an interesting, wonderful moment that was caught on camera.

[881] Every now and then you see them.

[882] We called you on a fact check.

[883] Yeah, we did.

[884] We interviewed Rubin, and I wanted his perspective on what happened.

[885] Which is bound to be radically different.

[886] And as close as we were to Rick, that was something to him that was bizarre, that we would let it.

[887] Because to him, he was seeing it as like, keep it rolling.

[888] Now, you know, we understood that.

[889] Let's get another song.

[890] Where for us, it was like watershed moment.

[891] But Scott, I think, I'm probably projecting a lot, but I feel like I relate.

[892] Is there this weird tension between I'm afraid to fail and not be great?

[893] So I can almost not tackle this thing.

[894] I've got to convince myself I'm doing something else.

[895] And this other thing is ancillary.

[896] So if it turns out good, great.

[897] But if I commit to this and focus on it, and it's not great, then I have failed.

[898] So I have this workaround.

[899] And then on the other side of it is when I'm great, I can't acknowledge I'm great because that's flying too close to the sun.

[900] And I'll be smited for this runaway ego.

[901] Right, right, right, right.

[902] So like, you're never winning.

[903] Either you're going to suck and fail or you've succeeded and you're not allowed to succeed.

[904] And it's like, what is this trap we've built for ourselves?

[905] Yeah.

[906] But I'll tell you a lot.

[907] I think just being southern.

[908] and growing up in the church, my counselor's out here, and we talk a lot about this.

[909] Yeah, you need a West Coast therapist.

[910] Straight up.

[911] But in speaking to her, like, she'll sort of lay that out.

[912] Like, what's the guilt status here?

[913] What's the humility aim?

[914] I think it's easy to hear.

[915] And our voices, you just sort of assume that that's going to be something that is hard on us.

[916] But we grew up in really a very confident, urged us to be cocky.

[917] We were willing to say, yeah, I'm great.

[918] We didn't have a problem with that.

[919] We didn't feel real guilty about that.

[920] And maybe we were a little secretive.

[921] about it.

[922] We weren't like Rick Flair.

[923] In our hearts, we were Rick Flair.

[924] But we might be acting like Billy Graham.

[925] On the outside, we were Andy Griffin.

[926] We were Dusty Road.

[927] Yeah, yeah, I wish we were dusty road.

[928] But yeah, I think there is truth to that.

[929] I don't think it haunts us too hard.

[930] You didn't ask, and this is completely unsolicited, but I'll just say the one word that my therapist gave me that's been a breakthrough in all this is presidential, which is you should act presidential.

[931] And I'm like, ooh, that feels like the perfect middle ground between egomaniac and denying who you are.

[932] Like, okay, you're on a mission.

[933] It's justified.

[934] Presidential.

[935] All right.

[936] So you just put the betweens.

[937] Because I'm in the thick of this right now.

[938] But there's the is and there's the aught.

[939] And that tension between the is and the ought is is where we live.

[940] And what's the quality of that tension.

[941] A bad quality would be one that's pulled far to the is.

[942] It is what it is.

[943] Screw it.

[944] I'm going to do this.

[945] This is who I am, deal with it.

[946] And he never really look at that ought.

[947] And when I go towards that ought, I kind of land not as far down as just the is.

[948] It just is what it is, whatever.

[949] But you never had either one of them.

[950] It's how the quality of that attention.

[951] Oh, I love that framing.

[952] It's really something.

[953] Okay, before you played, I want to talk about Country Kid.

[954] And I hope this comes as a compliment because in my top five country songs of all time is Country Boy by Hank Williams Jr. It's so good.

[955] The level of pride, I would feel when I would latch on to that song.

[956] Same.

[957] About being a kid from the dirt road.

[958] Sing it a little bit?

[959] Oh, I'd do the whole thing with you.

[960] I live back in the woods, you see.

[961] A woman and the kids and the dogs ain't me. I got a shotgun rival and a four -wheel drive, and a country boy can survive.

[962] There it is.

[963] Yeah, I got a country boy can survive.

[964] Boom, boom.

[965] Boom.

[966] What a fucking song.

[967] So good.

[968] Definitely male one point out.

[969] Yeah, we grew up on that song, though.

[970] I mean, it was all over the place.

[971] We're going to solve problems by spitting beach nut in a guy's eye and then shooting him with the 45.

[972] Obviously not, but let boys be boys.

[973] Okay.

[974] But look, we're not going to miss an opportunity.

[975] You've got to rhyme survive.

[976] That's right.

[977] That's right.

[978] So 45.

[979] Maybe it wouldn't actually do it, but we're going to use that rhyme.

[980] But there was a version of that pride we grew up with, and it's a beautiful thing to explore.

[981] We had Barbara Kingsolver on who wrote...

[982] Demon Copperhead.

[983] No, Copperhead.

[984] You guys read that book?

[985] No. Surrogously beautiful.

[986] Poisonwood Bible.

[987] She's huge.

[988] It's about a young boy growing up in Appalachia.

[989] Mom's an addict brought home to a trailer.

[990] She ODs.

[991] He's in Foster.

[992] He becomes an opiate addict.

[993] It's beautiful.

[994] And it is so kind and generous and thoughtful to what the people in Appalachia experience.

[995] There's a scene in the book where the kid actually says, you guys know we're basically in the stall of the bathroom and we can hear you talking about us.

[996] We watch TV and we listen to songs and we watch comedy.

[997] We know you're all laughing at us.

[998] We're here.

[999] We hear you.

[1000] And it's heartbreaking and it is cruel and terrible.

[1001] Generally, the city is so glamorized and people want to chase either a dream in New York City or in L .A. There's very little offerings to go like, oh, you're already at the place that's got it all.

[1002] I mean, I guess it's what country is, but I think it's very beautiful to celebrate what it means to be a country kid.

[1003] Do you care about any of those things as this song came to you guys?

[1004] A hundred percent.

[1005] Do you get that feeling when you're in North Carolina, like, hey, y 'all, the whole world doesn't revolve around New York and L .A., believe it or not.

[1006] Yeah.

[1007] I and I were just talking about that this morning.

[1008] The requisite for a song that, like, I want to pass along to Scott or maybe want to push through to, like, maybe this will become an Ava Brother song.

[1009] It's just that it has to be real, like, has to be honest.

[1010] there has to be sincerity, the inspiration has to be there.

[1011] When that one came along, it was just like, oh, this is fun because it's honest and it's real.

[1012] It's like a list like a lot of country songs are, and not to throw shade of the genre, but there is a lot in the genre, which is only demographic pointing towards, like just mentioned the boots and the dirt road and the truck.

[1013] It feels a little pandering.

[1014] And the beer, and that's it.

[1015] And as long as you mention those things.

[1016] Well, have you heard there's an AI song, they deployed AI to do a country song, and it did it perfect, but it gets a line wrong.

[1017] It's like something about their butt.

[1018] I don't know.

[1019] If you've seen that one, it's hilarious.

[1020] That's so good.

[1021] Country music can fall into that.

[1022] Or there's a judgment against music that's country music, that it's going to be that, that it's just going to sort of fulfill that order.

[1023] So that it was real and based in truth.

[1024] And our actual experience felt really good.

[1025] And I think it is a good thing to celebrate.

[1026] The genre itself doesn't matter.

[1027] It's sincerity that matters and substance.

[1028] We were talking about New York City recently about playing in New York and being accepted there, kids from the Southland in New York and sort of sidestepping any pressure to present something that wasn't authentic because that's what gets responded to in New York or anywhere else.

[1029] Yeah, yeah.

[1030] I felt really good about just presenting our little story because that's so often what happens.

[1031] You dial in like even hyper specifically to something in your life and then you can't believe how many people have had the same experience or respond to it.

[1032] That's been really interesting.

[1033] But I mentioned like being on the bus and the cussin and what a war zone school bus is.

[1034] Oh, yeah, yeah, yeah.

[1035] It's just incredible.

[1036] 15 minute Lord of the Flies experiment both ways.

[1037] Right.

[1038] There's poor bus drivers, holy shit.

[1039] Yeah, I really am drawn to, like, the country boy can survive and, like, Tom T. Hall's country is the Charlie Daniels song with the big speaking part in the beginning, called Carolina.

[1040] I really love a heartfelt song that celebrates.

[1041] Well, gives you pride.

[1042] It's damn good to love where you're from.

[1043] And when a great portion of the entertainment industry sort of ridicules that area or that background, you do feel the need at times to push back against that a little bit.

[1044] And you see it in entertainment, they don't really understand it.

[1045] The Southern accent's always wrong.

[1046] You know, it's just not really fully understood.

[1047] So there's a great elegance in the South and an eloquence among the history there.

[1048] Very ironically, the greatest parallel genres are rap and country.

[1049] Right.

[1050] The elites hate both.

[1051] They don't understand what the fuck's going on.

[1052] They can't acknowledge that there's poetry and genius.

[1053] Right.

[1054] And both of those live on their own.

[1055] They don't really need a lot of pop horsepower and are sort of self -generating.

[1056] And they're very autobiographical more than any other genre, those two.

[1057] Right.

[1058] Country Kid, by the way, that song is a prime example of being at its best because of collaboration.

[1059] I even called Scott to talk to him about this at some point in the midst of the process of this one, because that's one.

[1060] A trap for me is completion, finishing a song.

[1061] Like, now I can move on.

[1062] I'm bad about that, sort of subconsciously assessing my value through finished pieces.

[1063] Well, you have a lot of good boyisms and wanting it to be observable as a finished thing.

[1064] I did a good job, move on.

[1065] I have been guilty of shortchanging an idea, like a really good idea because I got it 80 % of the way, but I was like, now it's finished.

[1066] So when I brought the song to Scott, I thought it was a finished song.

[1067] Here you go.

[1068] You know?

[1069] Here's a good one.

[1070] This will be fun.

[1071] I had kind of sketch it out, and I'll do that too.

[1072] Like, I'll sketch songs out fully with drums and bass and everything.

[1073] And, oh, now you just play this.

[1074] But Scott, he could tell this better.

[1075] But I think there was something kind of nagging at him.

[1076] Like, yeah, it's good, but there were pieces.

[1077] Like, the whole part that he sings, he wrote.

[1078] The part that it stops and there's that holler.

[1079] He took it and put the time into really understanding the song.

[1080] Recorded the whole thing by himself.

[1081] It was incredibly informative.

[1082] The song is a great example of it being as good as it can be because he went so far into a song that I thought was already done.

[1083] Is it fair to say that one of the cool aspects of you guys as a pair is you are quite different.

[1084] And so you're very meticulous, Seth, and you're very structured.

[1085] And then Scott brings the chaos, and we put these things together and make them work.

[1086] And now it's very multidimensional.

[1087] Right.

[1088] More so, for sure.

[1089] Because I don't finish a lot of songs at all.

[1090] I had a hunch.

[1091] Yeah.

[1092] In the studio, it's finish time for me. Just is what it is.

[1093] Well, I'd love to hear country kid.

[1094] And I do urge everyone to go watch the video while you're setting up because the video's so good i don't know if you know this but we have delta's birthday party every year nine years strong at the roller rink did you go as a kid yes live there middle school years every friday saturday girls girls there were so few sports i was good at but i was a very good skater speed skating yeah it was very fast i would win the speed skating thing in fact they put fourth and fifth graders together in the race and i won it and then the fifth grader who thought he was going to win and you won a free coke and i was on my skates about to drink my free coke i was I was so excited I had won, and he skated by and smashed it in my face.

[1095] That's mean.

[1096] Really broke my heart.

[1097] That Coke was a trophy, and he drove by and smashed it.

[1098] Well, I'm going to pee -pee?

[1099] Oh, yeah, great.

[1100] Are you sure?

[1101] Yeah, yeah.

[1102] Speaking of embarrassing.

[1103] Well, fuck, it, Dane's in there?

[1104] Oh, my God, this is going to get real.

[1105] You're about to shit in a phone booth.

[1106] I guess you're well -trained on the bus life.

[1107] Yeah, that's not a big deal.

[1108] That's spacious.

[1109] Speaking of embarrassing moments in the skating rink.

[1110] during the filming of that video, I fell.

[1111] Oh, yeah.

[1112] And I mean, a major, like, standing there, all of Concord's behind us, we're about to do a take right before the yell action, both skates out from under me, up in the air.

[1113] Oh!

[1114] I mean, it was a hard fall.

[1115] Tailbone.

[1116] Everybody saw it.

[1117] Actually, the crazy thing is everything hit at the exact same time.

[1118] And it didn't hurt at all.

[1119] Disciated all the way.

[1120] It was unbelievable.

[1121] But, boy, my pride.

[1122] The first year, we had it.

[1123] We had two different, I don't want to call it, broken wrist.

[1124] Me being one of them and my friend Nate.

[1125] in wrist braces for three weeks after the first skating one.

[1126] Someone blew out a knee and another one, and we have over the nine years figured out like, okay, we got a...

[1127] Everyone brings wrist.

[1128] Yeah, we wear gear now.

[1129] And the edict is start slow and slow down from there.

[1130] Yeah.

[1131] I had a similar thing as I reintroduced myself to snowboarding this past season.

[1132] By the end, I had some really, really hard falls.

[1133] I'm going to go one more time.

[1134] I was really demoralized, but like I wore the butt pad, the wrist things, all of it.

[1135] You have to.

[1136] Come on.

[1137] Like, let's be smart about this.

[1138] It looks like a hockey goalie.

[1139] I'll tear for a rip.

[1140] But everyone should really watch this video.

[1141] It's so wonderful, nostalgic, and colorful, and bright and fun.

[1142] And you guys are in a bunch of different outfits and your rock stars and your monks and your superheroes.

[1143] Real quick question, that double -decker Gibson.

[1144] Was that a rental or do you own that?

[1145] What's amazing about that guitar, we're referencing Led Zeppelin.

[1146] I was like, man, I've got to get a guitar that shows that I'm emulating Jimmy Page.

[1147] And I got on eBay, and it was like $300.

[1148] No!

[1149] Oh, is it a Gibson?

[1150] It's a mock -up of like an epiphone.

[1151] It's just the cheapest you can get.

[1152] It's called Cozart.

[1153] Okay, great.

[1154] It came with a hard shell case.

[1155] I'm like, I don't know how you can possibly make it.

[1156] By the way, Jim Hupay's just released a run of those with Gibson and their 50 ,000 apiece.

[1157] Scott, are you going to buy one?

[1158] Maybe I'll talk about it tonight.

[1159] Sitting in the back of your G -Wagon.

[1160] Just trade that Crown Vic in about $45 ,000.

[1161] All right.

[1162] What has this one started?

[1163] I was a country kid through and through I got my bare feet bit by a wrecking crew of fire ants on a mission for total domination of the front yard three years old on a ramshackle farm winnie the pool in the crook of my arm brother and sister not meaning no harm picking on me Give myself a whole second education in the back of the bus.

[1164] Kids kissing and cussing all around me. One more pick -up in the trailer park.

[1165] Hand -a -mouthed living will break a young heart.

[1166] Beautiful girl with a hard, hard -looking her eye.

[1167] Then I grew up and hit the city, but the sky scrapers never get me. I fly above them all the time straight through cloud.

[1168] I'm flowing fast like the Mississippi.

[1169] I was a country kid shooting hoops in the dirt, hiding smokes in the pocket of a homemade shirt, running laps in the yard until my little ex hurt and then going again.

[1170] Six feet of air off a plywood ramp, Dad's welding machine park where I would land.

[1171] All I could taste was blood, all I could fill with the rocks in the palm of my hands.

[1172] I was a country kid, though, Going parties in the woods, dragging my friends out of the neighborhoods, jealous of their cable TV and their girls next door.

[1173] Off into the dark of the night, the shape of a body traced by moonlight, interrupted by some other kid wanting to fight over her.

[1174] I grew up and hit the city, but the sky scraper never get me. I fly above them all the time straight through cloud line, flowing fast like the missus.

[1175] Floating fans like the Mississippi Inspection the bones of the second half Thank you for every single town and every single acre in between And hit the city But that metropolis will never give me I fly above it all the time straight through cloud now Flowing Fairs of the sky scrape will never give me God damn The first song broke our hearts and then this one Got us up God made me nostalgia.

[1176] I don't think I noticed how much skateboard and stuff was in that the first time I heard it.

[1177] God, do I relate to that?

[1178] Oh, my gosh, right?

[1179] The launch ramp?

[1180] Come on.

[1181] The cinder blocks and the plywood.

[1182] It's just such a good idea.

[1183] Dax, you should see the half pipes we had.

[1184] Our dad built them.

[1185] No plans or anything.

[1186] He just went for it.

[1187] Sure.

[1188] We had two different ones.

[1189] Country extreme sports are special.

[1190] It's one thing when you live in a aspirin or L .A., you know, but when you're in Cabarris County, North Carolina, trying to come up with what's the angle, what's the radius?

[1191] of this thing, your eyeballing it.

[1192] Yes.

[1193] What was the trick?

[1194] Because my brother and I, so we made a quarter pipe.

[1195] And what you would do, right, no one wants to hear this, but let's talk about it.

[1196] If you wanted a six foot transition, you're going to make a six foot tall ramp.

[1197] You would take a six foot piece of string and then you would tack it to one end of the plywood and then you would run it in the circle.

[1198] And then by the time you got to that, that'd be a perfect six foot transition.

[1199] Then you'd cut that plywood out.

[1200] What did your old man do?

[1201] Literally the first one we built.

[1202] He free -handed it, and it was eight feet.

[1203] So two pieces of plywoods and never built a platform.

[1204] So if you made it up there, it jacked up, and then it went up at an angle of, like, say this.

[1205] Two feet avert, four feet, then a foot avert.

[1206] But then we built a mini ramp that actually we had some specs on and were able to.

[1207] But still, I mean, come on.

[1208] Again, people don't really understand pre -internet world, unless you were going to drive to some city and tracked down some skateboarders.

[1209] How the fuck were you going to figure this out?

[1210] You had Trans World and Thrasher.

[1211] You could order the plans or you'd go to the local shop, which we'd really have.

[1212] Or dad would go out there with a jet style, though, to like order some plans.

[1213] Good for him.

[1214] I got to spend $30 bucks on some plans.

[1215] I applaud that.

[1216] Well, he did a good job.

[1217] It helps with creativity, for sure.

[1218] How is he?

[1219] Always great.

[1220] He tours and plays music.

[1221] He does.

[1222] He's a storyteller.

[1223] But no, he's wonderful.

[1224] They're both doing great.

[1225] And the boys love him?

[1226] Yeah.

[1227] He's super generous and sweet, but he's of a time.

[1228] that he still can be sort of scary.

[1229] Grandpa should sometimes be.

[1230] Yeah, so they won't listen to us, but when Papa's talking, they're like, he'll sit down and tell a story from World War II or something or of like a gator, like, swallowing somebody hole when the kids were like five and six.

[1231] That was always the push and pull.

[1232] Rodding flesh.

[1233] Like, he loves to talk about rotting flesh.

[1234] I mean, every time.

[1235] Yeah.

[1236] It's a trip to McDonald's.

[1237] You're going to hear about rotting flesh.

[1238] Maggots and rotting flesh.

[1239] I mean, he's big on that.

[1240] You go in there with your five -year -old, it won't be 30 seconds before he's talking about a shark, eating somebody when a craft carrier went down.

[1241] He has tons of stories.

[1242] He really does.

[1243] And I got to say, our dad is the most generous man. And he gave us the right -away for this.

[1244] On that dynamic, it's very funny because I always felt like going over to see Mom and Dad, having Isaac with me when he's really, really young.

[1245] It's like you're always kind of playing defense.

[1246] You know, what kind of concept is he about to get introduced to?

[1247] Inevitably through war, World War II, likely.

[1248] Yeah.

[1249] I've thought a lot about it.

[1250] I'm like, God, why is it always something so gory?

[1251] It's something so death -filled But I did have a realization at some point What our dad is into is heroism And there's a lot of that in World War II He knew people that knew And he knew a lot of veterans Injustified heroism That was our last great war Where we should have been there But it's a great thing though Because he does have that old school personality I don't have that If a young kid walking here right now And be like, come on over here Let me tell you about this general That feels like an older school Kind of social dynamic Well that's a toughen these boys up For the life ahead of them Also when Isaac's five years old Isaac's nine years old Me's we're riveted Later on, we'll be like, good God, that was a heckful way to go.

[1252] That was stressful, but it's super interesting, and it is part of the handing down of these great stories.

[1253] That's Isaac's sweet voice I hear on Cheap Coffee, right?

[1254] No, that's Max.

[1255] And he doesn't have that voice anymore.

[1256] Oh, and you're telling him about Infinity.

[1257] Yeah, and now he's 13 balking up and testing me. Yeah, he's ready to shove you in the kitchen.

[1258] He's ready to shove him into Infinity.

[1259] Yeah, he's done.

[1260] That I just found out Infinity does end right.

[1261] here right now.

[1262] That is exactly it.

[1263] That is exactly it.

[1264] I mean 100 %.

[1265] I found the end of infinity.

[1266] It's at the end of this knuckle.

[1267] It's so awesome.

[1268] It's all the bar breaking too.

[1269] It's incredible.

[1270] Stay tuned for more armchair expert, if you dare.

[1271] Last thing before you guys go, tell me about this musical that you guys are involved with.

[1272] Swept away.

[1273] It is a musical that's going to Broadway.

[1274] This is like a 10 -year journey for us.

[1275] So John Logan, who is this brilliant writer.

[1276] He wrote The Last Samurai and Rango and Gladiator.

[1277] He wrote a couple of the big Daniel Craig James Bond movies.

[1278] He's just brilliant.

[1279] He's sort of a Broadway, Blue Blood, incredible writer.

[1280] He was introduced to our music by a fellow named Matthew Masson, who's a producer and a friend now, but it was fan of our music.

[1281] He got into a record of ours called Minionette that we put out in 2003, and that record was like a concept record loosely based on an actual event, a whaling ship that went down off the coast of France.

[1282] in the late 1800s.

[1283] All of us were reading this book about it at the time.

[1284] Scott introduced the book to us.

[1285] I guess Dad passed it to us initially.

[1286] Sounds like a dad book from what you've described.

[1287] A lot of death.

[1288] Gore.

[1289] The custom of the sea is like a central theme, cannibalism.

[1290] Perfect.

[1291] And so the quick version of the story is that we were seeing all of these parallels between these survivors and this dingy and us in our little van trying to go out and do this thing.

[1292] So this record menu that sort of formed a little bit around that.

[1293] And that became the art concept.

[1294] Anyway, so years later, Matthew P. He introduces our music to John Logan.

[1295] And John starts writing a story based in that world.

[1296] So for like a year, he just listened to our music only.

[1297] Wow.

[1298] Made like this board on this wall, like an FBI looking for a serial killer, all the red lines.

[1299] All of our songs with all these notes.

[1300] And he wrote a story where our songs tell the story.

[1301] Like they create the narrative.

[1302] Wow.

[1303] And they're played within the musical.

[1304] There's dialogue as well.

[1305] But it's basically a story that's set in late 1800s, end of the whaling era.

[1306] These two brothers, a captain and the first mate.

[1307] Wow.

[1308] What a great idea.

[1309] That's so cool.

[1310] It's incredible.

[1311] It goes deep.

[1312] It goes really deep.

[1313] It did a run in Berkeley and then a really great run in D .C. at the arena stage.

[1314] And now it's the big moment.

[1315] It's going to Broadway.

[1316] Like this is what we always hope.

[1317] Do we have a date?

[1318] November 18.

[1319] Somewhere on there.

[1320] This will be the first time Kristen says, you want to go New York and see a musical?

[1321] And be like, yes, let's go.

[1322] You've got to go.

[1323] It's like 85 minutes, no intermission.

[1324] Yeah, fuck intermissions.

[1325] But it's fantastic.

[1326] This is a corny question, but I'm sincere when I ask it.

[1327] All of his research and consuming and analyzing the music reveal anything to you guys?

[1328] Like, did he discover something about it that was news to you?

[1329] For me, some of the story with the brothers was like, he must have been reading up or things about interviews or something that he knew about our relationship.

[1330] It turned out he didn't.

[1331] It's just so archetypal or so common.

[1332] It was so revealing how universal that is.

[1333] Also, listening to singers sing the songs versus the...

[1334] those of us who project the songs, we conceive the songs, but we're not trained singers.

[1335] Yeah, these singers are singing the songs, killing it, like, oh, like that's a different thing.

[1336] Right.

[1337] And we've started with it.

[1338] I think that's the real thing, like that, woo, la, woo, blah, bo.

[1339] Yeah, I'm like, man, I'm over here like, br.

[1340] And they're like, whoa.

[1341] Oh, my God.

[1342] But that's something to hear people really sing it.

[1343] I found myself trying to sing them.

[1344] That's funny to think about singing along to your own song and not getting it.

[1345] Like, fuck, I can't.

[1346] Yeah, I wrote this.

[1347] The weird thing for me about the first time really getting to see it was that the meanings of the songs being one of the authors, I didn't imagine that they could mean anything else.

[1348] Then the specific thing I was thinking about when I wrote the line.

[1349] Well, you think you're telling a very personal story, and then it's revealed to you it's universal, and that's really weird.

[1350] But even in the universal telling, there are elements of specificity that are mind -boggling to me, how things got turned around and mean something new in this new narrative.

[1351] Ah.

[1352] It's incredible.

[1353] I can't wait to see it.

[1354] No, you love it.

[1355] All right.

[1356] Well, you guys, I love you.

[1357] It's such a joy to have you in here singing.

[1358] Everybody listened to the new album, The Avet Brothers, and then, of course, go to Broadway in November and bump into us there.

[1359] Be well.

[1360] Thanks, guys.

[1361] Thanks, Monica.

[1362] Next off is the fact check.

[1363] I don't even care about facts.

[1364] I just want to get in their pants.

[1365] What is the aphorism slash saying slash.

[1366] Maxim.

[1367] Ding, ding, ding, ding connections.

[1368] What is the one that you use the most?

[1369] Because I just twisted this, and I remembered righty, tidy, lefty, lucy.

[1370] Oh, uh -huh.

[1371] That's a good one.

[1372] I use that constant.

[1373] Like, that's the only way I know how to remember that.

[1374] Right.

[1375] Yeah.

[1376] Even I as a mechanic.

[1377] Yeah.

[1378] We'll say that occasionally.

[1379] But I'm more, like, I've memorized the hand feeling of.

[1380] spinning my hand to the right yeah so i will kind of like i'll look at something i'll move my hand because i know which way is tight okay so it's not really righty tidy lefty lucy for you actually no but it's it's like it's morphed into a physicality sure okay but what's what one do you use a lot to remember stuff yeah that's uh like do you remember i before e except after c yes i use that a lot but again as you know that's one of the least yeah some of them are probabilistic ones there are.

[1381] I mean, that's a rule, but I swear it's only, it's about 50 % of the time.

[1382] It's I before E except after C or.

[1383] All the time.

[1384] Yeah.

[1385] So for almost every time I'm using I and E together, it seems to be an exception.

[1386] That's a good one though.

[1387] That comes up a lot.

[1388] I before E, except for after C. And then when you tie your shoes, do you do bunny ears?

[1389] What is that saying?

[1390] That's not a saying.

[1391] Well, I think it is actually.

[1392] hop through the thing and go under the app.

[1393] I'm grateful for it.

[1394] My mom didn't try to teach me that cute shit.

[1395] It was just like, tell your fucking shoes.

[1396] Here's how you do it.

[1397] Use your brain, you know.

[1398] I know, like you're stupid if you don't know how to do this.

[1399] Yeah, that was the theme, I think.

[1400] And I appreciate it.

[1401] I know it's not how I'm raising my kids or people do it now, but there's some part of that.

[1402] There's some tough love.

[1403] There's something good about it as well.

[1404] What about Roy G. Bibb?

[1405] See, I have a lot.

[1406] Yeah, you remember, like, I can't even think of any, and you have so many homes.

[1407] Do you know homes?

[1408] No. The Great Lakes.

[1409] Oh.

[1410] Even with that acronym, can you tell us the Great Lakes?

[1411] Homes.

[1412] H. Okay.

[1413] Ontario.

[1414] Great.

[1415] That's the O. Yep.

[1416] You know the M. Yeah.

[1417] Lake Erie.

[1418] Nice.

[1419] You only need two more.

[1420] H. Don't tell me, Rob, if you know it.

[1421] Shut up, Rob.

[1422] Like.

[1423] I would suspect you wouldn't get this one.

[1424] Like, not Hartswell.

[1425] Definitely not.

[1426] The Great Lake Harpswell.

[1427] We have a lake hardswell in Georgia.

[1428] That's a real lake.

[1429] It's not a great lake.

[1430] I believe it.

[1431] Okay.

[1432] Why can you get the S?

[1433] The S you could get.

[1434] I can.

[1435] Okay.

[1436] It's the biggest of the Great Lakes.

[1437] Oh.

[1438] It's where the wreck of the Edmonds Fitzgerald happened.

[1439] Lake.

[1440] It's very cold, very clean, outrageously clean.

[1441] It's the best lakes.

[1442] You have the best lakes.

[1443] Trump says that?

[1444] No, but I was just thinking of it.

[1445] Oh.

[1446] Lake Sequoia.

[1447] Superior.

[1448] Oh, yeah, yeah, duh.

[1449] It's in the name, too, really.

[1450] It's the superior of all the lakes.

[1451] Okay, what's age?

[1452] Huron.

[1453] You wouldn't know that one, right?

[1454] Oh, no. Yeah.

[1455] You did great, though.

[1456] You knew Erie?

[1457] Do you know, like, Erie more because of Pennsylvania and Ohio?

[1458] I just know it from, like, reading books.

[1459] That is what Cedar Point is on.

[1460] It's on, like, it overlooks Lake Erie.

[1461] Wow.

[1462] Wow.

[1463] A great place.

[1464] Okay.

[1465] Well, you'll come back to me because, well, Holmes, I guess, is yours.

[1466] Homes is nice.

[1467] Homes is.

[1468] And that's where I'm from.

[1469] That's my homes.

[1470] Yeah.

[1471] Yeah, I think that's why you like it.

[1472] I don't think you actually use it to remember.

[1473] I'm Matt, and I made that one up.

[1474] Okay.

[1475] I am IP.

[1476] That's for the five stages of metosis.

[1477] Oh.

[1478] Yeah.

[1479] Okay.

[1480] Tell me. I pretty much forget them now, but it's like interphase, metaphase, protophase.

[1481] You forgot P?

[1482] Yep.

[1483] Interphase, protophase, metaphase, metaphase.

[1484] Antifase.

[1485] Tlo phase.

[1486] I know the T's Tlo phase.

[1487] All right.

[1488] I'm not going to pass that test.

[1489] I made up I'm mad as an acronym so I could remember it for the test.

[1490] This is not going to count, but you'll come back to me. I will.

[1491] If one pops into my mind, don't use it, use it.

[1492] If you don't use it, you lose it.

[1493] You lose it.

[1494] Yeah, click it, ticket.

[1495] Click it ticket.

[1496] Yeah, it's on the signs to put your seatbelt on.

[1497] Click it or ticket.

[1498] Okay.

[1499] I don't think you use that.

[1500] I don't know.

[1501] Every good boy deserves fudge.

[1502] Oh, that's a good one.

[1503] Yeah, for the music.

[1504] And then the other ones are face.

[1505] What?

[1506] That's just F -A -C -E?

[1507] Yeah, those are the notes in between.

[1508] Oh, in between.

[1509] Yeah.

[1510] Okay.

[1511] I didn't know that part.

[1512] They're called something.

[1513] Oh, God.

[1514] Oh, what's exposing, huh?

[1515] Wait, how did you say it, Rob?

[1516] Every good boy deserves fudge.

[1517] Yeah, mine was every good boy does fine.

[1518] Oh, mine was deserves fudge.

[1519] Maybe it's Midwestern Fudge.

[1520] Midwesterns love chocolate.

[1521] We do.

[1522] McAnile and Fudge in Lake Huron.

[1523] I had a hell of a thirst just now.

[1524] Yeah, that I'm cutting that.

[1525] No, keep it.

[1526] No, it hurts my ears.

[1527] It quenches.

[1528] People.

[1529] No one likes that.

[1530] Oh, maybe people that want to quench their thirst, and they can go to Sprouts right now and get Ted Seegers, where today we went on sale at every sprouts.

[1531] Really?

[1532] Yes.

[1533] 300 -some stores.

[1534] The 4th of July.

[1535] Exactly.

[1536] July 1 is when it started.

[1537] You can go to Sprouts and get Theodore Seeger's premium regal brew.

[1538] Did you bring any?

[1539] Yeah, it's right there next to you.

[1540] This one's rancid.

[1541] It probably is rancid.

[1542] Yeah, so I can't drink that.

[1543] I'll put a new tap on for you.

[1544] Everything in this attic is rancid.

[1545] All the stuff in the frills, all the milks are rancid.

[1546] The Ted Sears is rancid.

[1547] The carpet's rancid.

[1548] No, the carpet looks great.

[1549] Relative to how it has looked.

[1550] People should know the cleaning schedule for this carpet.

[1551] Once every two years, I take it outside and clean it with the power washer and oxyclean.

[1552] And then it's like so sparkly for like a month and we can't believe it's the same rug.

[1553] Yeah.

[1554] And then it just accumulates.

[1555] Like there's a terrible stain over there on the way to the bathroom.

[1556] Someone didn't make it.

[1557] Yeah.

[1558] It's actually so close to the bathroom.

[1559] It's unsettling.

[1560] Yeah.

[1561] But it's coffee, I'm sure.

[1562] And we're getting due for me to power wash it.

[1563] But my hat's off to this rug because it withstands power washing as a cleaning method.

[1564] It's not like it gets pampered.

[1565] If people think that's gross, I implore them to think about how often they wash their rugs.

[1566] Mm -hmm.

[1567] I would say most people never do.

[1568] Like, they vacuum them, but they don't wash them.

[1569] They don't power wash. Or have them cleaned because it's a big to do.

[1570] But they probably don't have white rugs like we do.

[1571] That's a mistake we made.

[1572] This is the rug from the child's bedroom.

[1573] The children's bedroom.

[1574] I do, yes.

[1575] It's kind of Charlie Brown.

[1576] Speaking of rugs and cleaning, there was a leak in my.

[1577] apartment there was yeah in your your apartment specifically or from above you uh i don't know okay what it leaked my apartment ceiling leaked okay from above yeah so probably a leak above you in the apartment above you i think that uh yeah they were doing something they left their tub on or something yeah and it leaked through and then it was i you know went out in the room and there's water everywhere and it smelled bad like it was gross water was the ceiling yellow where it was coming out.

[1578] Yes.

[1579] And it's plaster, right?

[1580] You have plaster walls and ceiling, not drywall.

[1581] Right.

[1582] Yeah, it's from the 30s or something.

[1583] No, actually the ceiling.

[1584] I don't know.

[1585] Okay.

[1586] How are they going to fix that?

[1587] Do they already fix it?

[1588] No, but I've asked for it to be fixed.

[1589] When was this?

[1590] They cleaned the, I mean, the leak stopped.

[1591] Oh, okay.

[1592] That's good.

[1593] Oh, this was like a week ago.

[1594] Oh, I forgot to mention it last time.

[1595] How much water was on the floor?

[1596] So you have wood floors.

[1597] Yeah, a lot.

[1598] And then the rug is a little stinky now.

[1599] Okay.

[1600] And I'm going to need to get that clean.

[1601] and ding ding ding okay maybe you could power wash it for me well if i came in your apartment with the power washer and just gave it good spray down i would like that well if anyone was worried i got the bus home safely the last time we spoke i was going to drive at home i did i had a very fun stop in mesquite nevada yeah very unique experience i rode my motorcycle to a casino to a steakhouse and had a steak dinner.

[1602] And then when I left to come home, it was dark out, pitch black.

[1603] Okay.

[1604] And a hundred degrees.

[1605] Yep.

[1606] We're in it.

[1607] It was a very surreal.

[1608] I don't know that I've ever been riding in a hundred degree temperature while it's blackout.

[1609] Are you feeling like I'm feeling, I feel very childlike about this summer.

[1610] Oh, fun.

[1611] Like, I feel like it's summer mode.

[1612] Yeah.

[1613] As if I just got out of school but I didn't but so I don't know why that's great that's a great where it came that's a great feeling I made a fruit salad can I just add this is a real transition from how you felt like a month ago like happiness happiness optimism excitement yeah enthusiasm about the future yeah it's true yeah um that's because I went up on my medication we always notice when we're feeling low but sometimes we forget to notice when we're feeling good that's true kind of miss it yeah you're right Yeah, and you're feeling like a little kid, little childlike.

[1614] Yeah, it just feels like, you're a rascally.

[1615] Well, you're going to get into trouble this summer?

[1616] No, I'm going to be really good girl, but I just, I don't know if it, I do feel optimistic and happy and excited and fruit salads.

[1617] But I also feel like I don't have to do anything.

[1618] Right, which isn't totally true.

[1619] It's not really true, but I feel it.

[1620] That's great.

[1621] That's all that matters, because sometimes you have nothing to do and you don't even feel that way.

[1622] Yeah.

[1623] Right?

[1624] The reality is just how you feel.

[1625] I'm going to eat so much fruit this summer.

[1626] Wow.

[1627] I've decided.

[1628] You're transitioning from a breto -only diet to a fruitivore diet?

[1629] Yep.

[1630] Okay, like a bat.

[1631] Here's a question.

[1632] We just interviewed someone, a boy, who was so kind and nice and optimistic and clearly a good fucking boy, doing everything right.

[1633] He's going to church and he's dancing for recreation.

[1634] So here's my broad question.

[1635] Do you think it's easier for some people to be good than others?

[1636] Because when I'm watching him, I'm scared for him.

[1637] Like, I get this actual scared feeling, like, how does one maintain this level of goodness and no mistakes and doing everything right?

[1638] And I get suspicious it's going to break.

[1639] And then it's going to be really hard when it breaks because it's been trying so hard to be such a good boy.

[1640] But then I wonder, are people just their baselines more rascally than not?

[1641] And is it easy for some people to be super good all the time?

[1642] My opinion is, yes, it's a spectrum of personality.

[1643] Okay.

[1644] So it's interesting you brought this up.

[1645] I've been thinking about it, too, on my wogs.

[1646] Interesting.

[1647] Why is that in the air, I wonder?

[1648] I don't know why.

[1649] I just, because I operate generally with the thought that everyone is capable of anything, depending on their circumstances.

[1650] And I really believe that.

[1651] And I still do, but I'm starting to wonder if actually that's not true.

[1652] If some people are not, they're not capable of, I mean bad things.

[1653] I'm not talking about good things.

[1654] Right.

[1655] I mean bad things.

[1656] Like I think everyone's capable, probably a murderer depending on the circumstance that they're in slash the circumstances they came from.

[1657] Yeah.

[1658] But I think I'm just sort of, might be saying that to protect myself or to make myself feel better.

[1659] Mm -hmm.

[1660] I was so locked into my perspective that I actually...

[1661] Because I did murder just for people.

[1662] I think they knew that.

[1663] Yeah, I think that was pretty...

[1664] Okay.

[1665] The subject was pretty obvious.

[1666] Yeah, yeah.

[1667] I think I'm so locked into how I experienced life that I'm watching the good boy that we just interviewed thinking it must just be a battle, right?

[1668] like to stay that like swing dancing and ice skating and like really nice g stuff right and i'm like i feel like i'm battling all day long like go eat that thing and drink that stuff and do this like i just yeah i don't know i know i don't know if i was born that way or or my child did maybe maybe probably all of it's the mix but it has led it has led to this person they're disposition and the way they go through life would be very hard for you yes and um and it's funny i'm like i actually am having compassion for the person i'm thinking it must be so hard to maintain this level of like goodness and right and they're gonna snap like they're going to snap and so i have assessed certain people over the years is like they're going to snap and then they did yeah but certainly a lot didn't Yeah, I think a lot of people are in circumstances that lead them to just things being easy.

[1669] Also, that person are not perfect.

[1670] We don't know.

[1671] We talked to this person for 10 minutes.

[1672] Yeah, yeah, yeah, yeah.

[1673] But just assume, let's just assume they really are like they're saying their prayers and they thank their nurses and they do all the right stuff.

[1674] Yeah.

[1675] Yeah.

[1676] It just seems like so much pressure to be perfect.

[1677] But again, this is what I'm kind of confronting.

[1678] It would be a lot of pressure for me. Yeah.

[1679] I would be there going like, whoa, man. we got a oh you know whatever yeah perfect is different than good very different because no one is perfect and this person we spoke to isn't perfect and probably no god and this is another this is like another sort of flaw in your thinking i think you think like weirdly you think it's sort of binary no and it's not no it's a big gradient but maybe some people are really up there i think trying to be good.

[1680] Trying to like who you are.

[1681] Yeah.

[1682] Is a good effort.

[1683] It doesn't always mean you get there, but that's what these people are doing.

[1684] They're trying to live a life where they like who they are in it.

[1685] Yeah, be the best version of themselves.

[1686] Even though I just said all this, yeah.

[1687] Last night, I had, I experienced an event, emotional event, that I won't get into, but I did think, hmm, I think everyone in the whole world is bad.

[1688] Oh, okay.

[1689] That's, um.

[1690] Different types of bad and different things are going on, but I think we're all bad.

[1691] See, now you're joining kind of my point of view and me saying I'm a piece of shit.

[1692] So I think we're all bad and we're all good.

[1693] But we're all selfish little.

[1694] creatures trying to figure out how we can get the best situation for ourselves.

[1695] There's a gradient there, though.

[1696] Like, okay, I guess I've just been back and forth on all this a lot.

[1697] Yeah, it's hard to nail you down on this.

[1698] You just said everyone's bad.

[1699] And then I said, well, everyone's trying to make the best scenario for themselves possible.

[1700] You go, no. Listen, I don't, if we were just like we know, then we'd be very arrogant.

[1701] We don't know.

[1702] It is all very gray and confusing.

[1703] And I do think people land all over the place on this map.

[1704] But it's like the map isn't just vertical.

[1705] It's like horizontal and diagonal.

[1706] It's a Roar Shack.

[1707] It's a mess.

[1708] And people are a mess, but they're also good, I guess.

[1709] Yeah, we're all complicated.

[1710] We're all good and we're all bad.

[1711] But do I think like some things that I've done that were for me bad, like, but that I did, other people would have no problem not doing?

[1712] Yeah.

[1713] I do, even though, like, for me, it was like, no, I had to do that.

[1714] Right.

[1715] I do think, though, life, I think this is universal.

[1716] And again, maybe I'm overestimating my similarities with their people.

[1717] But I do think your nature is to be entirely selfish.

[1718] And then that's the friction of life.

[1719] It's like, well, I want to grab all that pizza.

[1720] But I'm not going to do that because I'd be a bad family member and a bad community member.

[1721] Right.

[1722] You have to like, first your desire is like more for me, the most.

[1723] Some people struggle with that for more intensely and for longer in life.

[1724] Yeah.

[1725] And I think parts of that fade out quickly for people, because you learn, depending on your environment and how you've had to grow up, you can learn pretty quickly.

[1726] That actually doesn't get me what I want.

[1727] Well, right.

[1728] But in a weird roundabout way, you're still getting to where you want to get for yourself, right?

[1729] You go, that's actually the shortcut is the fastest way at the back of the line.

[1730] Like, I could steal all that pizza for myself right now.

[1731] And then I never get invited to do another thing again and blah, blah, blah, blah.

[1732] So it wouldn't serve me in the end.

[1733] So you do make a decision that is, there remains selfish, but it's like evolved selfish.

[1734] But some people have to do that train of thought that you just said.

[1735] They have to do it.

[1736] You don't think some people have to do it at all?

[1737] No. Really?

[1738] There are elements of my life where I have to talk it through.

[1739] And then there are elements that I definitely don't, but I see other people having to do it.

[1740] Right.

[1741] Yeah.

[1742] I feel like I have to talk myself into being the version of myself I want to be.

[1743] Yeah, I don't think it comes naturally to me. I think I'm more like go steal everything I can.

[1744] Yeah.

[1745] And make sure I have everything I need.

[1746] Well, as long as you know that that's your nature, but that it's important for you to then have the second step of it.

[1747] This is why having a family is a really wonderful immersion therapy.

[1748] because like it happened a few times just in the last few days where it's like within rapid succession three different people yelled at me for stuff that I really had nothing to do with I mean really let me have it it was like one two three I got it from my wife and then I got one from Lincoln and then Delta was the last one to light me up and it was in the theater like I just said yeah like I was trying to solve something for And she's like, stay out of, I don't want to hear it for me. You know, she really let me have it.

[1749] And I simply, I didn't respond at all.

[1750] And I just sat there because we were about to watch Iron Man for the first one.

[1751] I convinced him to let's give that a shot.

[1752] I just didn't say anything, right?

[1753] Again, that's not me. I know.

[1754] I like defend myself.

[1755] Stop trying to hurt me. Stop trying, right.

[1756] I just took it.

[1757] And then, and then so then Delta turns back towards the screen and Lincoln puts her arm out and like, pets my arm.

[1758] I was like, oh, that was lovely.

[1759] Like, if I would have defended myself, aggressively, I wouldn't have gotten this beautiful moment of compassion from Lincoln.

[1760] So that's a win I would have never seen coming and wouldn't have evaluated.

[1761] And then about 30 seconds after she let me have it, mom came and said something to me. And Delta goes, guys, we have to be nicer to dad.

[1762] And I just did it the worst.

[1763] He just kind of taking it and getting beat up.

[1764] And so mom, don't ask him about that right now.

[1765] And what was so great is, like, this was an outcome that was unforeseeable to me for most of my life.

[1766] And it was so much better than me defending myself in any one of these given moments.

[1767] But, like, I got my own reward, which is they ended up being really nice to me. And they took a moment to actually see me. And I was like, I couldn't have figured that out in life without these three people that I have to adjust how I am, you know?

[1768] Yeah, that's why I always feel guilty on my.

[1769] parents because they just eat every take it all they just take it i mean i know you don't like this but i i do think that's part of being a parent oh course it's like yeah oh it is and that's why i do it um it's not as my therapist says there's no what about me's yeah exactly there's no what about me's and that's like a rule i have for myself yeah and it's hard because i like to say what about me yeah and i've had to practice not saying what about me because i love them all so much you practice and this makes perfect it will no the reward is there it wasn't the one i was expecting sure but it was there and i wouldn't have ever discovered it yeah do you ever say practice makes perfect that's an aphorism saw saying i am tempted to say it to my kids a lot because they want to do something they want to be great at it but they don't really want to practice that's again back to human nature you don't want to be great at stuff you don't really want to put in the time just want to shine.

[1770] Depends on the thing.

[1771] I actually think if you really do want something.

[1772] It doesn't feel like practice.

[1773] No, right.

[1774] Because it's all towards the win.

[1775] But like an instrument in particular is all practice, right?

[1776] Yeah.

[1777] And you don't get any of the rewards for a long, long time.

[1778] That's why acting is a hack, because it's fun the whole time you're practicing.

[1779] Yeah, but I think people who are truly musically inclined like it.

[1780] They like it.

[1781] Yeah.

[1782] I guess we have coming up learned how to make beats at age 11 like most people are not enjoying figuring it all out yeah that's how you know you're doing the thing you love speaking of cool stuff i talked about the armez podcast already but now i'm on many other episodes of that show acquired yes and i'm obsessed with it i got to start listening because eric was talking about i hung out with eric yesterday yeah and of course we were talking about your mutual obsession with armease yeah now we're Now we've moved on.

[1783] We listen to LVMH.

[1784] We listen to, I listen.

[1785] There's an, there's an episode on Taylor Swift that at first, when I first started it, I thought, because I've already listened to so much on her.

[1786] And there's a very, very good podcast called every single album shout out on her in each album and whatever.

[1787] So when it started, I was like, I already know this stuff.

[1788] I don't even think I'm going to get much of it.

[1789] But then it transitions into the business element.

[1790] And it was so fascinating.

[1791] And then I listened to Amazon .com.

[1792] And then I listened to Walmart.

[1793] And I'm becoming such a business lady.

[1794] Yeah.

[1795] I'm learning so much.

[1796] I have not felt, well, again, it's like summer mode feels fun and old and new.

[1797] And this feels new.

[1798] This feeling of, oh, I'm learning.

[1799] I'm learning about something fun and interesting and that I know so little about, but I want to know more about it's fun because I like business it interests me fascinating selene dion doc okay you have not watched it I have not watched it yet are you gonna watch it do you think I might it's pretty fascinating yeah and I want to not sound judgmental and I hope it sounds like just a great curiosity that came about while I was watching it first of all I've never bought a Celine Dion CD what the music wasn't for me. So I don't really even know how to evaluate her.

[1800] Through watching the documentary, it's pretty clear she's probably the best singer to ever live on planet Earth.

[1801] She is as close to perfection as I think a human voice can get.

[1802] She can play her voice like a synthesizer.

[1803] She can go through every single note through every single scale.

[1804] There's no pause.

[1805] Like, they really show all the different things she could do with her voice, which were crazy.

[1806] And I did not know this and what the doc is about is she has a disease stiff person syndrome never heard of it yeah it only afflicts one in three million people which means there's only 100 people in america with this disease knock on wood not even gonna knock on wood for 100 what i'd rather you knock on it okay thank you okay wow we don't know well she has this disease yeah she's one of 100 people in america And the symptom is she can't sing.

[1807] It doesn't make her blind, doesn't make it so she can't walk.

[1808] It makes it so she can't sing.

[1809] Yeah.

[1810] That's beyond an odds fascination.

[1811] Yeah.

[1812] It's more than one in three million.

[1813] It's also the person who's got a one in a billion voice.

[1814] Yeah.

[1815] It's very fascinating.

[1816] I think you need to say more.

[1817] It sounds like you're saying, don't believe it.

[1818] She definitely has it.

[1819] Yeah.

[1820] She's definitely experiencing it.

[1821] I was shocked in the doc.

[1822] No one asked the question psychologically, what might be going on.

[1823] You wonder how much of this is in the mind.

[1824] That the body has protected the mind.

[1825] That the identity is, to me, this doc is almost frame for frame the same doc as the Ronnie Coleman doc I'm obsessed with, which is the identity is so, so cemented in this voice.

[1826] And she says that.

[1827] Yeah.

[1828] That the notion of should I retire, should I quit, could I quit, could I quit, could I retire, who am I without doing this thing?

[1829] Also, there's no in the doc, there's no downside to it.

[1830] She loves being Celine Dion.

[1831] The only heartbreak is she can't perform.

[1832] And that's curious to me, because we've interviewed a lot of people who have achieved a lot of great things.

[1833] And most people, it's a mixed bag.

[1834] I've never met anyone that it's just all gravy to be Adele or Celine Dion or these people.

[1835] There's a lot of it's hard.

[1836] And so I just, I can't help but be fascinated with just the odds of this happening and how curious it is that the symptom is she can't sing is everyone with stiff person syndrome have different symptoms well there's only a hundred people with it so but is there's cramping okay there's foot cramping she has to be on a lot of volume which is interesting because volume's an anti -anxiety drug so we're acknowledging there's a psychological component but we're not really acknowledging there's a psychological component right we go through the whole doc and we don't point out that it's pretty wild and just but is the voice all I mean I know it's really rare but in all the cases is the voice always affected or is it per person kind of like Lyme's disease has different iterations in each person is that how this is they don't really say that but in her she's moving about walking and doing everything right I think her feet hurt she gets massages in the film but what is taking an enormous hit is her voice she's saying I mean, she's so brave.

[1837] She sings for us, and it's gone.

[1838] Didn't she just have an album come out?

[1839] Well, that's a fascinating part of the doc.

[1840] I don't want to kind of, for people who are going to watch it, I want to ruin the ending.

[1841] But there's also an interesting overlap with her trying her hardest to record again, and then a very strong episode.

[1842] Yeah.

[1843] I don't know.

[1844] But there is a new song because Liz was like Song of the Summer.

[1845] Oh, really?

[1846] Yeah.

[1847] Oh, okay.

[1848] I don't know about that part.

[1849] huh well it's it's such a uniquely cruel weird thing to happen to someone that's so specific that has only happened to 100 people right and it has forced her to maybe retire and i just think it's really fascinating yeah it is fascinating it is fascinating it's like if Picasso got a disease that only affected his right hand you'd go like well that's really interesting right because it's not even like if Picasso had ALS correct it's like very specific or he went blind in the eye he you know it's just like it's it's just weird I mean I look I am not saying I don't believe it you're not saying she has it there's no question she's experiencing all that I am not at all at all suggesting that she's faking this right she's not yeah she has something yeah but at what point you have something and you go wow I'm only I'm one of a 100 people that has this and it's forced me to make a decision I would have never been able to make myself.

[1850] Am I curious about that?

[1851] That sounds like I'm blaming her in a weird way, right?

[1852] I know, which I just want to be careful.

[1853] But it doesn't.

[1854] If people really hear what we're saying, I hope they can hear it.

[1855] But you know, it's funny is like when you have a lot of symptoms of something or something's going on, often, you know, you go to the doctor and they're like, well, it's probably just stress.

[1856] And that's so annoying to hear and everyone like really hates that.

[1857] And everyone like really hates Everyone says, like, the medical system's bad because they just say you probably have stress.

[1858] But the truth is stress does cause so many problems.

[1859] And people's brain can push on long past what their body can take.

[1860] I would say I would kind of all run the exact same risk saying like Kristen just got really, really sick.

[1861] And we all live in the same house and kissing and doing all the stuff.

[1862] and it hits her uniquely hard.

[1863] And I will just say that Kristen's not the type of person who will say, no, I need a break.

[1864] She will push really, really, really hard.

[1865] And I do think your, I think your body can say, no, we're taking a break whether you want to or not.

[1866] Yes, I do think that's true.

[1867] Like this happens a lot when you have like a crazy three weeks of work or something and you have to.

[1868] There's just no other option.

[1869] You have to show up.

[1870] You have to do it.

[1871] And then immediately you get sick.

[1872] Yeah.

[1873] Yeah, people really relate.

[1874] They go on vacation and they're just dawn.

[1875] They're, like, cooked on the vacation.

[1876] Yeah, exactly.

[1877] I don't know.

[1878] I just think it's, I think there's a lot yet to be discovered about that process where the body takes over.

[1879] I just think it's really fascinating and interesting.

[1880] It is.

[1881] Okay, a couple things.

[1882] This is for Ava Brothers, wonderful.

[1883] What a joy to hear them saying.

[1884] A couple other good boys.

[1885] Great boys, yeah.

[1886] I mean, fucking Suss not even drinking coffee.

[1887] Yeah.

[1888] My God.

[1889] He's not.

[1890] Yeah, he's not.

[1891] Weirdly, we spent the beginning of this whole conversation talking about the bus and then like, why do you have it?

[1892] And to own it is to be fixing it and blah, blah, blah, this whole thing.

[1893] And then you had your - You think I jinxed it.

[1894] I don't actually think you jinxed it.

[1895] I think it's just the reality.

[1896] It is, it is.

[1897] Like that bus means always you're just going to, something's wrong with it.

[1898] That's right.

[1899] It's like, almost like you can't be surprised.

[1900] Nor was I, to be honest.

[1901] And inconvenienced and annoyed, but not my expectations were completely different.

[1902] But, yeah, it's like owning an old car.

[1903] If you like old cars and old motorcycles, quite often when you go to the fucking donut shop to show it off, it doesn't start when you want to leave and go home.

[1904] That's just how it is.

[1905] Yeah.

[1906] Yeah.

[1907] Everything's got a little, everything's proportional.

[1908] Okay.

[1909] Now, you said that you thought it was King Kunta, the lyric.

[1910] I'd just be about it.

[1911] I don't talk about it.

[1912] Yeah.

[1913] I think it's money without me. It's definitely not King Kunta.

[1914] Then it's, because I only have two on my playlist by him.

[1915] Then it's, um.

[1916] The lyric and money without me is you can talk about it.

[1917] I'm a be about it.

[1918] But I will say this song is confusing Because I can't find it on Spotify So I don't know if it's like a I don't know Then I think it's got to be all right Some of his songs have samples That can't be cleared for Spotify It looks like too I don't think about it I deposit Every yellow is zero Thinking of my partner Put the candy pen in Nor Rico Diggin in my pocket And a prophet Right here Right here I don't talk about it Be about it Be about it Okay That's not what what I looked up.

[1919] But it's probably in the song you referenced too.

[1920] Maybe he's using that often.

[1921] You can talk about it.

[1922] I'm a be about it.

[1923] Oh, he's got a whole song dedicated to it.

[1924] Yeah, but I'm confused about this song.

[1925] Okay.

[1926] It's a confusing song.

[1927] I just can't find it.

[1928] Even though the premise is pretty clear.

[1929] I'm not going to talk about it.

[1930] I'm just going to be about it.

[1931] Right.

[1932] Well, that's kind of weird that you said the lyric wrong, but that it is a lyric.

[1933] What did I say?

[1934] You said what I just read.

[1935] I don't talk about it, be about it.

[1936] Yeah, and what I say.

[1937] You said I'm a be about it.

[1938] I don't talk about it.

[1939] Okay, well, I fucked it up.

[1940] But it was a little wrong, but it seems closer to this other lyric that I guess is real.

[1941] Anyway, okay.

[1942] Anywho.

[1943] Kendrick Lamar, if you're listening, we'd love to talk to you.

[1944] We'd love for you to clear this up for us.

[1945] Yeah, come in here and explain what the fuck's going on and why that song's on Spotify.

[1946] I love for him to come on.

[1947] Me, too.

[1948] But he's in all kinds of dustups right now.

[1949] Yeah, you said with Drake.

[1950] Yeah, he's a big Drake dust up.

[1951] We might get like fireballed by Drake lovers.

[1952] I think it's a heated.

[1953] We'll have Drake on as well.

[1954] Counterpoint.

[1955] Okay.

[1956] I looked up asking a, I mean, there's a lot of these.

[1957] Asking AI to make a hit country song.

[1958] There's a lot.

[1959] So it's like.

[1960] Asking AI to create a hit country song about beer for breakfast.

[1961] I woke up in the morning to crack myself a beer.

[1962] Then went down to the kitchen to grab myself a beer.

[1963] Made myself from breakfast I get a divorce Oh, that's good It's a good song It's not a bad song No I like when AI gets confused Those are my favorite ones Like the one I had heard It started out really good and normal And then somehow it became about pooping your pants Oh my God Yeah You know what's interesting is like I was following this architecture feed on Instagram That I had no idea was all AI generated And they were the most gorgeous houses.

[1964] I was like, who could afford these houses?

[1965] And they're so beautiful.

[1966] And then one of the houses had a boat parked in front.

[1967] Okay.

[1968] And I'm looking at the boat.

[1969] And now I know about boats.

[1970] I don't know about the limits of architecture.

[1971] Right.

[1972] And I'm like, where's the steering wheel on that boat?

[1973] And where is the engine located?

[1974] Where's the motor?

[1975] And where's the steering wheel?

[1976] And I realized, oh, AI generated this boat and forgot some pieces.

[1977] Oh, wow.

[1978] And that's what led me to then read more about the Instagram page and come to find out it's all AI generated.

[1979] And they're not even hiding.

[1980] And I just didn't know.

[1981] I just saw it suggested.

[1982] I'm like, oh, I love looking at these beautiful houses.

[1983] Right.

[1984] But it took something in my sphere of expertise.

[1985] That's funny.

[1986] Or they fuck up fingers, right?

[1987] Yes.

[1988] That's a good clue.

[1989] Like count the fingers.

[1990] Yeah.

[1991] That's really it.

[1992] That's everything for the Ava brothers?

[1993] Yeah.

[1994] Yeah.

[1995] It was fun.

[1996] I like them.

[1997] They're sweet.

[1998] Very sweet.

[1999] I get to see them at Red Rocks in a couple days.

[2000] You are?

[2001] Yeah.

[2002] We're driving and just happened to be going through Denver the night.

[2003] That's like one of my big bucket list goals to see them at Red Rock.

[2004] I'm so jealous.

[2005] That's their cathedral.

[2006] Well, they said...

[2007] Well, first of all, Red Rock is supposed to be the best place to see a show.

[2008] And then I love them so much.

[2009] And the spirit of Red Rock that I think is the spirit of Red Rock, feels like such a synergistic, symbiotic pairing.

[2010] Yeah.

[2011] I just think anywhere it's outside in a little, like I think them at the Greek was great.

[2012] Oh, yeah.

[2013] And look, I saw them in a parking lot in Indianapolis in this like very weird kind of fairground.

[2014] Yeah.

[2015] That was awesome.

[2016] Yeah.

[2017] They're awesome everywhere.

[2018] I mean, honestly, I mean, this is a weird thing to say.

[2019] But even if you're like only a six on them as, uh, their music as you hear it.

[2020] Trust me, the live show.

[2021] Even if you were lukewarm about their music, you've got to go see them play.

[2022] They're also talented, and there's so many musicians on stage, and they fucking rip.

[2023] They're so fun to watch.

[2024] They are, yeah.

[2025] That was Lincoln's first concert.

[2026] She sat on my shoulders.

[2027] Cute.

[2028] All right.

[2029] Anything else?

[2030] We covered it all.

[2031] I think we did it.

[2032] Okay.

[2033] Love you.

[2034] Love you.